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IMDbPro

...hanno cambiato faccia

  • 1971
  • 1h 36min
CALIFICACIÓN DE IMDb
6.6/10
775
TU CALIFICACIÓN
Adolfo Celi in ...hanno cambiato faccia (1971)
DramaHorror

Agrega una trama en tu idiomaIn this allegory on capitalism, director of a known car corporation invites one of his employees to his country villa to give him the good news. He just got promoted. However, the old man is... Leer todoIn this allegory on capitalism, director of a known car corporation invites one of his employees to his country villa to give him the good news. He just got promoted. However, the old man is not what he seems and promotion has a price.In this allegory on capitalism, director of a known car corporation invites one of his employees to his country villa to give him the good news. He just got promoted. However, the old man is not what he seems and promotion has a price.

  • Dirección
    • Corrado Farina
  • Guionistas
    • Corrado Farina
    • Giulio Berruti
  • Elenco
    • Adolfo Celi
    • Geraldine Hooper
    • Giuliano Esperati
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.6/10
    775
    TU CALIFICACIÓN
    • Dirección
      • Corrado Farina
    • Guionistas
      • Corrado Farina
      • Giulio Berruti
    • Elenco
      • Adolfo Celi
      • Geraldine Hooper
      • Giuliano Esperati
    • 13Opiniones de los usuarios
    • 20Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Fotos82

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    Elenco principal18

    Editar
    Adolfo Celi
    Adolfo Celi
    • Giovanni Nosferatu
    Geraldine Hooper
    • Corinna
    Giuliano Esperati
    • Alberto Valle
    • (as Giuliano Disperati)
    Francesca Modigliani
    • Laura
    Rosalba Bongiovanni
    Pio Buscaglione
    Salvadore Cantagalli
    Giulio Flores Perasso
    Mariella Furgiuele
    Luigi Garetto
    Guglielmo Molasso
    Wladimiro Nemo
    Marisa Randisi Salice
    Lorenzo Rapazzini
    Claudio Trionfi
    Giulio Berruti
    • Priest
    • (sin créditos)
    Corrado Farina
    • Scientist in spot commercial
    • (sin créditos)
    Emanuele Vacchetto
    • Actor in commercial spot
    • (sin créditos)
    • Dirección
      • Corrado Farina
    • Guionistas
      • Corrado Farina
      • Giulio Berruti
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios13

    6.6775
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    Opiniones destacadas

    7ewolfw

    Capitalism sucks. Literally.

    Italian jazz, Italian car factories and an invitation to meet the boss. That juxtaposition of the naked woman in the fur coat and the lifeless village. All surface style in the villa, executive toys clacking away. Great first appearance (complete with choir!) of Celli. The offer is made; there's a room full of ickle babies and a troupe of white fiats. It's a fascinating little flick. The allegory may be a bit heavy handed, but there's a real style here.
    8dopefishie

    ahead of its time

    Intelligent critique or consumerism. Very low budget, but they def made the most of the budget which was truly impressive. Setting and atmosphere are excellent. Acting is very good. Music is outstanding and reminiscent of the band Goblin. The spirit of the film reminded me of "Sorry to Bother You (2018)" - only Sorry to bother you is much funnier and has a much bigger budget. I won't say anything else so not to spoil it. But if you like movies from this era that have something to say and go off the beaten path then give this a try :)
    8Red-Barracuda

    Ultra-strange Italian adaption of Dracula

    This Italian horror film is one that is most certainly coming at us from a decidedly different angle. Its director Corrado Farina was also responsible for the more well-known Baba Yaga but for my money They Have Changed Their Face is the better film. It's an adaption of Bram Stoker's novel Dracula but with some serious differences. In it the Dracula substitute is a powerful businessman called Giovanni Nosferatu. Like the book, he also lives in a remote mountainous region of Eastern Europe and the storyline also follows a hapless businessman who has been sent to see him. But aside from a similar basic story structure this film takes the material into very unusual places. Atypically for an Italian horror film this is a somewhat satirical movie. It's an allegory on capitalism, where the modern vampires have moved with the times and now prey on the public differently. Instead of sucking their blood, they suck the life from them with soul-destroying commercials and generally prey on the population with ruthless capitalism.

    All this is well and good but what takes it up a level is the overall strangeness of the presentation. The vampire's house is a crumbling old building but inside it is very chic and modern. His henchmen drive around in white minis while sporting jump suits and helmets. While inside the house the hero is exposed to commercials; cumulating in an excellent later scene where a selection of newly developed adverts are shown to Mr Nosferatu in his board room. It's all very disconcerting and, to be honest, it's very hard predicting where this one is going to go. This is very inventive genre film-making that's for sure. The soundtrack by Amedeo Tommasi is great as well, with a variety of tones and themes. It helps set the atmosphere, which is one of real mystery. There is also a good cast too. Adolfo Celi is well suited to the role of Giovanni Nosferatu. But perhaps most interesting of all is Geraldine Hooper who was most famous for her turn as a male homosexual in Dario Argento's Deep Red. Frankly, it was only due to this film that I was even aware that she was not a bloke!

    This is one of the most original Italian genre pictures from the 70's. It's one that certainly needs to be seen by a far wider audience.
    JOE-58

    Cool-as-hell parable on evils of capitalism

    Vampires are the real BAD guys (i.e. corporate honchos feeding on much more than blood) in this satirical, quirky outing. Visually stunning, with a main character who goes by the name of Giovanni Nosferatu... not to forget an army of white, man-eating utility cars from hell (just forget wimpy, musty ole bats!)... I mean, how can you go wrong?
    10matheusmarchetti

    Capitalism is a Vampire

    After re-watching this obscure Italian gem, I'm even more convinced that Corrado Farina is a true neglected maestro of Italian horror cinema. Granted, he's only made four films, two of them being horror (the other one is the delirious fumetti adaptation "Baba Yaga"), but they really shows a unique style that is hardly seen elsewhere in the genre. In fact, even more so than "Baba Yaga", "Hanno Cambiato Faccia" is something of a black sheep of 70's Italian horror. The most obvious difference is the look of the film. While most of it's kind are photographed with Bavaesque colors, this one is almost completely pale and "lifeless", with all the exterior scenes filmed in nearly deserted, fog-shrouded landscapes and with stark white, minimalist interiors. Corrado's script is also very well written and intelligent. Something of a loose adaptation of Bram Stoker's "Dracula", set in 1970's Italy, we follow a young man who goes to visit his boss - Giovanni Nosferatu, the head of a huge corporation, at his secluded country villa, in order to get a promotion. As soon as he gets there, however, he soon realizes there's something not quite right with Mr. Nosferatu, and he eventually comes to the conclusion that the man is a vampire. Not unlike Hans Geissendorfer's eccentric masterpiece "Jonathan", this is an obvious allegory to capitalism, with corporate tycoons presented as vampires who feed on the expenses of their consumers, and the title means that these foul beings are still living in our modern society, only under a different image. The metaphor is presented very subtly, and doesn't come across as being pretentious. The film's finale, though some can see as being anti-climatic, actually enhances this, and leaves a haunting, lingering impression, rather than a shocking one, on the viewer. One of the film's greatest assets is the contrast between classic Gothic imagery with high-tech, ultra-modern settings. Nosferatu's villa is, on the outside, old and crumbling, surrounded by a foreboding forest and an ancient cemetery. There's also a nearby village with the creepy innkeeper-ish character who warns the protagonist of his destination before he gets there. Hell, there's even a cobwebbed crypt for the vampire to sleep in. Another brilliant aspect is the choice cast. Adolfo Celli is just effortlessly creepy as the undead businessman, and Giuliano Esperanti makes for a likable protagonist in his Jonathan Harker-type role. Argento fans will be surprised to see the androgynous Geraldine Hooper, best known as Gabriele Lavia's homosexual lover in "Deep Red", as Celli's mysterious and seductive secretary, a "Bride of Dracula", if you will. As a whole, I think I slightly prefer "Baba Yaga" over this, but only by a hair, as "They Have Changed Faces" is obviously the better written, better acted of the two. Speaking of which, even if you didn't like "Baba Yaga", I urge you to see this film - it's a highly original, intelligent slice of Italian Horror, and another one that deserves more praise and recognition. 9/10

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Debut role and only career nude scenes for Francesca Modigliani. She made one more film after this and then quit acting.
    • Citas

      Actor in commercial spot: A shower isn't a shower if your water pipes don't contain A-1 Tonic.

      Actress in commercial spot: With A-1 Tonic, you're younger, stronger ... happier to live and love!

      Actor in commercial spot: [letter "A" in Italian, sighed as an ecstatic "Ah!"] A-1 Tonic caresses your skin.

      Actress in commercial spot: [also with the ecstatic "Ah!"] I'd also like to feel A-1 Tonic caress my skin.

      Actor in commercial spot: You can't, unless you surrender. without shame, young and naked.

      Actress in commercial spot: I am young, and I'm also...

      [Alberto turns off water, cuts off ad]

    • Conexiones
      Spoofs La calle (1954)

    Selecciones populares

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    Preguntas Frecuentes15

    • How long is They Have Changed Their Face?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 2 de julio de 1971 (Italia)
    • País de origen
      • Italia
    • Idioma
      • Italiano
    • También se conoce como
      • They Have Changed Their Face
    • Locaciones de filmación
      • Chieri, Torino, Piemonte, Italia(Giovanni Nosferatu's house)
    • Productora
      • Film 70
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 36 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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