W.R. - Misterije organizma

WR is one of my two favorite films, and is widely considered by people knowledgable about the film and the era as "one of the most profound and humerous films of the decade". I call it the "Citizen Kane of the Sixties" because it did what the first "Citizen Kane" did earlier - it summarized the realities we all were living with in the Sixites in the Global Village - the reality of sexual repression in both the East and West, the horrors of the McCarthy Era in this country, the obsession with sports in Russia, etc., etc. It is no accident that a still from this film is on the cover of one of the greatest books on film, "Film As a Subversive Art" by film critic and founder of the NY Film Festival, Amos Vogel. I can understand why many Americans do NOT understand this film - the organization of the film, the two overlapping storylines, the music - all so different from the Hollywood material. However, it is considered by many including myself to be a masterpiece, as are all the films by its director, Dusan Makavejev. Together, he and Jean-Luc Godard are the two "Picassos" of film since WW II - and should both be held as two of the greatest filmmakers of all time.

I saw this originally at a showing at the British Film Institute years ago and it blew my mind. Every film student should see it. A subversive mix of politics and sex, it shows just how boring and middle class Monty Python, the Farrelly Brothers, et al really are. A non sequitur to the 9th degree, it shows the power that cinema can have on an audience. Considering the age of this film, it is incredible how outrageous it is. Once you've seen it, you will never forget it. It is truly a land mark film in the realm of the surreal. A must viewing for everyone.

Makavejev was always one of the clowns of the Third Cinema, and WR, his masterpiece, is no exception. Makavejev interweaves fiction, documentary, and found audio and video clips (a Stalinist propaganda film, electro-shock treatment footage) to create a fantastically bizarre but intelligent discussion of both the orgone energy theory of Wilhelm Reich and the relationship between Yugoslavia and the USSR in a post-Stalinist era.

I know. It sounds tedious, but it isn't. In fact, it's really fascinating. Among the clips Makavejev (a film theoretician in his own right, WR harkens back to the pre-Stalinist era of Soviet Montage) assembles are footage of performance art by the Yippie poet/singer Tuli Kapferberg and documentary clips of Jim Buckley, an editor for Screw Magazine, getting a mold of his penis made.

WR is bizarre, dogmatic, and at times, hard to watch, but having seen it twice now, I've come to appreciate its ways. By the time Vladimir breaks into song at the film's end, you'll be smiling too.

I completely disagree with the comments of the previous reviewer. Personally knowing very little about the Orgone or Wilhelm Reich, I derived great enjoyment from this film. In fact, I popped in on the TV just to get an idea of its style and structure (without planning to watch it right then) and ended up getting sucked in and watched it all the way through. Makavejev's filmmaking (that I've seen) is quite different from the norm, but not in an overly self-conscious or self-serving way, like Hal Hartley's efforts. "WR" is egoless, simply using film to draw parallels and make observations that are done quite effectively in Makavejev's unique style. It reminded me of the "I am Curious" films, but those are also a bit too self-conscious for me. I also highly recommend Sweet Movie, a later film of his. I only wanted to post these comments in light of the previous user's comments, as we should all remain aware of how subjective one's tastes are from another's. I didn't like the previous user making such blanket statements like "I suppose it might be watchable enough for people who are familiar with Reich, but if you aren't, then I strongly urge you to avoid this film at all costs." when tastes are obviously so variant - remember, I knew barely anything about WR or the Orgone, and enjoyed the film tremendously. Thanks for your time.

WR: Mysteries of the Organism, is one unique if not messed up viewing experience. Part documentary and part fictional surrealist philosophical sex comedy, Serbo-Croatian director Dusan Makavejev assaults the viewers senses with imagery, music, politics and satire. "Mysteries of the Organism" is on many top 1000 film lists, but for some odd reason it is nearly impossible to track down. Just like Makavejev's other film "Sweet Movie", I was put on a several month waiting list on Amazon. Thank god for ebay! This is a film that screams for a DVD release, but I don't think many distributors want to touch it due to it's explicit sexuality and subversive elements. The film starts off as a documentary on Wilhelm Reich, a scientist who studied the orgon and used the human orgasm as a method for healing. Of course, similar to the scientist Tesla; his books were seized and burned by the U.S. government and FDA. Then the second part of the film deals with Milena, a sexually liberated Yugoslavian girl who makes revolutionary speeches on her apartment balcony. She says "The October Revolution failed by not excepting free love". Later she falls in love with a Soviet figure skater who's afraid to express his sexual feelings. So this film is a comedy, based on the politics of human sexuality. It mocks capitalism and communism for suppressing people's sexual desires. Now if only I could find the soundtrack. My rating is 10/10, which means I'll watch it again!