[go: up one dir, main page]

    Calendario de lanzamientosLas 250 mejores películasPelículas más popularesBuscar películas por géneroPelículas más taquillerasHorarios y entradasNoticias sobre películasNoticias destacadas sobre películas de la India
    Qué hay en la televisión y en streamingLos 250 mejores programas de TVLos programas de TV más popularesBuscar programas de TV por géneroNoticias de TV
    Qué verÚltimos tráileresTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbFamily Entertainment GuidePodcasts de IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideBest Of So FarDisability Pride MonthPremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
  • Preguntas Frecuentes
IMDbPro

...hanno cambiato faccia

  • 1971
  • 1h 36min
CALIFICACIÓN DE IMDb
6.6/10
773
TU CALIFICACIÓN
Adolfo Celi in ...hanno cambiato faccia (1971)
DramaHorror

Agrega una trama en tu idiomaIn this allegory on capitalism, director of a known car corporation invites one of his employees to his country villa to give him the good news. He just got promoted. However, the old man is... Leer todoIn this allegory on capitalism, director of a known car corporation invites one of his employees to his country villa to give him the good news. He just got promoted. However, the old man is not what he seems and promotion has a price.In this allegory on capitalism, director of a known car corporation invites one of his employees to his country villa to give him the good news. He just got promoted. However, the old man is not what he seems and promotion has a price.

  • Dirección
    • Corrado Farina
  • Guionistas
    • Corrado Farina
    • Giulio Berruti
  • Elenco
    • Adolfo Celi
    • Geraldine Hooper
    • Giuliano Esperati
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.6/10
    773
    TU CALIFICACIÓN
    • Dirección
      • Corrado Farina
    • Guionistas
      • Corrado Farina
      • Giulio Berruti
    • Elenco
      • Adolfo Celi
      • Geraldine Hooper
      • Giuliano Esperati
    • 13Opiniones de los usuarios
    • 20Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Fotos82

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 77
    Ver el cartel

    Elenco principal18

    Editar
    Adolfo Celi
    Adolfo Celi
    • Giovanni Nosferatu
    Geraldine Hooper
    • Corinna
    Giuliano Esperati
    • Alberto Valle
    • (as Giuliano Disperati)
    Francesca Modigliani
    • Laura
    Rosalba Bongiovanni
    Pio Buscaglione
    Salvadore Cantagalli
    Giulio Flores Perasso
    Mariella Furgiuele
    Luigi Garetto
    Guglielmo Molasso
    Wladimiro Nemo
    Marisa Randisi Salice
    Lorenzo Rapazzini
    Claudio Trionfi
    Giulio Berruti
    • Priest
    • (sin créditos)
    Corrado Farina
    • Scientist in spot commercial
    • (sin créditos)
    Emanuele Vacchetto
    • Actor in commercial spot
    • (sin créditos)
    • Dirección
      • Corrado Farina
    • Guionistas
      • Corrado Farina
      • Giulio Berruti
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios13

    6.6773
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Opiniones destacadas

    5jordondave-28085

    It needs to be shortened to 45 minutes as a Twilight Zone spoof or some sort

    (1971) They Have Changed Their Face/ ...hanno cambiato faccia (In Italian with English subtitles) DRAMA HORROR

    Co-written and directed by Corrado Farina that has regular office factory worker, Alberto Valle (Giuliano Disperati) ordered by his superior to meet the president of the corporation, Giovanni Nosferautu (Adolfo Celi) of "Auto Avio Motors" comp. And during his drive he then notices he is running low on gas and tries to communicate with the villagers with the only person who reached out to him is a female wearing a thick coat with no bra and topless, Laura (Francesca Modigliani) coincidentally heading toward the same direction. And by the time he reaches the villa, and tries to ring himself in, there is no one there to greet him by the fence's gate. And when a door is finally discovered, he then decides to walk the rest of the way with Laura deciding not to to walk with him. He would then hands her the keys, she tells him she will wait for him. As he is walking toward the villa, two cars are driving alongside with him. And when Alberto tries to make conversation with them, they act unresponsive as if they are dead. He is then greeted by Giovanni Nosferatu's secretary, Corrina (Geraldine Hooper) and she tells him he will not be able to see him until dinner which is weirdly served at 10 PM. It is during then Alberto does some snooping around that does not really does anything. It just resorts to more weird stuff happening.

    The name Nosferatu was mentioned on purpose and although I did not see the ending the way that it happened, the entire set up was routine and boring. To which if anyone were to watch many vampire movies the approach is still the same for I would have liked it more had it been shortened to 45 minutes both the impact and message of capitalism would still be the same.
    8dopefishie

    ahead of its time

    Intelligent critique or consumerism. Very low budget, but they def made the most of the budget which was truly impressive. Setting and atmosphere are excellent. Acting is very good. Music is outstanding and reminiscent of the band Goblin. The spirit of the film reminded me of "Sorry to Bother You (2018)" - only Sorry to bother you is much funnier and has a much bigger budget. I won't say anything else so not to spoil it. But if you like movies from this era that have something to say and go off the beaten path then give this a try :)
    10matheusmarchetti

    Capitalism is a Vampire

    After re-watching this obscure Italian gem, I'm even more convinced that Corrado Farina is a true neglected maestro of Italian horror cinema. Granted, he's only made four films, two of them being horror (the other one is the delirious fumetti adaptation "Baba Yaga"), but they really shows a unique style that is hardly seen elsewhere in the genre. In fact, even more so than "Baba Yaga", "Hanno Cambiato Faccia" is something of a black sheep of 70's Italian horror. The most obvious difference is the look of the film. While most of it's kind are photographed with Bavaesque colors, this one is almost completely pale and "lifeless", with all the exterior scenes filmed in nearly deserted, fog-shrouded landscapes and with stark white, minimalist interiors. Corrado's script is also very well written and intelligent. Something of a loose adaptation of Bram Stoker's "Dracula", set in 1970's Italy, we follow a young man who goes to visit his boss - Giovanni Nosferatu, the head of a huge corporation, at his secluded country villa, in order to get a promotion. As soon as he gets there, however, he soon realizes there's something not quite right with Mr. Nosferatu, and he eventually comes to the conclusion that the man is a vampire. Not unlike Hans Geissendorfer's eccentric masterpiece "Jonathan", this is an obvious allegory to capitalism, with corporate tycoons presented as vampires who feed on the expenses of their consumers, and the title means that these foul beings are still living in our modern society, only under a different image. The metaphor is presented very subtly, and doesn't come across as being pretentious. The film's finale, though some can see as being anti-climatic, actually enhances this, and leaves a haunting, lingering impression, rather than a shocking one, on the viewer. One of the film's greatest assets is the contrast between classic Gothic imagery with high-tech, ultra-modern settings. Nosferatu's villa is, on the outside, old and crumbling, surrounded by a foreboding forest and an ancient cemetery. There's also a nearby village with the creepy innkeeper-ish character who warns the protagonist of his destination before he gets there. Hell, there's even a cobwebbed crypt for the vampire to sleep in. Another brilliant aspect is the choice cast. Adolfo Celli is just effortlessly creepy as the undead businessman, and Giuliano Esperanti makes for a likable protagonist in his Jonathan Harker-type role. Argento fans will be surprised to see the androgynous Geraldine Hooper, best known as Gabriele Lavia's homosexual lover in "Deep Red", as Celli's mysterious and seductive secretary, a "Bride of Dracula", if you will. As a whole, I think I slightly prefer "Baba Yaga" over this, but only by a hair, as "They Have Changed Faces" is obviously the better written, better acted of the two. Speaking of which, even if you didn't like "Baba Yaga", I urge you to see this film - it's a highly original, intelligent slice of Italian Horror, and another one that deserves more praise and recognition. 9/10
    7ewolfw

    Capitalism sucks. Literally.

    Italian jazz, Italian car factories and an invitation to meet the boss. That juxtaposition of the naked woman in the fur coat and the lifeless village. All surface style in the villa, executive toys clacking away. Great first appearance (complete with choir!) of Celli. The offer is made; there's a room full of ickle babies and a troupe of white fiats. It's a fascinating little flick. The allegory may be a bit heavy handed, but there's a real style here.
    7Bunuel1976

    THEY HAVE CHANGED THEIR FACE (Corrado Farina, 1971) ***

    A largely unknown but highly rewarding Euro-Cult gem that transposes the ancient Transylvanian vampire legend into the commercialized industrial age of 1970s Italy; director Farina is perhaps best-known (if at all) for the Carroll Baker-starring adult comic-strip adaptation BABY YAGA (1973) – a film which I was kind of lukewarm on at first glance but would now love to revisit (for the record, I do own the Blue Underground DVD of it). The mostly anonymous cast is headed by distinguished character actor Adolfo Celi (playing the all-powerful tycoon Giovanni Nosferatu) and whose underlings include one Harker, one Van Helsing, etc.!; the hero of the piece is played by Giuliano Disperati (who reminded me of a less handsome version of Hurd Hatfield) and their female counterparts are essayed by Geraldine Hooper (as Celi's androgynous secretary) and red-headed hottie Francesca Modigliani (portraying a bare-breasted hippy who hitches a ride in Disperati's car and stays on). Obviously, Jean-Luc Godard had already paid similar tribute to F.W. Murnau's Silent vampire masterpiece in his own iconic neo-noir/sci-fi opus ALPHAVILLE (1965) by naming the Howard Vernon character as Professor Nosferatu von Braun; the beauty of Farina's – and co-writer/assistant director/editor Giulio Berruti (who would go on to direct the middling nunsploitation/slasher KILLER NUN [1978]) – concept, however, is that (as the film's very title implies) vampires have nowadays changed their faces and instead of sporting bloodied fangs and enveloping cloaks, they don suits, haunt business boardrooms and prey upon millions of gullible TV viewers via puerile (but obviously effective) commercials! The film's initial stages have a deceptively light-hearted air about them: predating the amiable "Fantozzi" comedy series of movies by four years, Disperati cannot believe his luck in being invited to meet the elusive President of the firm he works for (who inhabits the 20th floor on which, apparently, only a handful of people have ever been to); when Disperati is invited to Nosferatu's country house, he is made to listen to commercials whenever he gets to sit on the sofa or take a shower! Even so, the subtle choral music on the soundtrack ominously underscores the sinister air of the rural surroundings – represented by Nosferatu's omnipresent watchdog army of white Fiat 500 which 'accompany' every visitor to the villa. Needless to say, the usual expected elements of vampire movies are also present in the mix here: the crypt housing Nosferatu's decaying coffin; the midnight secret meeting of the Vampire and his acolytes (here made up of, among others, a Renfield-like advertising agent dreading his boss' reaction to his clips and even an ecclesiastical authority who imparts his blessing on the latter's work vis-a-vis censorship issues, etc.). Despite Disperati's apparent shooting of Nosferatu (whose main relaxation activity is taking target practice on moaning puppets!), the eventual climactic defection to the cause – conformism to the consumerist mentality – of both hero and (the sadly largely absent) heroine does not really come as a surprise and concludes the movie on a satisfying ROSEMARY'S BABY-like coda.

    Más como esto

    Crimen en la residencia
    5.8
    Crimen en la residencia
    La bruja en amor
    6.5
    La bruja en amor
    La amante del demonio
    4.2
    La amante del demonio
    Pasos de danza sobre el filo de una navaja
    5.8
    Pasos de danza sobre el filo de una navaja
    El castillo de Frankenstein
    5.2
    El castillo de Frankenstein
    Solamente negro
    6.3
    Solamente negro
    Mystère
    5.5
    Mystère
    La cruz del diablo
    5.4
    La cruz del diablo
    Exorcismo de amor
    5.7
    Exorcismo de amor
    El extraño amor de los vampiros
    5.5
    El extraño amor de los vampiros
    Un hacha para la luna de miel
    6.3
    Un hacha para la luna de miel
    Circuito chiuso
    7.0
    Circuito chiuso

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Debut role and only career nude scenes for Francesca Modigliani. She made one more film after this and then quit acting.
    • Citas

      Actor in commercial spot: A shower isn't a shower if your water pipes don't contain A-1 Tonic.

      Actress in commercial spot: With A-1 Tonic, you're younger, stronger ... happier to live and love!

      Actor in commercial spot: [letter "A" in Italian, sighed as an ecstatic "Ah!"] A-1 Tonic caresses your skin.

      Actress in commercial spot: [also with the ecstatic "Ah!"] I'd also like to feel A-1 Tonic caress my skin.

      Actor in commercial spot: You can't, unless you surrender. without shame, young and naked.

      Actress in commercial spot: I am young, and I'm also...

      [Alberto turns off water, cuts off ad]

    • Conexiones
      Spoofs La calle (1954)

    Selecciones populares

    Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
    Iniciar sesión

    Preguntas Frecuentes15

    • How long is They Have Changed Their Face?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 2 de julio de 1971 (Italia)
    • País de origen
      • Italia
    • Idioma
      • Italiano
    • También se conoce como
      • They Have Changed Their Face
    • Locaciones de filmación
      • Chieri, Torino, Piemonte, Italia(Giovanni Nosferatu's house)
    • Productora
      • Film 70
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 36 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

    Contribuir a esta página

    Sugiere una edición o agrega el contenido que falta
    Adolfo Celi in ...hanno cambiato faccia (1971)
    Principales brechas de datos
    By what name was ...hanno cambiato faccia (1971) officially released in India in English?
    Responda
    • Ver más datos faltantes
    • Obtén más información acerca de cómo contribuir
    Editar página

    Más para explorar

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación de IMDb
    Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación de IMDb
    Para Android e iOS
    Obtener la aplicación de IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Publicidad
    • Trabaja con nosotros
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una compañía de Amazon

    © 1990-2025 by IMDb.com, Inc.