CALIFICACIÓN DE IMDb
7.3/10
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TU CALIFICACIÓN
Mientras buscan a su hija adolescente fugada, dos padres redescubren las alegrías de la vida al involucrarse en un grupo de autoayuda para padres de niños desaparecidos.Mientras buscan a su hija adolescente fugada, dos padres redescubren las alegrías de la vida al involucrarse en un grupo de autoayuda para padres de niños desaparecidos.Mientras buscan a su hija adolescente fugada, dos padres redescubren las alegrías de la vida al involucrarse en un grupo de autoayuda para padres de niños desaparecidos.
- Dirección
- Guionistas
- Elenco
- Nominada a6premios BAFTA
- 2 premios ganados y 9 nominaciones en total
Ike Turner
- Ike Turner
- (as The Ike and Tina Turner Revue)
Tina Turner
- Tina Turner
- (as The Ike and Tina Turner Revue)
Philip Bruns
- Policeman
- (as Phillip Bruns)
Opiniones destacadas
This is the first Milos Forman's movie in America. It's still got the European style, a very special way to describe the story. Bourgeois parents tries to find why their quiet teenage girl ran away from home. It's a story about the gap of generation, between the straight parents and the hippies children. Forman present a funny and tender look at the youth of America of the early seventies. While the teenage girl is very gentle and quiet, the parents, who are afraid she will take drugs, get drunk and plays strip poker. The movie is now a little bit of a kind of oldie film! Just a take a look at all those typical seventies long hairs boys and girls, the way they dressed. Kinda funny, like seeing teenagers in a Doris Day movie of the fifties. There are lot of very funny sequences of the young girls singing at an audition for a show. We can see young Carly Simon in it. There is also a sequence with the Ike & Tina Turner Revue. I like it, even if it's a little bit old today. It's strange to say that, because I was a teenager myself when this film was shot by Forman.
Milos Forman's first American release is part social satire, part farcical look at two morose, middle-class parents (Buck Henry, Lynn Carlin, both outstanding)
who begin to enjoy life only after their teenage daughter (sad-eyed Linnea
Heacock) runs away. At once funny and touching, Forman and veteran Bunuel
collaborator Jean-Claude Carriere ("Belle du Jour," "Diary of a Chambermaid") concoct a simple story of unexpected depth, a wry comedy that unfolds
gradually, gently lampooning marriage and family life while painting a sensitive portrait of the confused, disenfranchised youth scene of the 1960s. Forman
regular Vincent Schiavelli makes his debut here as a bell-bottomed marijuana
"expert," who carefully instructs a banquet hall full of clueless parents in the fine art of getting high. A young Kathy Bates and a spirited Carly Simon appear
briefly singing at a theatrical audition, while Georgia Engel and Audra Lindley turn in subtle, nuanced performances several years before their television
debuts on "The Mary Tyler Moore Show" and "Three's Company," respectively.
A beautifully observed, underrated gem.
who begin to enjoy life only after their teenage daughter (sad-eyed Linnea
Heacock) runs away. At once funny and touching, Forman and veteran Bunuel
collaborator Jean-Claude Carriere ("Belle du Jour," "Diary of a Chambermaid") concoct a simple story of unexpected depth, a wry comedy that unfolds
gradually, gently lampooning marriage and family life while painting a sensitive portrait of the confused, disenfranchised youth scene of the 1960s. Forman
regular Vincent Schiavelli makes his debut here as a bell-bottomed marijuana
"expert," who carefully instructs a banquet hall full of clueless parents in the fine art of getting high. A young Kathy Bates and a spirited Carly Simon appear
briefly singing at a theatrical audition, while Georgia Engel and Audra Lindley turn in subtle, nuanced performances several years before their television
debuts on "The Mary Tyler Moore Show" and "Three's Company," respectively.
A beautifully observed, underrated gem.
I first saw this in 1989. It was old then, but nearly 20 years later its just as fresh and witty. Superb sound editing, great comic set pieces (the how to smoke a joint scene or the black salute), poignant (finding the smokes in the Jeannie's room with "Even the white horses" playing), the music performances (Ode to a Screw) and such acute observation of American Society. Nothing is missed: the comic potential of the fact that there is a "Society for the Parents of Lost Children(SPLC)", the realization that it is the parents who are lost; the lucrative potential of the counter culture and the "establishment's" realization of this (best seen in the hilarious speech by Jeanies boyfriend toward the end). Much of the comedy is drawn from the characters' little crises in their lives and their attempts to solve them, but it is always a warm and affectionate comedy. Forman likes these people, he likes America, he's willing them on, every slightly misguided step of the way.
I remember seeing this on tv years ago. The scene that stands out in my memory is the one where, at a seminar, Paul Benedict (Mr. Bentley from Tv's The Jefferson's) schools a group of middle aged parents on the proper way to smoke marijuana. They do this so that they may better understand their children. A scene that really belongs in a late 60's/early 70's time capsule. It is a halarious classic scene that alone makes the film worth seeing. Hopefully this title will be out on video soon.
I saw this movie on it's original release and was mightily impressed. I'd previously seen Forman's "The Fireman's Ball" and liked the quirky style that he repeats so well with this one. The tale of the confused parents trying desperately to understand their "wayward" daughter is gently told but is bitingly satirical. I will never forget scenes of the parents attending the seminar on how to smoke a joint and the convention for the parents of fugitive children. So where has this movie gone? I checked out the on line video store here in the UK to find that it was deleted in 92. Great shame, it's a classic.
¿Sabías que…?
- TriviaAfter the success of Busco mi destino (1969), Universal Studios hit upon the idea to let young filmmakers make "semi-independent" films for low budgets in hopes of generating similar profits. The idea was to make five movies for low budgets ($1 million or less), not interfere in the filmmaking process, and give the directors final cut. The other movies were: Pistolero sin destino (1971), The Last Movie (1971), Naves misteriosas (1972), Diario de una esposa desesperada (1970), Carrera sin fin (1971) and Así habla el amor (1971).
- Citas
Schiavelli: Any other questions?
Ben Lockston: Uh, yes, uh, I think we all had, uh, drinks with, uh, dinner, uh... dope and, uh, the alcohol... mix?
Schiavelli: Oh, *they'll mix*.
- ConexionesFeatured in Before 'Taking Off': Milos Forman's Road to America (2011)
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- How long is Taking Off?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Taking Off
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 33 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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By what name was Búsqueda insaciable (1971) officially released in India in English?
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