Up the Chastity Belt

This film does not have as funny a theme song, but most of the jokes are funnier. Howerd plays Lurkalot, a serf, who bears a striking likeness to Richard the Lionheart, and goes off to fight in the crusades. Eartha Kitt puts in a performance as Scheherazade, and there is a surprise about the reality of the Crusades.

This is one of those films that suffers from a predictable script. The actors all do well with the material they have been given but it's not the best to start with. Having said that there are a lot worse films out there, many of which are hyped with the Hollywood millions films like the 'Up' films never saw. The highlight for me has to be Hugh Paddick as Robin Hood basically reprising his Julian M LeStrange character from the radio show Round the Horne ("Hello I'm Julian and this is my friend Sandy"). With Frankie Howerd starring in a film produced by Ned Sherrin it was only ever going to be a very camp comedy but the result, while not wonderful, is better than average.

This film is a vehicle for the comedic talents of Frankie Howerd, and if you like his style of humour, the plot is irrelevant. This is a curiously popular movie (it's almost always available on VHS or DVD) considering that there was no TV series to go with it. It was really an extension of Up Pompeii (many of the same people were involved), and feels like it (Lurcio Lurkalot). Frankie's less well-known "Up the Front" (set in WW1) is hardly ever shown or on tape to buy, and the TV show "Whoops, Bagdad" is all but forgotten (possibly with good reason).

Some of the jokes require a knowledge of the state of Britain in the early 1970s, and even if it isn't politically correct by modern standards, most of the audience will be laughing out of nostalgia rather than the freshness of the material, IMHO. When Howerd turns to camera and says "oh, you know this one, don't you", you know that they are going to do the classic open the door in front of the battering ram joke anyway, even though we're all expecting it by then. Many comedians couldn't have carried it off, but that was the age of "camp" comedy. Today, audiences aren't into "camp", which is why so many younger reviewers on this site fail to understand why these films were meant to be funny. (That's why the movie of "The Avengers" was such a horrible failure.)

It is very much a product of its period, but still worth watching today - if you know how to appreciate it.

I think this film is better than Frankie howerds first outing as Lurkio in "Up pompeii". as classic as that film was this one beats it in my opinion. It is rather slow in parts but with excellent character performances by Rita Webb and Hugh paddick and of course Frankie camping it up as Lurkalot ("because I do!") the film is saved as a British classic. lots of setbound filming gives it a special magical feel. This film was cut down from an amazing 3 hour original and Frankie himself wasn't happy with the end result but it has become a classic. Lurkalot, the medieval surf, tries to save his master in a series of funny events only to find out he is in fact the twin brother of King john himself of England (played by..you guessed it! Frankie!) Eartha Kitt makes a purrrfect appearance and the best scene is stolen by Hugh paddick as the campest robin Hood to grace our screens ever, but when Rita webb turns up as maid Marion ("your reputation has spread far and wide...and thats not the only thing by the look of it!") the laughs really begin (as they say) see it once at least its a corny classic!

Those who remember fondly Frankie Howerd's take on Roman society in 'Up Pompeii' will probably enjoy this bizarre comedy featuring, we presume, Lurkio's descendant, the serf Lurkalot (who does).

The plot is a little contrived, it must be said, and involves twin princes, separated at birth, finding themselves at opposite ends of the social spectrum: one a king, the other a peasant. There's something about the Holy Land, the Crusades and the key to the titular chastity belt - but really the plot is only an excuse for a relentless barrage of gags.

It could be said fairly that much of the content and certainly many of the jokes would probably not be considered appropriate if this film were being made today. But of course, it is important to remember that it is not being made today - it was made quite a long time ago, and attitudes were rather different then. As the title should suggest, much of the subject matter revolves around sex, although it is generally handled fairly innocently in comparison to modern movies, and those able to sit through any of the 'Carry On' films without taking offence should have no trouble with this. For example, the entertainingly camp portrayal of a certain green-clad, forest-dwelling folk hero is positively tame compared to many of the stereotypes and caricatures regularly presented on modern British TV.

In short, those who are able to endure such terrible political incorrectness will find Howerd in fine form, with a supporting cast all hamming it up good and proper in what is essentially a pantomime on film. Definitely worth a look, if you think you dare risk letting yourself laugh at it...