Siete orquídeas manchadas de sangre
Título original: Sette orchidee macchiate di rosso
CALIFICACIÓN DE IMDb
6.3/10
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TU CALIFICACIÓN
Una mujer, sobreviviente de un intento de asesinato fallido, debe encontrar el hilo conector entre ella, otras seis mujeres y el asesino, antes de que él ataque de nuevo.Una mujer, sobreviviente de un intento de asesinato fallido, debe encontrar el hilo conector entre ella, otras seis mujeres y el asesino, antes de que él ataque de nuevo.Una mujer, sobreviviente de un intento de asesinato fallido, debe encontrar el hilo conector entre ella, otras seis mujeres y el asesino, antes de que él ataque de nuevo.
- Dirección
- Guionistas
- Elenco
Antonio Sabato
- Mario Gerosa
- (as Antonio Sabàto)
Uschi Glas
- Giulia Torresi
- (as Uschi Glass)
Opiniones destacadas
From adventures movies ("Il Trionfi Di Robin Hood") to spy thriller ("A 008 (sic) Operation Termini") ,from sword and sandal ("I'Ultimo Gladiatore ") to horror ("Cannibal Ferox") Umberto Lenzi has tried his hand at all the genres .
"Sette Orchidee Macchiate Di Rosso ":the title recalls those of Dario Argento but ,although there are sadistic scenes ,the movie is primarily a detective story:the screenplay was made with a certain care ,which in this kind of low-budget movie is to be underlined.A whodunit and seven women who have something in common and a killer who is doing away with them one by one, a plot in the tradition of Agatha Christie.Most famous name is probably Austrian Marisa Mell ("Diabolik") whose career was already on the wane when she played this supporting part in Lenzi's movie.
Like this ?try these
"Sans Mobile Apparent " (Philippe Labro,1971)
"Le Dernier Des Six" (Geoge Lacombe ,1941)
"Sei Donna Per L'Assassino" (Mario Bava ,1963)
"Sette Orchidee Macchiate Di Rosso ":the title recalls those of Dario Argento but ,although there are sadistic scenes ,the movie is primarily a detective story:the screenplay was made with a certain care ,which in this kind of low-budget movie is to be underlined.A whodunit and seven women who have something in common and a killer who is doing away with them one by one, a plot in the tradition of Agatha Christie.Most famous name is probably Austrian Marisa Mell ("Diabolik") whose career was already on the wane when she played this supporting part in Lenzi's movie.
Like this ?try these
"Sans Mobile Apparent " (Philippe Labro,1971)
"Le Dernier Des Six" (Geoge Lacombe ,1941)
"Sei Donna Per L'Assassino" (Mario Bava ,1963)
Despite some unfavorable reviews (notably Adrian Smith's), this is a classic giallo that really works. The puzzle of the half moon lockets is classic Edgar Wallace and is the tenuous thread that connects the set-piece murders and keeps the story moving. Sabato and Glass race around to solve the mystery and clear Sabato's name but, as per usual, the killer is one step ahead of them. It all ends in a hand to hand fight in a swimming pool that's a cut above the usual giallo climax, and everything is nicely resolved. In 1972 plot still mattered to the giallo genre (1973's Torso would change that) and the films were a lot better for it. This one goes high on the list of gialli and was a peak for Umberto Lenzi.
"Seven Blood-Stained Orchids" (1971) is a middling, fairly goreless giallo from director Umberto Lenzi that should just manage to please fans of this genre. In it, a hunky-dude designer, played by Antonio Sabato in a one-note performance, investigates when his pretty fiancée becomes the latest target of yet another Italian serial killer. With the help of this fiancée, appealingly played by German actress Uschi Glass, the couple realizes that all previous murder victims had stayed at the same countryside hotel several years before. But will this bit of knowledge enable them to save future targets of the killer? And why does this homicidal whack job insist on leaving crescent-moon medallions (NOT half-moon, as widely reported elsewhere!) at the site of his slayings? The film, as you may have discerned, tells an interesting story, with a twisty, slightly confusing plot that does ultimately manage to hang together. Lenzi has directed his film in a competent, no-nonsense manner, while the picture's score, from Riz Ortolani, is alternately somber, cool, menacing and lovely. The film's killer utilizes many expedients to off his victims, including beating, drowning, strangulation and--in a scene that should please most gorehounds--a power drill, and this many years before similar nut cases picked up their Black & Deckers in films such as "The Tool Box Murders," "The Driller Killer" and "The Slumber Party Massacre." Several scenes are indeed quite suspenseful, such as the ones with the poisoned kitties and the female mental patient. Shriek Show is to be thanked for this fine-looking DVD (sadly, with no subtitles) of a film never before released in the U.S. Oh...one other thing. Do NOT watch the film's trailer before viewing this picture. Amazingly, it reveals the killer's identity not once but several times! Talk about spoilers!
Undoubtedly Lenzi's best film. More of a giallo than anything else he's made, af usually seems to deal in standard Hitchcock- influenced thrillers and forego the giallo tropes. Here however, all of the giallo trademarks are at play, and come together beautifully with a very well written story line.
Before Cannibal Ferox and Eaten Alive!, Umberto Lenzi had his Giallo films. They are different from the American murder-mysteries in that we actually see the crime taking place, not just CSI showing up to process the scene, and we usually get lots of blood and tits with the deed.
OMG! A scene from The Driller Killer. The "Half-Moon Maniac" uses what is convenient to get the job done.
The last "victim" sets herself up for the kill to catch the maniac.
It doesn't work, and Mario (Antonio Sabato) keeps looking. Can he get home and save his wife, Giulia (Uschi Glas) before the killer strikes?
Great film, even though it was dubbed.
OMG! A scene from The Driller Killer. The "Half-Moon Maniac" uses what is convenient to get the job done.
The last "victim" sets herself up for the kill to catch the maniac.
It doesn't work, and Mario (Antonio Sabato) keeps looking. Can he get home and save his wife, Giulia (Uschi Glas) before the killer strikes?
Great film, even though it was dubbed.
¿Sabías que…?
- TriviaRiz Ortolani's theme here, "Why", is recycled from Umberto Lenzi's earlier Così dolce... così perversa (1969).
- ErroresDespite being referred to as the "Half Moon Killer", the medallions the perp leaves are actually crescent shaped.
- Citas
Elena Marchi: I don't want to die!
Sister of Elena Marchi: Of course you don't.
- Versiones alternativasWest German theatrical version was cut by approx. 10 minutes.
- ConexionesFeatured in German Grusel - Die Edgar Wallace-Serie (2011)
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- How long is Seven Blood-Stained Orchids?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Seven Blood-Stained Orchids
- Locaciones de filmación
- Trinita di Monte, Spanish Steps, Roma, Lacio, Italia(Mario searches for the American)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 32min(92 min)
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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