Un hombre en la inmensidad

Excellent period film, story of survival in the bleak, bleak wilderness. Richard Harris plays a fur trapper in 1820s America who is left for dead by his expedition party after surviving a bear attack. Harris (amazingly) manages to keep himself alive and catch up with the hunting party. Minimal dialogue and action. More a mood piece than anything else, but a very effective one.

I really enjoyed "Man in the Wilderness". It's fairly obscure, and its easy to see why. It basically presents nature as hellish and threatening in every way. It also (wonder of wonders) presents the situation realistically. Most films that take place in the 1800s look terrifically groomed and contemporary, as if the stars had spent the day filming and the night relaxing in a jacuzzi. Not so here. This is grimy and gritty. Lots of gray and black and brown. Harris looks dirty and beat-up. I love it.

I also love all the scenes of the expedition members pulling that big, muddy boat all over creation.

A really good film. Highly recommended if you like films that attempt a certain realism - like robert altman's "McCabe and Mrs. Miller"

Richard Harris is horribly mauled by a grizzly bear and left to die in the primeval forest of 1820's America, by trapping expedition captain John Huston. The injured Harris is forced to go to extraordinary lengths in order to survive and catch up with the rest of his party.

A very offbeat, handsomely produced outdoor adventure, Man In The Wilderness is a story that's told primarily in pictures, with very minimal dialog. This moody, sometimes cerebral film might not be for everyone, though others will find it quite satisfying.

Richard Harris delivers a great performance, despite the fact that the script only allows him to speak five times during the movie, three of which were near the end. He's forced to convey emotions mainly through body and facial expression.

Some favorite scenes are when the trappers are pinned down by the weather and begin to imagine a vengeful Harris, coming out of the wilderness to get them, and of course the fascinating climax and finale.

The film's basic premise was borrowed four years later, in the bad drive-in movie Apache Blood. That film is not recommended, whereas this would make a pretty good double-bill with A Man Called Horse or Jeremiah Johnson.

I can't say it any better than Jeremiah did. "In the dark trials of wilderness God's grace could still be found working in the heart of a wounded man. I first saw this film in 71 and had to sit through it again. In those days you could do that. You follow Zack from his early years of losing his mother to having God's love forced on him by a vicious minister. Zack never found much use in God in his life. An island of a man he is well respected tracker on the John Henry Expedition. As told by other commentators he is mauled by a grizzly (an amazing feat in movie making) even my kids had to admit that, and left to die alone by cowardly men. I was blown away by his ability to survive. He is just another animal when he manages to grab raw meat from a dying buffalo. Imagine finding a human now with the endurance and fortitude to be so resourceful as Zackery Bass. Richard Harris gives one of his best performances that I've seen and I've seen them all. My favorite scene is when he reads the bible to one of God's creatures and finds solace in the words. I recommend this film highly to just about everyone. If you think you're having a bad day just .remember what Zack had to do in order to see another day. The soundtrack too is another reason is see it. They just can't make 'em like this anymore.

Based on the same true story that inspired the much more recent "The Revenant", "Man in the Wilderness" is a truly impressive survival drama. It stars Richard Harris as Zachary Bass, one of a group of fur traders in the Northwest Territories in 1820. They've spent two years collecting their wares, and are now making their way South to a particular river that will take them to trading posts. However, as the film opens, Bass is very badly maimed by a bear. His companions believe he's a goner, and leave him behind. But Bass has an incredible will to live. His struggles to exist in the wilderness - and possible desire for revenge - form the balance of the film.

"Man in the Wilderness" is exquisitely shot in scope by the talented Gerry Fisher, written with heart by Jack DeWitt, and directed extremely well by Richard C. Sarafian of "Vanishing Point" fame. Bass' resolve is simply amazing, and Harris does a very fine job of creating a vivid and engaging character, a man who lived his life not particularly caring for what others consider "Gods' will". This man earns his sympathies honestly, and his situation is compelling every step of the way. There are some beautifully poignant moments throughout, both in the past (we see flashbacks to earlier parts of Bass' life) and present.

At the head of the supporting cast is a typically commanding John Huston as Captain Henry, the leader of the trappers who insists that everything be done his way. Henry demands that their ship continue to be transported along with men, mules, and supplies, despite the fact that it really slows them down. Henry Wilcoxon, Percy Herbert, Dennis Waterman, Prunella Ransome, Norman Rossington, and James "Scotty" Doohan are all fine as well.

There are some scenes that may be upsetting to some in the audience, but things remain convincing and believable for the duration of this well executed production.

Eight out of 10.

Savage and unrelenting, but, compassionate and immensely rewarding tale of a fur trapper, near-fatally mauled by a bear, surviving to exact revenge upon those who left him for dead. A distant and withdrawn character, Zachary Bass (Harris), who through a series of ordeals, recalls both the tumultuous and neglected events in his life that he is now compelled to resurrect. His quest is both a harrowing and moving experience, with a sincere, thoughtful performance by the late Richard Harris.

"Man in the Wilderness" boasts breathtaking scenery, a memorable score, and supporting performances played with conviction, particularly by John Huston and Percy Herbert. While it might draw parallels with Harris' "Horse" trilogy, this role is a more complex characterisation, developed without the benefit of dialogue, but through actions, expressions and emotions.

I've read reviews of this film that claim that the movie is uninvolving and gratuitously violent, but nothing, in my opinion, could be further from the truth. If ever there was a character with whom you could empathise, and follow to a poignant (and satisfying) conclusion, Zachary Bass is that character. A metaphoric journey from his own personal "wilderness" to a state of self consciousness in both his existence, and purpose. If ever there was a movie that could depict the challenges that he would face, and intertwine them with the complex motivations for his desire to survive, "Man in the Wilderness" is that movie. A rare gem.