CALIFICACIÓN DE IMDb
7.4/10
16 k
TU CALIFICACIÓN
Un lord escocés despiadadamente ambicioso toma el trono con la ayuda de su intrigante esposa y un trío de brujas.Un lord escocés despiadadamente ambicioso toma el trono con la ayuda de su intrigante esposa y un trío de brujas.Un lord escocés despiadadamente ambicioso toma el trono con la ayuda de su intrigante esposa y un trío de brujas.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio BAFTA
- 3 premios ganados y 2 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
THE PLOT: Through ambition, greed, and the spurring of his wife a man rises to the ranks of King, but leaves murder, destruction, guilt, and a wide array of enemies in his wake.
THE POSITIVE: This is visually stunning from beginning to end. The photography of the Scottish landscape seems almost surreal. Although some may argue that the violence is excessive it is still well done and works in a nice lyrical fashion with the script. The gory special effects are very realistic and top anything that I have seen in any slasher movie especially the decapitation scene. The witches also come off as looking very frightening here. The scene in their coven where you see dozens of fully nude elderly women is grotesquely brilliant. This is one Shakespeare rendition that doesn't have any of the stiff staginess. The characters seem to be having real conversations and their lines are spoken in a much more natural way. Finch is absolutely perfect in the lead. The facial expressions that he show during Macbeth's different phases are fascinating and right on target. This would be a good version to show to teenagers and others who might not ordinarily be into Shakespeare. The action is well mounted and paced so anyone would be able to follow it even if they are not able to completely grasp the language.
THE NEGATIVE: Outside of a relentlessly bleak visual style that may be too much for some there really isn't anything negative about it.
THE LOWDOWN: This is the best film adaptation to Shakespeare's work that I have seen. It is exciting, graphic, realistic, visual, and captivating all at the same time even for those that may not be into Shakespeare.
THE RATING: 8 out of 10.
THE POSITIVE: This is visually stunning from beginning to end. The photography of the Scottish landscape seems almost surreal. Although some may argue that the violence is excessive it is still well done and works in a nice lyrical fashion with the script. The gory special effects are very realistic and top anything that I have seen in any slasher movie especially the decapitation scene. The witches also come off as looking very frightening here. The scene in their coven where you see dozens of fully nude elderly women is grotesquely brilliant. This is one Shakespeare rendition that doesn't have any of the stiff staginess. The characters seem to be having real conversations and their lines are spoken in a much more natural way. Finch is absolutely perfect in the lead. The facial expressions that he show during Macbeth's different phases are fascinating and right on target. This would be a good version to show to teenagers and others who might not ordinarily be into Shakespeare. The action is well mounted and paced so anyone would be able to follow it even if they are not able to completely grasp the language.
THE NEGATIVE: Outside of a relentlessly bleak visual style that may be too much for some there really isn't anything negative about it.
THE LOWDOWN: This is the best film adaptation to Shakespeare's work that I have seen. It is exciting, graphic, realistic, visual, and captivating all at the same time even for those that may not be into Shakespeare.
THE RATING: 8 out of 10.
Vehement and inch-perfect approach of Roman Polanski towards Shakespeare's greatest play "Macbeth". Polanski's absolute narrative technique and profound direction set the heinous deed of Macbeth and his tragic fate with elegance.
He brilliantly represents all Shakespearean symbols on the screen--- especially the floating "dagger", apparitions in the witches' den. Jon Finch powerfully portrays the downfall of Macbeth while Annis appears vivid struggling with her greed and conscience. Vibrantly, one of the mightiest adaptations from Shakespeare's :p
8/10__:D
He brilliantly represents all Shakespearean symbols on the screen--- especially the floating "dagger", apparitions in the witches' den. Jon Finch powerfully portrays the downfall of Macbeth while Annis appears vivid struggling with her greed and conscience. Vibrantly, one of the mightiest adaptations from Shakespeare's :p
8/10__:D
Roman Polanski's blood-soaked version of Shakespeare's Scottish play was the video version of choice when we were studying this at school, in spite of it having a nude Lady Macbeth and witches (and Keith Chegwin in the cast - he's Banquo's son).
Jon Finch has the lead and he is exceptionally good. Even a dagger which really appears to float before him (an effect not needed) doesn't spoil things. Odd that he never really got good movie roles after this. His Lady M is Francesca Annis, a spider of a schemer, also putting in a good performance.
Less adequate are Martin Shaw as Banquo, Stephan Chase as Malcolm, and Sydney Bromley as the Porter, although Terence Bayler gives good value as Macduff.
Perhaps this Macbeth is the first one to be truly cinematic, something that even Orson Welles couldn't achieve with Scots accents and Scandinavian settings. It remains memorable long after seeing and, in its excesses, opens up the text for a new generation, and finally, sees the repellent murdering usurper get what he deserves.
(Incidentally for perspective, the book 'Macbeth - man and myth' by Nick Aitchison looks at the real historic facts in accessible coffee-table book style).
Jon Finch has the lead and he is exceptionally good. Even a dagger which really appears to float before him (an effect not needed) doesn't spoil things. Odd that he never really got good movie roles after this. His Lady M is Francesca Annis, a spider of a schemer, also putting in a good performance.
Less adequate are Martin Shaw as Banquo, Stephan Chase as Malcolm, and Sydney Bromley as the Porter, although Terence Bayler gives good value as Macduff.
Perhaps this Macbeth is the first one to be truly cinematic, something that even Orson Welles couldn't achieve with Scots accents and Scandinavian settings. It remains memorable long after seeing and, in its excesses, opens up the text for a new generation, and finally, sees the repellent murdering usurper get what he deserves.
(Incidentally for perspective, the book 'Macbeth - man and myth' by Nick Aitchison looks at the real historic facts in accessible coffee-table book style).
To say that this adaptation is a bit of a bloodbath is a bit of an understatement, but you cannot deny that this film from Roman Polanski is quite possibly the definitive film version of Shakespeare's play, which is very complicated to even contemplate transcribing to screen. The cinematography is excellent, as is the script. It is true that there are a lot of disturbing scenes, chiefly Lady Macbeth's nude sleepwalker scene and King Duncan's death. Roman Polanski should be commended for how much he managed to get into the film, and he somehow made it all effective. Any scene with the three witches, the murder of Macduff's family, plus the part when Macbeth sees Banquo's ghost was very well done.(I saw an amateur production of this, and not only was it disappointing, but that particular scene was the worst aspect of it) The performances were brilliant, Jon Finch(who did start off uncomfortable) is great on the whole as the treacherous thane-turned-king, and Francessca Annis was nigh-on-perfect as Lady Macbeth. And Martin Shaw was excellent as Banquo. From the suitably eerie opening scene, to the superb climax, this is a near-perfect adaptation, there were just some bits that were really disturbing to watch, that deserves more recognition. 9/10 Bethany Cox
I remember watching this film in my Grade 11 English class when we were studying William Shakespeare's "Macbeth". Reading the story a couple of times, I rather enjoyed the classic tale to a degree. Whether or not it would convincingly translate to film, I, along with my class, was about to find out...with Roman Polanski's 1971 film adaptation, also produced by - HUGH HEFNER?!? As strangely amusing as the "Playboy" credit seemed in the opening credits, we were prepared for a very interesting take on the famous, violent play.
Shakespearean tragedies/comedies being translated to film are nothing new, of course. There have been some clear hits and misses over the decades - but fortunately, "Macbeth" does not fall into that latter "miss" category, for it is a tremendously underrated, very surprising, and overall competently made film. Roman Polanski is an excellent director here, and the acting, music, and effects (some of which - particularly the "dagger/murder" sequence - perversely amused my fellow classmates, who are obviously jaded by today's overblown, unsubtle, effects-laden "dramas") worked well for me. As well, the graphic violent and sexual nature of the film (which was also sometimes entertaining to the class, sadly) shocked me quite a bit. Of course, for a film made in 1971, Polanski's "Macbeth" isn't exactly "tame", if you will. Apparently it was rated X at the time, when the notorious film rating existed. I'm not sure if that's true or not, but it clearly wouldn't be surprising if it were, especially considering how intense this film can get - both physically and psychologically. It works extremely well as an old-fashioned action-packed thriller, and even to someone who knew the story fairly well, it was an exciting little soap opera to behold. The class really enjoyed it as well, I'm glad to say; even for all its "old" qualities (i.e. the twangy psychadelic-sounding music that plays upon the closing credits) it still achieved a certain charm that was impossible to deny.
One of the most impressive and enjoyable Shakespearean films I have ever seen, "Macbeth" deserves much more acclaim than scorn - for it is well-made, and enormously faithful to its original source, capturing all the details of ol' Scotland and its inhabitants with great care. It's a wonderful treat. Highly recommended.
Shakespearean tragedies/comedies being translated to film are nothing new, of course. There have been some clear hits and misses over the decades - but fortunately, "Macbeth" does not fall into that latter "miss" category, for it is a tremendously underrated, very surprising, and overall competently made film. Roman Polanski is an excellent director here, and the acting, music, and effects (some of which - particularly the "dagger/murder" sequence - perversely amused my fellow classmates, who are obviously jaded by today's overblown, unsubtle, effects-laden "dramas") worked well for me. As well, the graphic violent and sexual nature of the film (which was also sometimes entertaining to the class, sadly) shocked me quite a bit. Of course, for a film made in 1971, Polanski's "Macbeth" isn't exactly "tame", if you will. Apparently it was rated X at the time, when the notorious film rating existed. I'm not sure if that's true or not, but it clearly wouldn't be surprising if it were, especially considering how intense this film can get - both physically and psychologically. It works extremely well as an old-fashioned action-packed thriller, and even to someone who knew the story fairly well, it was an exciting little soap opera to behold. The class really enjoyed it as well, I'm glad to say; even for all its "old" qualities (i.e. the twangy psychadelic-sounding music that plays upon the closing credits) it still achieved a certain charm that was impossible to deny.
One of the most impressive and enjoyable Shakespearean films I have ever seen, "Macbeth" deserves much more acclaim than scorn - for it is well-made, and enormously faithful to its original source, capturing all the details of ol' Scotland and its inhabitants with great care. It's a wonderful treat. Highly recommended.
¿Sabías que…?
- TriviaMark Dightam, who was eleven when he controversially appeared full frontally naked as MacDuff's son, was not allowed to see the film when it was released because it had been classified AA and he was under 14 at the time.
- ErroresThe lyrics to the song that Fleance sings at Macbeth's banquet for Duncan at Inverness are taken from the poem "Merciles Beautè" by Geoffrey Chaucer. In the context of the film this extraneously inserted song is itself an anachronism, as Chaucer lived in the fourteenth century and Shakespeare's "Macbeth" historically takes place in the eleventh century.
- ConexionesFeatured in Aquarius: Two Macbeths/Hayward Gallery/Ravi Shankar (1972)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Bi Kịch Của Macbeth
- Locaciones de filmación
- Lindisfarne Castle, Holy Island of Lindisfarne, Northumberland, Inglaterra, Reino Unido(Glamis Castle, Inverness)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,100,000 (estimado)
- Tiempo de ejecución2 horas 20 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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