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1970's "Shinbone Alley" was adapted from the Broadway presentation of humorist Don Marquis' Evening Sun creations Archy and Mehitabel, first popularized during World War I, Archy a poetic cockroach composing fanciful verses about alley cat Mehitabel. By 1954 a musical album was recorded with Eddie Bracken as Archy and Carol Channing as Mehitabel, later done for Broadway with Mel Brooks as coauthor (Eartha Kitt replacing Channing), and this became the basis for the movie produced by Fine Arts Films, retaining the original stars in their signature roles. Archy emerges from the river a lowly, ugly cockroach, having been a poet who once wondered what it might be like to be an insect, 'transmutated' into one after suicide by drowning, and still infatuated with loose and lusty feline Mehitabel. By night the composer of stories on an abandoned typewriter in an empty office, Archy paints a portrait of Mehitabel's wayward nature, always hoping that she'll make something better of herself but unable to resist the persistent advances of tomcat Big Bill (Alan Reed, best remembered as Fred Flintstone). Abandoned as always, she hardly thinks twice about turning over a new leaf when 'simple, unassuming genius' Tyrone T. Tattersall (John Carradine) serenades her with promises to make her a star, sweeping her off her feet to join him for Shakespeare at the local theater. Unfortunately, despite her constant feeding of his ravenous appetite, this entrepreneur proves dismissive of her acting talents, which may be more impressive than his due to her penchant for literally singing the praises of Romeo and Juliet. Banished for taking too many bows at her expense, Tattersall is rapidly replaced by Big Bill, whose seductive ways do not include fatherhood, Mehitabel's newborn litter putting a cramp in her style until Archy suggests a new occupation as housecat to get through the winter cold. The music is plentiful and the cast excellent, Carol Channing's persona expertly rendered in shapely feline form, alternately purring and spitting at the hapless Archy, whose infatuation finally results in a day of reckoning to see all the hep cats rejoice when Mehitabel makes a triumphant return to Shinbone Alley. The true revelation is John Carradine, whose basso profundo was rarely displayed on screen but was heard on Broadway in the early 60s as Marcus Lycus opposite Zero Mostel in "A Funny Thing Happened on the Way to the Forum." It's likely that he was familiar with the original 1957 musical and requested the part of the Shakespearean alley cat, obviously tailor made for his unique gifts, and offering plenty of screen time to show off his 'grand manner' (he renders three songs: "Come to Meeoww," "They Don't Have It Here," and "Romeo and Juliet"). Released by Allied Artists, still in business after outgrowing its Monogram roots, the picture was neither a critical nor box office success, the filmmakers clearly inspired by The Beatles' "Yellow Submarine," a devoted cult following but not really aimed at children. A promotional two reel short narrated by Carradine was also completed, "The Incredible Art of Animation: A Living Art Form," offering behind the scenes footage of the filmmakers at work, plus the leading players acting out their roles for the soundtrack.

SHINBONE ALLEY is a fascinating mess. Given the discussions of sexual morality and that one musical number with the prostitute ladybugs, I'm going to assume this was not meant for children. It's a musical, but the songs are mostly forgettable. I only watched this movie last night and aside from Carol Channing's jazzy rendition of Shakespeare, I cannot hum any of it.

The story is very loose, more a character piece than a full-bodied narrative. The cockroach poet Archy is in love with the seductive alley cat Mehitabel, and in a Pygmalion impulse, seeks to tame her freewheeling ways in the guise of protecting her from predatory men. The film is also a member of that MOST 60s/70s of film genres-- the "New York City is an urban hell" film best exemplified by TAXI DRIVER.

On the whole, this is all interesting, but it can be a chore to watch. A lot of the characters just shout and screech their lines, and the story's meandering becomes tiresome.

Okay, so there's better (far better!) animation out there. And the music is to kill for. (Not 'die for;' kill for.) Not even Carol Channing can save it. But 'Shinbone Alley' is special in its tributes to a great writer, Don Marquis, and an even greater cartoonist, George Herriman. The story is true to Marquis's "Archy" poems; the depiction of the footloose Mehitabel is right on target. The newcomer to Archy and Mehitabel would do well to read some of Marquis's newspaper columns and poetry before tackling the film. The effort won't be wasted.

The real surprise to me, though, was the cartooning style of Herriman, eminently featured in mid-film. It's a treat no Krazy Kat fan should miss.

Shinbone Alley is not like every other animated film. It brings a unique approach to animation. It is almost like viewing an animated jazz opera in some respects. The characters are well defined and quite good, and some of the backgrounds are almost works of art on the New York scene. It is true that some very small children might not understand it, but a vast majority of people who view the film will find aspects of it that they will love; like the George Herriman sequence when archy declares war on humans. Carol Channing is wonderful as mehitabel, especially when she sings Shakespeare. Eddie Bracken is great as archy. This is the type of film that can be viewed again and again, and you find something new and interesting each time you see it. It was definitely a style setter in 2D animation, and should be applauded for its unconventional approach. Throughout the years, there have been a handful of animated films that could truly be called one-off, style setting, animation treasures -- Fantasia, Yellow Submarine, Toy Story, for example. I feel that Shinbone Alley easily fits into this select group of animated films.

This is a masterpiece that I found on YouTube and I must say I was almost fooled by the art style because it looked like the Pink Panther and it's perfect and beautiful The music and other features are incredible, how could you have received a grade like that? This is art. I am an artist and I understand that some will not agree, but everyone has an opinion and everyone should respect the opinion The others' story isn't very interesting The songs, more or less, more or less, it was a good job of them to make this film and the art is also cool, etc. And I leave this message for each critic and that is.

I remember seeing this back in the Early-Mid 80's during a Holiday weekday on STV. Obviously the station realised too late that this was not your typical Kiddy Fodder as it was never shown again (a minor miracle for anyone who knows STV). I'm not surprised.

It was Soooo depressing. Suicide-Unrequited Love-Sleaze-Despair. Fun viewing for all the Family. Has to be said though that it did stick in my mind, though maybe not for the right reasons.

An odd curiosity that was very out of place for its time. Can't believe it was made in the 70's.

Probably traumatised more kids than Bambis' Mother.

I saw this when I was 10 years old. With my two older sisters, dropped off for a matinee. It was definitely marketed to kids. We were thinking it was going to be something like the Aristocats.

It is garish, cheaply done, bizarre (not in a good way) and stifling. We had to sit through it as our mom was out shopping after she dropped us off. It was an effort to sit through.

Last year I watched it again out of curiosity...so much of what you didn't get as a kid you re-look at as an adult and have a different perspective, and you end up really liking it. This film? Nope, it was even worse than I remember it.

Marquis wrote a daily column on "archy and mehitabel" for the New York Post in the nineteen-twenties, as a defence against the bottle and a job as a sports reporter.I read the Penguin collection of his "a and m" stories in the fifties,as an animator at the Disney studio. I tried to get the studio interested, but they were not ready for the earthy humor, and the scandalous goings on of mehitabel. Later when I had started up my own studio, Fine Arts Films,I saw the Broadway production,with Eartha Kitt,which was brilliant.I had met Carol Channing,(who I saw as mehitabel,--perfect gravel voice),and she agreed to do it.With that start,I could not fail.I found a sympathetic ear of a friend,Preston(Sandy) Fleet,who was willing to invest in the production of SHINBONE ALLEY by my studio,Fine Arts Films.By 1969,we had a talented group of storymen,designers and artists,some ex Disney and Warners.Joe Darion and George Kleinsinger,(who had done the stage musical version),did the final script and music.Eddie Bracken and Alan Reed came aboard,and that was it,except we found John Carradine,a great actor,was willing to play the part of that old roue' actor-cat, Tyrone.T.Tattersall.We stuck faithfully to Marquis,and a stunning sequence,"archy declares war", in the middle of the film,we animated in George Herriman's cartoon style,(he illustrated Marquis' poems),creating a world that Marquis lived in. Our film "SHINBONE ALLEY" has been honored as one of the all-time great animated movies by The Museum of the Moving Image in New York,as well as winning the Golden Phoenix Grand Prize at the Atlanta Film Festival of 1971.

A story I heard, that filmmakers once considered doing an animated version of the musical Cats, has just reminded me of that disappointing 1971 cartoon of Shinbone Alley, based on the Joe Darion/George Kleinsinger stage musical. Eddie Bracken and Carol Channing recreate their roles from the still-earlier "concept album" archy and mehitabel. Where these two had been cute and intimate, and, above all, musical, cockroach and cat were now rasping, whining and screeching -- characteristics that could have worked fine for those particular actors, but in sufficiently small quantities.

One of the most disappointing characters was Bill, the big blackhearted tomcat originally sung by Percival Dove (best known for the singing voice of Brock Peters as Crown in Porgy and Bess). The prospect of an apparently offensive ethnic stereotype inspired filmmakers, as far as I can observe, to eliminate black performers from the piece altogether -- the part is done by Alan Reed, aka Fred Flintstone!

Yes I know: Carol is "black" now.

Aside from singing cats, it parallelled the Lloyd-Webber musical Cats in the deployment of a flying manhole cover, during the song Flotsam and Jetsam: "Only Mehitabel could get that high on a 'lid'" is the tag (penned by Mel Brooks, incidentally).

Compared to George Pal's classic 1946 treatment of an earlier Kleinsinger work, Tubby the Tuba, the limited animation here was flat and ugly.

Adult content of story is not of interest to children I suppose (although probably not harmful either), so the problems of marketing this picture probably helped bury it.

I'll say this though: it just may be better than Fritz the Cat!

"shinbone alley" is one of the most powerful and interesting animated features I've ever seen. It is also one of the most mismarketed animated features as well. The distributor, Allied Artists, states in this add that it is "SOPHISTICATED ENOUGH FOR KIDS".

It is not. Kids simply won't understand the dark humor of the Don Marquis stories and the Mel Brooks-Joe Darion musical on which this is based. They'll also be brought down by the bleak tone of the film, which opens with what I'll simply describe as suicide, to spare your feelings.

However, I highly recommend this film to older teenagers and adults. "shinbone alley" is a visionary wonder; kind of like "Yellow Submarine" combined with "Dark City". The story involves archy (voiced by Eddie Bracken), a lovesick roach who is the reincarnation of the suicide victim in the opening moments. (The title of the film and names of characters are written in lower case on purpose; one of the plot strands is that archy writes essays and poems on a typewriter by jumping on the keys; in his human form, archy was a lovesick poet) The object of his affections is mehitabel (Carol Channing), a cat who I'll simply describe as the town floozy. Basically, the film is about their friendship and various trials and tribulations.

"shinbone alley" is bleak, but what visuals! New York is used as a backdrop for various psychodelic musical numbers lifted from the musical. The songs are very good here. As in all great musicals, they enhance the story instead of being set pieces. The vocal performances are excellent as well, especially Carol Channing as mehitabel. I don't understand why most people are down on Channing's vocals. I think she's perfectly cast as mehitabel and is an asset to the success of the film. Eddie Bracken is also well cast as archy and I think he is responsible for much of the humor infused in the character. And Flintstones fans will recognize Alan Reed as the boss cat in the gang mehitabel hangs around.

"shinbone alley" is a wonderful movie, but I urge all parents to take my advice and not to let their kids see this film. It has parts in it that made me break down and I'm sure kids will take it even harder. But is a rewarding experience for teens and adults.

**** out of 4 stars

If I could give it 0 stars I would. Don't waste your time. Watch infomercials instead.

The animation is certainly different. Early- and pre-cinema enthusiasts will recognise some of the psychedelic effects as magic lantern chromotropes, and there are shades of Georges Melies in some of the sequences. Carol Channing is brilliant as Mehitabel! Good jazz-like sound track.

I genuinely do not know who this movie is supposed to be made for. On one hand, it's a fascinating attempt in bringing the obscure stage musical Shinbone Alley into a feature-length film, which in turn was inspired by the Archie and Mehitabel stories by Don Marquis. That being said, as seemingly ambitious as it seems on paper, the final result was a slog to sit through for the most part. Shinbone Alley seems bizarrely devoid of much luster for an independent musical comedy, and the incredible talent on display sadly don't help it much.

Now the film more or less follows the bizarre escapades of a New York poet cockroach named Archie and a singing alley cat named Mehitabel as they go about their lives in the grimy Shinbone Alley. Conceptually, the two distinct personalities of Archie and Mehitabel work off each other pretty well, as the former is adamantly passionate about their work and the latter is more carefree and raucous. In addition, Eddie Bracken and Carol Channing have very dynamic chemistry with one another, allowing the two lead characters to feel more authentically human within their conversations. Unfortunately, the film's plot is so barebones that very little intrigue occurs between them, and whatever circumstances do pop up feel more episodic than anything else. One minute Mehitabel will be manipulated by an amateur theater maestro, the next she'll become a mother and have to be a house cat to look after her kittens, then Archie will fantasize about ruining the human race, then he'll get intoxicated, the list goes on.

I admire the film for trying to showcase the dangers of immorality within a sleazy city environment, but it doesn't connect any of its scenes together in an interesting way. As a result, the pacing is all over the place and it becomes harder to follow the already broken story. Also, for a seemingly mature film wanting to tackle these dark subjects, it barely commits to being truly bold in its commentary and instead opts for wacky cartoon shenanigans that feel horribly out of place. Even for a musical, the songs range from perfectly average at best to frustratingly repetitive at worst. The sound mixing is also atrocious depending on which cut of the film you watch, although that more has to do with the lack of interest in getting this picture the proper restoration it needs. I can't even remember who voiced who beyond Bracken, Channing, Alan Reed and John Carradine, since everyone besides the leads just blend into the environments so poorly.

If there's anything to genuinely praise here, at least the art direction is very appealing to look at given the content. Director John David Wilson "modernized" George Herriman's Archie & Mehitabel illustrations pretty decently, and the result is an interesting blend between the scratchy Xerox era of animation and the abstract color work inspired by UPA. Although done a low budget for an animated feature, the crew did the most with their resources by emphasizing strong character posing, stylized backdrops and sporadically flickered lighting. Perhaps the real highlight of the whole picture is Archie's revolution sequence since it fully commits to Herriman's art style and it has a lot of intense surreal imagery that's nowhere else to be found in the movie. Had the whole movie been executed within the Herriman style, it definitely would have stood out with the competition a lot more, even with its problems still in tact.

In the end, I think Shinbone Alley is more interesting from a historical standpoint than as a feature in general. For all of its shortcomings, it did at least show a glimpse of both the mature animated features that would partially dominate the 1970s decade, and the Broadway musical tribute that would completely dominate the animation industry from the late '80s onward. I can't say I recommend it as something to enjoy, but it definitely wouldn't hurt to check out at least once for its historical value alone. It's a hodgepodge unlike any other, for better and for worse.

I thought about giving up on the film at various points, but I was determined to watch it until the end, dreaming that maybe it would have a good ending. Well, it didn't. I wasn't born in that era, so I don't know the charm that this type of film had in its time. Well, in short, it was very mediocre.

It's a shame this film has been buried from the start. It has some really superb music, written by George Kleinsinger, a couple of fantastic performances by Carol Channing & Eddie Bracken, - & best of all, it's based on the great Don Marquis series from (I believe) the old New York World - Archy & Mehitabel. The compilation book was illustrated by the peerless George Herriman (Krazy Kat - & Mehitabel really was Krazy Kat!) & some of the scenes in this film are Herriman-inspired, another reason to treasure it.

Pity the poor wimps who are traumatized by any animation that isn't filled with fluffy bunnies.

I had a chance to see this glorious film again after nearly 23 years. I was very small when I saw it for the first time, and some hint of it stayed with me all this time. I just now finished watching it again, and, for me, it has lost none of its power. I am somewhat shocked that my mum let me watch it at such a young age, considering the lusty nature of Mehitabel, and the very dark attitudes, but I'm very glad that she had enough faith in me as a child to handle it.I was quite moved by the passion and joy of life all the characters have, even in the most awful circumstances. Pride in yourself as you are, with no apologies is indeed the best way to live. Thank you,Mehitabel. Thank you,Archy.

I have been a fan of archy and mehitabel for a long time. I like don marquis's commentary of life using a cockroach to speak for him. The animated film has music and wonderful voices to supplement the books of his columns. I have known several children that love the film too. It is not too depressing. Quite the opposite. archy and mehitabel show a remarkable joy of life even as they suffer from being an insect or an alley cat. Carol Channing was a favorite of mine for as long as I knew her. Her voice is unmistakable. Who else could have done Romeo & Juliette with such zest! Some of the musical scenes such as "flotsam & jetsam" are outstanding. archy's wonder of the passions of the world at ground level gives one pause for thought. He even envies a moth that wants to burn itself to death because of its desire for that one brief moment of intense beauty. He no longer wants to kill himself when he experiences so much richness, however mean and coarse it might be.

I'd disagree that this was little more than some Heinz Adelmann rip-off. This film's got real class. It's a pity so few people saw it in its original run, and so few have seen it since. It's a true rarity in today's film culture. Our cartoons are still EXACTLY what the producers of this film wanted to break away from. The colours and imagery used in this film are often quite reminiscent of this "Yellow Submarine" feature you speak of. In fact, at one time there was a blue meany involved in the "Insects of the world unite" sequence. Of course it was removed. I think it was only a joke. But, this film is a great opportunity to learn about the cinema underdogs, the films geared towards a higher audience that seldom do well in theatre. I would add the Iron Giant to this category as well.

I got curious about this movie after seeing pictures of it. Then I ordered the movie online, watched it, and thought it was another great animated movie. Based on a musical that went on Broadway, this film is also based on the short stories by a fellow named Don Marquis about a newspaperman who jumped in the river to drown himself. He reappears as a cockroach, who finds out he can still type by jumping up and down on the keys of a typewriter. He then falls secretly in love with Mehitabel, the cat. An unlikely romance, huh? He writes poetry to her and tries to keep her on the straight and narrow path, kind of like Jiminy Cricket, don't you think? Mehitabel, on the other hand, has a heartthrob, Big Bill, a tomcat (voiced by Alan Reed from The Flintstones), and is now Archy's nemesis/rival.

Of course, Mehitabel's romance with Bill ended badly, and she promised Archy that she would change her wild ways. That is, until she meets a theatre cat known as Tyrone T. Tattersall. Archy then decides to commit suicide-again-until he comes across Big Bill and tells him everything. Meanwhile, at a theater, Mehitabel was being used by Tattersall to steal food for him, thus ending her relationship with him. Then, seeing Bill and Archy, Bill reconciled with Mehitabel, much to the dismay of little Archy. Angry Archy decides to declare war in a George Herriman sequence; that is until he hears that Mehitabel has kittens, of course, and "needs him." Oh, you'll have to see how it ends for yourself.

So what can I say about this film? That it's truly a colorful animated musical with foot-tapping music and a top-notch cast. Carol was great as the seductive feline Mehitabel. I remember her vocals from "Happily Ever After" and "Thumbelina." I love it when she goes "Toujours Gai, Toujours Gai." I also love it when Mehitabel does a "Romeo & Juliet" monologue with such a jazzy zest that I can't help but go along with Tattersall's aghast expressions just for the fun of it. So overall, I think this film is a colorful, comical, and musical work of art.

Even with its release on DVD a few years ago, "Shinbone Alley" has stayed pretty obscure over the years, and seeing it you'll understand why. I imagine many people will be turned off by the animation style, which is similar to animation found in the early years of "Sesame Street", pretty crude and sketchy. It still could have worked if it was engaging in other areas, but it isn't. Those who are unfamiliar with the original "Archy and Mehitabel" stories (especially kids) will be confused by some parts of the screenplay. Some kids who are more sensitive may be upset by elements such as suicide, though I think most kids who manage to sit through this will be bored stiff. But what really sinks the movie are the characters. Archy the cockroach is an annoying whiner who will get on your nerves, and Mehitabel the cat is a dim-witted slut who only thinks of herself. I would recommend this movie only for adults who are die-hard fans of animation, though I would suggest they don't watch it all at once.

As a child, I saw some TV filler on the making of this film and waited for it to come to town. Months later it surfaced at a local theater as a one weekend only kiddie feature. Naturally I went, and endured hours of blue & bleak imagery, a depressing story, and the voice of Carol Channing. I remember kids in the theater crying because it depressed them so. The whole experience was a childhood trauma I tried to forget. For god's sake, the cartoon opens with a guy's suicide!

Years later I'd described this forgotten film to friends, but not even hardcore toon heads knew about it. However, I did learn that the songs came from an early 60's Broadway flop of the same name which featured Eartha Kitt in the Carol Channing role, and that was based on an earlier series of "humorous" stories from the 1930's.

I managed to track down a copy of this film and give it another look from an adult's perspective. Man, no wonder we kids of the 70's are so messed up! This film really is possessed of a dark dreary depressing vision. I can't see how it resembles Yellow Submarine. Yes, it has a trippy pallet, but it's one bad trip. If anything, it's thick black lines and cross-hatched shading resemble TV's "School House Rock", and even more so those terrible "Time For Timer" bits that ABC subjected us to.

I'll cut the film some slack, because I know it was not aimed at kids, and thus suffered the same fate that `Watership Down' and `Twice Upon A Time' would later know. Namely, that all feature animation gets marked as kiddie fare regardless of content. Not only do the creators suffer, but the kids suffer more. Speaking as a former kid, I must tell you to spare your kids and yourselves this animated curiosity.