L'uomo dagli occhi di ghiaccio

An Arizona State Senator named Neil Robertson is murdered in front of his house, and the local police arrest a male suspect who has icy eyes. Then an Italian journalist, who is obliged to use somehow Americanised name, Eddie Mills, finds a strip-teaser named Anne, who seems to be a witness of the murder. And, partly because Anne testifies against the accused, the man with icy eyes is found guilty. But soon Eddie realised something wrong with the whole case... First of all, I want to say this film is not particularly bad. Indeed, this one is much better than the director's 1972 Giallo titled SCENES FROM A MURDER. However, this film doesn't seem to be a masterpiece mainly because its latter half is almost exclusively concerned with HOW TO STOP THE WRONG EXECUTION. Consequently, in proportion as the story develops, apparently most important question, namely, WHO IS THE ACTUAL KILLER?, becomes less and less important. Indeed, this film as a whole doesn't seem to be serious about the question. Furthermore, the last sequence of this film is much less suspenseful than that of Robert Wise's 1958 film, I WANT TO LIVE!, though these are concerned essentially with the same. And I think this being-less-suspenseful in the most important sequence is due to the director's almost characteristically paced direction rather than to the story-and-screenplay themselves. And, instead of the cinematic tension I WANT TO LIVE! has, this film has the rather (unnaturally) theatrical, like the scene in which Eddie and his partner, Hammond, are attacked by some robber just 20 minutes before the execution. Here, it seems to be natural to add this film more or less resembles Clint Eastwood's 1999 film, TRUE CRIME. However, this 1971 Giallo is much better than the 1999 junk. Indeed, as mentioned above, I don't think this film per se is not particularly bad one mainly because it has a unique element, namely, astrology. The film has a astrologer named Isaac Thetham, and he prophesies there will be two unidentified dead persons by midnight. (The execution is planed to be done at the very midnight.) The leading character, Eddie Mills, doesn't believe such a story, but soon he realises the astrologer's words become to be truthful. And this film almost surprisingly succeeds in using astrology effectively. Incidentally, for good or bad, Barbara Bouchet is rather manor in this film, even though she is the second person in the cast section of the credits of the very film. Her character, Anne, sometimes seems to be important, but ultimately she is nothing but decorative. So it can be said this is not a right film at least for the serious Bouchet fans.

Well, I was disapointed by this Italian thriller made in America. I thought it was some kind of a giallo in the US, but it remains an acceptable detective - even if the hero is a journalist - topic, a guy trying to prove that a man is not guity of the crime he is accused of. The most terrific, exciting scheme in the world for me, at the same scale as the sexual life of the pure water turtle.... Boring to death. But I finally made it, I don't know how. I should be decorated. But it was my fault, my expectations were far too high. I will be more careful in the future with y choices. Alberto De Martino was more interesting in crime, actioncrime poliziottesco features.

Eddie (Antonio Sabato, Sette Orchidee macchiate di rosso) is an Italo-American reporter working in Albuquerque, New Mexico. He leads the investigation upon the murder of the wealthy senator Robertson, who has been shot in front of his house. A suspect, Carlos Valdez (Giovanni Petrucci, Estratto dagli archivi segreti della polizia), who happens to be a radical opponent, has been arrested on the crime scene, but informers talk about another guy involved, "a man with icy eyes". Eddie should now find the mysterious killer, but he seems not to be very perspicacious nor persistent, and is continuously to be pushed further by his chief Hammond (Victor Buono, Lo Strangolatore di Vienna), while the editor of their newspaper Davis (Keenan Wynn, C'era una volta il West) does not want him to go too far.

Fortunately Eddie finds a witness who saw Valdez with the icy-eyed man the night of the murder: the stripper Ann (Barbara Bouchet, La Tarentola dal ventre nero). Her witnessing is to send Valdez to the gas chamber, to the despair of his wife (his sister in the English version: Faith Domergue, Una sull'Altra). But hasn't Eddie too easily accepted a rather convenient solution? He is warned by Robertson's astral consultant Isaac (Corrado Gaipa, Giornata nera per l'Ariete) that his doom shall come through this issue. And as he tries to find the unknown so-called icy man, witnesses are killed or silenced. This small giallo set in the USA, taking benefice of its well appreciated actors in the genre, lacks however of nerves or tension, and the director has pain to put its pieces together; but it should take the spectator until the end without displeasure. (Viewed in an English 1h31 version.)

The Man With Icy Eyes is one of the rarest Giallo's out there, and to be honest I'm not really surprised that it hasn't cemented itself a more profound place in Giallo history. The film is undoubtedly very well made and features a strong plot; but unfortunately Alberto De Martino's film is not particularly exciting at any point and the lack of gory murders that made other genre films such highlights makes the film's chances of becoming a genre favourite slimmer still. I would say that the film is something of a cross-over between the Giallo and Polizi genres, with a lot of the focus being on an investigation carried out by the lead character. The film begins with the assassination of an Arizona state senator. Ambitious journalist Eddie Mills (an Italian immigrant) is assigned to report on the case and he promptly begins investigating the crime. His investigation leads him to a stripper who seems to know more than she is letting on. The police later arrest a man they describe as having 'icy eyes', but Eddie believes he may not be the real killer.

The film is fairly well placed; although it does have a tendency to get confusing, and this is at least partly caused by the lack of excitement which can make concentrating on the film difficult. The mystery itself is not particularly interesting either, and I found myself not particularly caring who the murderer is on more than one occasion. I have to admit that the copy I saw was not of the best quality, so I couldn't fully appreciate the director's capturing of the locations; but most of it looked pretty desolate and the film doesn't feature the captivating colour scheme shown in many of the best Giallo's. Antonio Sabato takes the lead role and it decent in it, and he gets good support from the sexy Barbara Bouchet; whose role was too small for my liking. There's not a great deal of distraction from the central plot; only a 'supernatural' side plot that doesn't go anywhere. Overall, I have to admit that I found this film to be rather dull. There's nothing outstanding about it, and I'd only recommend it to real hardcore collectors.

Albuquerque 40 years before BREAKING BAD: GOLDEN GLOBE nominee Antonio Sabato as an investigative journalist

This unusual mixture of action thriller and giallo was released in Italian cinemas on April 10, 1971. Directed by Alberto De Martino, the film was shot on location in New Mexico.

One night in Albuquerque, a former senator is murdered in front of his home. Thanks to the testimony of a beautiful stripper (as always, charming: Barbara Bouchet), the police are able to quickly arrest a suspect (Giovanni Petrucci) from Mexico. Also the aspiring journalist Eddie Mills (Antonio Sabato) and his editor (Victor Buono, as a murdering butcher alongside Brad Harris in "Il strangolatore di Vienna / The Strangler Comes Quietly" and alongside the athletic Dallas star Patrick Duffy in the television series "The Man from Atlantis", 1978-79) are convinced of the defendant's guilt. He will soon be sentenced to death for murder. Meanwhile, Eddie has noticed some inconsistencies that make him seriously doubt Valdez's guilt. After all sorts of complications, there is a nerve-wracking showdown in which the lively Eddie not only has to prevent the execution of the accused, but also save his own life against all odds.

Other roles include Faith Domergue as the defendant's wife and Keenan Wynn, who was supposed to play the father of Pamela Barnes Ewing (Victoria Principal) and thus also the father-in-law of Bobby Ewing (Patrick Duffy) in the successful television series "Dallas". The wonderful stuntman Nello Pazzafini (1934-1996), whose face appeared in countless Italian films, is also there as a man in the elevator. What remains unforgettable is how, in the opening scene of the beating movie "Vier Fäuste - Hart wie Diamanten / Four Fists - Hard as Diamonds" (1976), he is beaten so wonderfully and mercilessly as a prison escapee by Simone/Butch (Bud Spencer imitator Paul L. Smith), who is disguised as a priest.

This excitingly staged film, which also features some Giallo elements, enables a reunion with the legendary city of Albuquerque, which was to be hugely popular in the globally successful series "Breaking Bad". Nude skin is occasionally provided by the wonderful Barbara Bouchet. The actress, who was born in 1943 in what was then Reichenberg (today: Liberec/Czech Republic), played in many Italian films such as "Milano Caliber 9" (1972) with the great EUROPEAN FILM AWARD nominee Mario Adorf or in "Höllenhunde bellen zum Gebet / Hell Dogs Bark to Prayer" (1976). In her new home USA she was also seen in the musical "Sweet Charity" (1969) and in "Gangs Of New York" (2002) by Martin Scorsese.

Antonio Sabato (1943-2021), who recently died of Covid19, was a reliable leading actor in many Italian films for over 20 years since his breakthrough in "Grand Prix" (1966), for which he received a Golden Globe nomination. He shone in historical dramas (The Lady of Monza), western comedies (Fünf Klumpen Gold / Five Lumps of Gold), police films (Poliziotti violenti / Blutiger Schweiß / Bloody Sweat) and, alongside Brad Harris, was also cast as a fist-wielding muscleman (Zwei Schlitzohren in der gelben Hölle / Two Rascals in the Yellow Hell), who cheekily and cheerfully beat his opponents.

A very worthwhile mixture of serious crime film and giallo-like sexiness that should definitely be discovered in German-speaking countries!