Un trabajador de una fábrica de carne mata accidentalmente a un taxista y comienza a matar a personas cercanas para encubrir su crimen original, y comienza a deshacerse de los cadáveres alma... Leer todoUn trabajador de una fábrica de carne mata accidentalmente a un taxista y comienza a matar a personas cercanas para encubrir su crimen original, y comienza a deshacerse de los cadáveres almacenados a través de su trabajo diario.Un trabajador de una fábrica de carne mata accidentalmente a un taxista y comienza a matar a personas cercanas para encubrir su crimen original, y comienza a deshacerse de los cadáveres almacenados a través de su trabajo diario.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Fernando Sánchez Polack
- Señor Ambrosio
- (as Fernando Sanchez Polak)
Rafael Hernández
- Agustín
- (as Rafael Hernandez)
José Franco
- Tendero
- (as Jose Franco)
Valentín Tornos
- Obrero
- (as Valentin Tornos)
Antonio del Real
- Obrero burlón
- (as Antonio Fernandez del Real)
José Félix Montoya
- Vigilante de servicio
- (as Felix Jose Montoya)
Ángel Blanco
- Trabajador fábrica
- (as Angel Blanco)
Opiniones destacadas
The alternative title "Cannibal Man" is very misleading, because this film is not a gory splatterfest about the sick mind of a serial killer, it is more a drama about a man whose life falls apart aroused by a chain reaction of unhappy circumstances. You might compare this film to similar movies like "Henry" for example, but this one is more a portrait of the situation in the early 70s when the dictatorship of Franco ruled the Spanish nation. "La semana del asesino" is full of macabre minor details and polished dialogue sequences. Not like the typical horror mass productions, more an unusual outsider cinema...
I saw this for the first time recently.
I think Abel Ferrara's The Driller Killer borrowed idea from this movie n improved on the idea of an ordinary fella slowly descending into madness.
Coincidentally both the movies landed in the "video nasties" list.
I found both the movies darkly comical n at times poignant too.
The stress list n reasons for going bonkers were too many for the lead character in Driller Killer, whereas in this movie Marcos was just trying to hide his crime.
I think Abel Ferrara's The Driller Killer borrowed idea from this movie n improved on the idea of an ordinary fella slowly descending into madness.
Coincidentally both the movies landed in the "video nasties" list.
I found both the movies darkly comical n at times poignant too.
The stress list n reasons for going bonkers were too many for the lead character in Driller Killer, whereas in this movie Marcos was just trying to hide his crime.
Marcos is a poorly educated man who works as a butcher. When he's accidentally involved in a killing, his attempts to cover things up cause matters to spiral out of control. La Semana Del Asesino ('Killer's Week') makes far more sense as a title, as 'The Cannibal Man' isn't actually a cannibal. Although I must admit it made me want to watch the film, the UK trailer is quite misleading in this regard. And it's one of those films which I'm so glad was on the video nasty list, as without it having been included I might've missed it altogether.
There's a lot going on in the movie and I won't go into all of it in this review, but I suggest you approach the film not expecting a slasher film and try to keep an open mind. In many ways it's quite a beautiful film and not just in the way it's shot, which is particularly impressive, but also in the way the characters are depicted. Marcos himself is a fairly sympathetic character and without going into details, you feel he has been dealt a bad hand. The film deals with many themes and although my knowledge of Spanish history isn't particularly strong, it's clear there are a few swipes at Franco's regime. In one scene, the 'fuzz' (as they're bizarrely referred to) take the word of Néstor, simply because he lives in the fancy new high-rise building (thus proving Marcos correct in his comment early on in the movie, that he is less likely to be believed because of his social standing and education). A lot of use those ID cards are!
Other themes include change (not just in characters themselves - Marcos going full circle), but other more obvious ones. The visual representation of the huge new buildings towering over Marcos' old home illustrate this perfectly. The introduction of machines to automate work is another obvious example, although this isn't explored fully. The film itself is one of those great amalgamations of genres, bringing together black comedy, political satire, horror and quite a tender theme of friendship. You'll most likely laugh (a lot) as people describe to Marcos in minute detail the circumstances surrounding his mother's death. Then you'll feel so sorry for him when you realise he has been backed into another corner and the hole is getting deeper. It's such an impressive movie in this respect.
The music is impressive throughout, particularly the reverse bell sound (at this time I believe samplers weren't yet commercially available). There's a particularly beautiful piece which generally plays as it becomes clear somebody is about to die - it's a subtle prompt which makes what is about to happen seem almost unavoidable. Dubbing is solid and believable, including at least one comedy character (who claims Marcos is buying enough perfume for an entire navy!). On the Spanish Blu Ray I own there are sections of dialogue in Spanish with subtitles, presumably due to loss of the original recording (or perhaps the scenes weren't originally included in the international release?). The only dubbing which I suppose is questionable would be that of Marcos himself (he sounds erudite, considering it's suggested he lacks education). It doesn't really matter too much though and I suppose better that than someone putting on a strong regional accent, which could come across as comical.
Overall, if you like films which aren't too genre specific and are more character than event based, I think you'll enjoy this film. Without any spoilers, I must say I'm glad some of the deleted scenes didn't make it into the final cut. I feel the movie was more subtle without those included and it leaves things a little ambiguous, although others might disagree. Still, all in all - highly recommended!
There's a lot going on in the movie and I won't go into all of it in this review, but I suggest you approach the film not expecting a slasher film and try to keep an open mind. In many ways it's quite a beautiful film and not just in the way it's shot, which is particularly impressive, but also in the way the characters are depicted. Marcos himself is a fairly sympathetic character and without going into details, you feel he has been dealt a bad hand. The film deals with many themes and although my knowledge of Spanish history isn't particularly strong, it's clear there are a few swipes at Franco's regime. In one scene, the 'fuzz' (as they're bizarrely referred to) take the word of Néstor, simply because he lives in the fancy new high-rise building (thus proving Marcos correct in his comment early on in the movie, that he is less likely to be believed because of his social standing and education). A lot of use those ID cards are!
Other themes include change (not just in characters themselves - Marcos going full circle), but other more obvious ones. The visual representation of the huge new buildings towering over Marcos' old home illustrate this perfectly. The introduction of machines to automate work is another obvious example, although this isn't explored fully. The film itself is one of those great amalgamations of genres, bringing together black comedy, political satire, horror and quite a tender theme of friendship. You'll most likely laugh (a lot) as people describe to Marcos in minute detail the circumstances surrounding his mother's death. Then you'll feel so sorry for him when you realise he has been backed into another corner and the hole is getting deeper. It's such an impressive movie in this respect.
The music is impressive throughout, particularly the reverse bell sound (at this time I believe samplers weren't yet commercially available). There's a particularly beautiful piece which generally plays as it becomes clear somebody is about to die - it's a subtle prompt which makes what is about to happen seem almost unavoidable. Dubbing is solid and believable, including at least one comedy character (who claims Marcos is buying enough perfume for an entire navy!). On the Spanish Blu Ray I own there are sections of dialogue in Spanish with subtitles, presumably due to loss of the original recording (or perhaps the scenes weren't originally included in the international release?). The only dubbing which I suppose is questionable would be that of Marcos himself (he sounds erudite, considering it's suggested he lacks education). It doesn't really matter too much though and I suppose better that than someone putting on a strong regional accent, which could come across as comical.
Overall, if you like films which aren't too genre specific and are more character than event based, I think you'll enjoy this film. Without any spoilers, I must say I'm glad some of the deleted scenes didn't make it into the final cut. I feel the movie was more subtle without those included and it leaves things a little ambiguous, although others might disagree. Still, all in all - highly recommended!
I would have to agree with the previous comment regarding THE CANNIBAL MAN. It's an excellent film in the vein of DERANGED (1974), HENRY and CONFESSIONS OF A SERIAL KILLER, though it predates all three.
THE CANNIBAL MAN took a couple viewings to really come together and I think part of the problem was the English dubbing. Anchor Bay's recent release has superb picture quality, but unfortunately they didn't include the original language track with subs as they did with TOMBS OF THE BLIND DEAD.
Regardless, the acting is well-done - Vincente Parra plays a particularly relatable man, one with whom the viewer can sympathize. In accordance with the film's original title, WEEK OF THE KILLER, Parra takes the part of the titular role, slowly spiraling downward into insanity while dispatching one victim for each day of the week. Along the way, there are some interesting twists and turns as well as some restrained, well-used scenes of violence and gore.
There are also some truly surreal scenes, such as the swimming pool sequence and the tense denouement. And, as with any Spanish horror film, nearly all the women are gorgeous. All in all, this is a must-see for genre fans, but be warned, THE CANNIBAL MAN is a subtle film, not one that will immediately jump out at you.
THE CANNIBAL MAN took a couple viewings to really come together and I think part of the problem was the English dubbing. Anchor Bay's recent release has superb picture quality, but unfortunately they didn't include the original language track with subs as they did with TOMBS OF THE BLIND DEAD.
Regardless, the acting is well-done - Vincente Parra plays a particularly relatable man, one with whom the viewer can sympathize. In accordance with the film's original title, WEEK OF THE KILLER, Parra takes the part of the titular role, slowly spiraling downward into insanity while dispatching one victim for each day of the week. Along the way, there are some interesting twists and turns as well as some restrained, well-used scenes of violence and gore.
There are also some truly surreal scenes, such as the swimming pool sequence and the tense denouement. And, as with any Spanish horror film, nearly all the women are gorgeous. All in all, this is a must-see for genre fans, but be warned, THE CANNIBAL MAN is a subtle film, not one that will immediately jump out at you.
Most commentary I have seen on Cannibal Man focuses on the psychological horror, but the political side of the story seems more important to me. The film seems to place more blame on the society of Spain under Franco than even on the killer, the ultra cool swimming pool sequence is very reminiscent of Chaplin's "the Great Dictator".
¿Sabías que…?
- TriviaDespite the English title ("The Cannibal Man"), this is not a film about cannibalism. The correct translation of the original Spanish title is "The Week of the Killer".
- Versiones alternativasThe Anchor Bay release, under the title "Cannibal Man", is the complete and uncut version of the film.
- ConexionesFeatured in Don't Scream: It's Only a Movie! (1985)
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What is the Spanish language plot outline for La semana del asesino (1972)?
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