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IMDbPro

Max et les ferrailleurs

  • 1971
  • Not Rated
  • 1h 52min
CALIFICACIÓN DE IMDb
7.3/10
3.3 k
TU CALIFICACIÓN
Romy Schneider and Michel Piccoli in Max et les ferrailleurs (1971)
Ver Bande-annonce [OV]
Reproducir trailer3:56
1 video
45 fotos
CrimeDramaRomance

Agrega una trama en tu idiomaA detective decides to go undercover and set up a group of robbers, but he may be getting too caught up in the task at hand.A detective decides to go undercover and set up a group of robbers, but he may be getting too caught up in the task at hand.A detective decides to go undercover and set up a group of robbers, but he may be getting too caught up in the task at hand.

  • Dirección
    • Claude Sautet
  • Guionistas
    • Claude Néron
    • Claude Sautet
    • Jean-Loup Dabadie
  • Elenco
    • Danielle Durou
    • Alain Belart
    • Michel Piccoli
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.3/10
    3.3 k
    TU CALIFICACIÓN
    • Dirección
      • Claude Sautet
    • Guionistas
      • Claude Néron
      • Claude Sautet
      • Jean-Loup Dabadie
    • Elenco
      • Danielle Durou
      • Alain Belart
      • Michel Piccoli
    • 18Opiniones de los usuarios
    • 25Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Bande-annonce [OV]
    Trailer 3:56
    Bande-annonce [OV]

    Fotos44

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    Elenco principal29

    Editar
    Danielle Durou
    • Nicole
    Alain Belart
    Michel Piccoli
    Michel Piccoli
    • Max
    Romy Schneider
    Romy Schneider
    • Julia Anna 'Lily' Ackermann
    François Périer
    François Périer
    • Rosinsky
    Georges Wilson
    Georges Wilson
    • Le commissaire
    Boby Lapointe
    • Lui Serafino dit P'tit Lu
    Philippe Léotard
    Philippe Léotard
    • Losfeld
    Michel Creton
    • Robert Saïdani
    Betty Beckers
    • Maria
    Henri-Jacques Huet
    • Cyriaque Arnaïs dit Dromadaire
    Dominique Zardi
    Dominique Zardi
    • Baraduch
    Dany Jacquet
    Dany Jacquet
    • Ida
    Jacques Canselier
    • Jean-Marie Patinet dit Jean-Jean'
    Maurice Auzel
    • Antoine Chantoiseau dit Tony
    Léa Gray
    • Madame Saïdani
    Bernard Musson
    Bernard Musson
    • L'inspecteur sarcastique à la cantine
    Albert Augier
    • Un client de Lily
    • Dirección
      • Claude Sautet
    • Guionistas
      • Claude Néron
      • Claude Sautet
      • Jean-Loup Dabadie
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios18

    7.33.3K
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    Opiniones destacadas

    10Bardotsalvador

    Romy the divine

    I went to see this movie today in NEW YORK is going to be show for one week only and for the first time is show in USA, the movie is very good with a great end but what make this movie good is ROMY SCHNEIDER 1938-1982 when she came out in the screen ,she play a prostitute named lily, the question i ask myself was how come somebody can be so beautiful so perfect i have not word to described this woman and beside her talent she was so good in her part i love this movie, ROMY IN REAL LIFE WAS NEVER HAPPY SHE HAVE A5 YEARS LOVE AFFAIR WITH ALAIN DELON AND AFTER THAT SHE MARRIED THE FATHER OF HER LATE SON David EVENTUALLY SHE DIVORCED HIM AND MARRIED DANIEL BIASINI THE FATHER OF HER DAUGHTER SARAH
    10leplatypus

    The brigade of Pre-Pre Crime (cinematheque)

    My favorite writer, PKD, has written a short story adapted by my favorite director, SS, where police could arrest criminals before they commit the crime as they could guess it before hand (it's "minority report"). Here, it's even more diabolic: the police can arrest criminals before they commit because they know it will happen because it's the police that inspire the crime.

    This Machiavelism is extremely well played by Piccoli as this crazy policeman. As the best brains in criminals, he builds his web with his colleagues and the poor bunch he has chosen for prey! The best is that his suggestion power is so amazing that he uses it indirectly, trough the girlfriend of the gang boss, played by our french Marilyn, that is to say Romy Schneider. Those two iconic actresses have really much in common: their talent, their fragility, their beauty and their tragic fate...

    In addition, this movie has now 40 years and i'm amazed how life in France and Paris has changed (and you can Google map rue d'Argonne Paris to see it as well)

    1) almost every big brand heard or seen in the movie has disappeared today ("suze", "crédit-lyonnais", "Byrrh", "prisunic"...)

    2) this is the last years before computers and electronics and however, the people aren't cavemen, depressed or whatever bad: on contrary, they look more human

    3) i can't explain this as i would be labeled as racist.

    In addition of being a great thriller, this is also a wonderful love story, one of the kind that I like where the lovers are unable to tell the feeling. Those two stories run all along the movie and meet beautifully and dramatically in the climax.

    In conclusion, a excellent innovative french thriller that has strangely escaped so far any American remake, even if this dark plot from security forces has emerged in books: read for example Forsyth's Avenger where the war on terror is played with the same rules: infiltrate cells and inspire them up to the point they can be stopped...
    GManfred

    Here Come Da Judge

    Max (Michel Piccoli) was once a judge but resigned, frustrated by letting guilty perps go due to lack of evidence. He joins the Paris Police Force and becomes a detective. Same thing happens - he can't arrest guilty mobsters for the same reason. As this obsession begins to consume him, he devises a plan, which amounts to a sting operation. He hopes this will restore some respect for truth, justice and the French way.

    He befriends a prostitute who is also the girlfriend of a small time hood, who was once a childhood friend. Complications arise (you knew that, didn't you?), as the girl is attractive and comes with a heart. Max is stoic as well as obsessed and tries hard not to let sentiment interfere with his plan.

    The film's pacing is uneven and involves a great deal of table-setting, so the film takes a while to get going. All the action takes place in the last 20 minutes - be ready to check your watch several times. But the ending is worth the wait, and that's as far as I can go without giving it away. Piccoli gives a thoughtful performance as a man driven by his conception of justice. He is tall and lean and is a commanding presence throughout. Romy Schneider as the bimbo gives what must be her best performance after years of fluff and junk.

    This was apparently the film's US premiere as it was not shown here in its initial release. It played at Lincoln Center, NYC, 8/12.
    7quiet

    Rough Cynical Police Tale Becomes Tender Love Story

    This is a very well acted and directed police story about a French detective investigating a gang of thieves which is headed by an old friend of his. What begins as a cynical film about violence and prostitution turns into a tender love story.
    7dbdumonteil

    The most sustained piece of Work of Sautet in the seventies.

    Few people know it,but Claude Sautet was first a film noir connoisseur.His first work,"classes tout risques" was beating Jean -Pierre Melville at his own game;the follow-up ,"l'arme à gauche" ,is difficult to see nowadays ,but if you can ,do not think twice.

    In the seventies,from "les choses de la vie" onwards,Sautet became the cinema de qualité director .I mean it pejoratively.Whereas "les choses de la vie" remains watchable today ,thanks to a sensational editing,the other works such as "Cesar et Rosalie " "Vincent François Paul et les autres" "Mado" are depicting a bourgeois life ,speaking of people "in danger of despair"(Sautet Dixit) but with an optimism that was almost unbearable in the crisis of the seventies.The screenplays became very loose,without any dramatic progression .You can sum up "Cesar et Rosalie" like this :"Rosalie loves Cesar ,but she also loves David.What will become of her ?":everything taking place in desirable mansions ,what a contemporary critic aptly called " un espace Cardin" This is two-bit psychological drama ,with ponderous symbolism,as "Mado" will confirm with its infuriating scene where the cars get boggeddown in the mud .a critic said then "it's the movie that gets bogged down itself.

    "Max et les ferrailleurs " is a different matter;by combining the film noir side of the two first opus with what will be developed (in a very gauche way) in the "psychological" future films ,Sautet brings it all back home.It stands out as his most sustained piece of work in the seventies.An absolutely intriguing work,with a beautiful Romy Schneider who keeps the audience waiting,only appearing after 30 minutes.Her relationship with cop Piccoli is very shady,sometimes recalling the Fonda/Sutherland one in Pakula's "Klute" :it really stands comparison with it.A wonderful depiction of a popular milieu,in the suburbs of Paris (Nanterre) ,where the secondary characters seem to be out of a Duvivier or a Clouzot work.But it's finally the Jacques Becker spirit Sautet captures here ,and it's really too bad that,after such an interesting movie,he fell into the trap of the academic cinema de qualité.

    Más como esto

    César et Rosalie
    7.3
    César et Rosalie
    Les choses de la vie
    7.4
    Les choses de la vie
    Vincent, François, Paul... et les autres
    7.3
    Vincent, François, Paul... et les autres
    Une histoire simple
    6.8
    Une histoire simple
    Nelly & Monsieur Arnaud
    7.2
    Nelly & Monsieur Arnaud
    Mado
    6.6
    Mado
    Como fiera acorralada
    7.5
    Como fiera acorralada
    Le train
    6.9
    Le train
    Un mauvais fils
    7.4
    Un mauvais fils
    Le mouton enragé
    6.7
    Le mouton enragé
    Un coeur en hiver
    7.6
    Un coeur en hiver
    El interrogatorio: bajo custodia
    7.6
    El interrogatorio: bajo custodia

    Argumento

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    • Trivia
      Michel Piccoli was so eager for the leading role of Max he brought Sautet an outfit designed by a tailor, who specialized for plainclothes police officers.
    • Conexiones
      Featured in Claude Sautet ou La magie invisible (2003)
    • Bandas sonoras
      Générique (Thème)
      Written by Philippe Sarde

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    Preguntas Frecuentes16

    • How long is Max and the Junkmen?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 17 de febrero de 1971 (Francia)
    • Países de origen
      • Francia
      • Italia
    • Idioma
      • Francés
    • También se conoce como
      • Max and the Junkmen
    • Locaciones de filmación
      • Alfortville, Val-de-Marne, Francia(junkyard along railroad, now redeveloped)
    • Productoras
      • Lira Films
      • Sonocam
      • Fida Cinematografica
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 40,450
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 11,264
      • 12 ago 2012
    • Total a nivel mundial
      • USD 40,762
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 52 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.66 : 1

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