Pakeezah

'Pakeezah' means pure. It's a spectacular movie written, directed and produced by Kamal Amrohi; starring Meena Kumari and Raaj Kumar. This movie perfectly portrayed the life, dream, expectations, disappointment, and wishes of 'Sahib Jaan', the leading character in the film played by Meena Kumari. Her dream gets stumbled with bitter reality, though the movie ultimately has a happy ending. This movie shows some spectacular dream sequences, as well.

This amazing movie with outstanding music and song lyrics will create magic in millions of classic movie fans for years after years. Songs were sung by singer Lata Mangeshkar, singer Mohd. Rafi and Mehdi Hassan.

Flawless acting and performances of Meena Kumari and Raaj Kumar and the other notable artists are truly memorable. Marvelous direction, music, cinematography. A really good piece of film by Kamal Amrohi. The song lyrics are truly mesmerizing and intriguing. Lyrics were written by Majrooh Sultanpuri, Kaifi Azmi, Kaif Bhopali & Kamal Amrohi.Some beautiful and memorable songs from the movie are 'Chalo dildar chalo', 'Chalte chale','Teer e nazar dekhenge', 'Mausam hain ashiana', Thaare rahiyo'. 'Inhi logo ne' is the most famous song from Pakeezah.

Music was composed by Ghulam Mohammed & Naushad Ali, Cinematography by Josef Wirsching, and the movie was edited by D.N. Pai. The sets where the movie was shot were beautiful designed by Kamal Amrohi himself. And the costumes were designed by multi-talented actress Meena Kumari herself.

Pakeezah Was Directed By Kamal Amrohi...Who Was Known For His Perfectionism....It Was Produced & Written Again By Him... Screenplay Is Fine With The Script...

Story is About Sahibjaan Who Was Brought Up By Brothel Madame Nawabjaan.... She Grows Up & Becomes Popular Dancer/Singer.... Forest Ranger Salim is Enthralled By Her Beauty & Innocence, Convinces Her To Elope With Him But Trials And Tribulations Await As She is Recognized By Men Wherever She Goes With Salim.... When He Renames Her Pakeezah (Pure) Takes Her To A Priest To Be Legally Married, She Refuses, Returns To The Brothel..The Story Moves Further...

Meena Kumari As Sahibjaan Is Best Part Of The Movie....She Is Brilliant With Acting & Dancing...Raj Kumar As Salim Is Fine ...He Is Good In Few Of The Scenes....Veena As Nawabjaan Does Well..

Music Is Composed By Ghulam Mohammad & Naushad....Ghulam Mohammad Died During The Making Of The Movie So Naushad Was In...It Has Some Classic Dance Numbers Like "Chalte Chalte" By Lata,"Inhi Logon Ne" By Lata,"Thare Rahiyo" By Lata.....

Overall A Great Movie...It Took 14 Years To Complete The Movie...Many Changes Took Place During The Making But Final Output Was Brilliant ...The Film, Which Had Been Declared A Flop When First Released, Became A Success....Today Considered A Classic...Must Watch :)

Well what can you say about a movie like this,well there is only one word amazing, as i speak "urdu" i understand the language very well, the dialogue's in this movie are excellent and of course the poetry(especially when "rajkumar" enters the train).This movie is about the fake pride build in contemporary Indian societies families and the famous "nawabs" of that era.

The movie gets the start not that well however after the 10min the dialogues the songs will keep you entertained This is movie which will sweep you off with its music dance and script.This is all time favourite

Perhaps the most polished and accomplished of all Indian films - Pakeezah does not fall into any of the traps commonly associated with Bollywood film (ie tackiness, farce, wholesale and unsuccessful imitation of western film themes/genres). Pakeezah is indigenous to the Sub-Continent and authentic, almost Madam Butterfly-like in plot. Characters are well-developed, direction, although sometimes unrefined by today's standards, perceptive and convincing. The Urdu-speaking milieux at the time of Pakeezah were masters of understatement and how the dialogue conveys the subtleties of the age! The acting (particularly the 'looks' and the dynamic between characters) are a delight to behold although the nuances may be lost on contemporary viewers or those not acquainted with the mores and customs of Muslim India.

Coupled, with a captivating screenplay is a beautiful musical score, enhanced by the protagonist displaying eminent command of classical Indian dance (kathak). As is the case with most romantic tragedies, the heroine must die, but she does not take her leave of the audience without the viewer feeling he/she has been party to a truly memorable cinema experience. Pakeezah is surely the pinnacle of what Indian cinema has produced and is unlikely to be paralleled.

At last - I've finally got round to it and managed to see a "clean" copy of Pakeezah! Up until now I've only had a mangled scratchy jerky version taped off Dubai TV sometime in the '90's, with quirky English subtitles, dizzying widescreen coverage and a fluid colour with a mind of its own. Having thought the world of such a poor (and short) copy I find the decent one was well worth the wait and the full 140 minutes even more of a pleasure than I thought possible.

This was the lovely Meena Kumari's film from start to finish, and I believe was planned by her from 1958 on, finally realising it in 1971. What a shame it was that chronic alcoholism finally killed her soon afterwards, and in fact that she was too ill to perform in some of the scenes in Pakeezah, necessitating a body double. In some scenes the strain definitely shows in her face.

The story of Purity versus Adversity I can only treat as fiction having no experience of anything remotely close to it, but I'm led to understand that it faithfully depicts a world now gone that must have been common at one time in India. It's a sparkling and colourful film with a simple relentless epic message, an intense romantic tragedy which is somehow simultaneously feelgood too. But to me it's the peerless golden music by Ghulam Mohammed as sung by the incomparable Lata Mangeshkar - especially Thare Rahiyo - and its part in the unfolding of the story that makes this film so outstanding. I've seldom heard such serious, beautiful, poetic, wondrously sung and played songs on any movie soundtrack. Singin' In The Rain may be my favourite musical film but Pakeezah has my favourite music - yet Lata said that the songs themselves meant nothing special to her. The only pity is that the also unique Mohammed Rafi only had the one song in here, albeit a classic duet with Lata.

Because of all this but not blind to its faults, Pakeezah is my favourite Indian movie, filmed at a time when the Westernisation of India was gathering pace and watched now when Western values seem to be state sponsored and de rigueur. At the very least watch Pakeezah for a taste of what Indian "pop" music had to offer the world before it was all jettisoned for drum machines, the Bollywood Beat and bhangra.