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IMDbPro

Godzilla contra monstruos del smog

Título original: Gojira tai Hedora
  • 1971
  • A
  • 1h 25min
CALIFICACIÓN DE IMDb
6.1/10
7.3 k
TU CALIFICACIÓN
Godzilla contra monstruos del smog (1971)
AnimaciónAventuras de dinosauriosCiencia FicciónDesastreFamiliaKaijuSuperhéroeThriller

Una forma de vida alienígena tóxica y en constante evolución llega desde la Nebulosa Oscura para consumir la contaminación, y ni la humanidad ni Godzilla podrían detenerla.Una forma de vida alienígena tóxica y en constante evolución llega desde la Nebulosa Oscura para consumir la contaminación, y ni la humanidad ni Godzilla podrían detenerla.Una forma de vida alienígena tóxica y en constante evolución llega desde la Nebulosa Oscura para consumir la contaminación, y ni la humanidad ni Godzilla podrían detenerla.

  • Dirección
    • Yoshimitsu Banno
    • Ishirô Honda
  • Guionistas
    • Yoshimitsu Banno
    • Takeshi Kimura
  • Elenco
    • Akira Yamanouchi
    • Toshie Kimura
    • Hiroyuki Kawase
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.1/10
    7.3 k
    TU CALIFICACIÓN
    • Dirección
      • Yoshimitsu Banno
      • Ishirô Honda
    • Guionistas
      • Yoshimitsu Banno
      • Takeshi Kimura
    • Elenco
      • Akira Yamanouchi
      • Toshie Kimura
      • Hiroyuki Kawase
    • 130Opiniones de los usuarios
    • 72Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos167

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    Elenco principal26

    Editar
    Akira Yamanouchi
    Akira Yamanouchi
    • Dr. Toru Yano
    • (as Akira Yamauchi)
    Toshie Kimura
    Toshie Kimura
    • Toshie Yano
    Hiroyuki Kawase
    Hiroyuki Kawase
    • Ken Yano
    Toshio Shiba
    Toshio Shiba
    • Yukio Keuchi
    Keiko Mari
    Keiko Mari
    • Miki Fujiyama
    Yoshio Yoshida
    Yoshio Yoshida
    • Gohei - a fisherman
    Haruo Suzuki
    • JSDF Officer
    Yoshio Katsube
    • JSDF Engineer
    Susumu Okabe
    • Announcer A
    Kentaro Watanabe
    • Announcer B
    Wataru Ômae
    • Police Officer
    Tadashi Okabe
    • Scientist
    Shigeo Katô
    • Screaming Construction Worker
    Takuya Yuki
    • Correspondent
    Eisaburo Komatsu
    • Non Commissioned Officer
    Yukihiko Gondô
    • Helicopter Pilot
    Haruo Nakazawa
    • Youth
    Akio Kusama
    • Person on TV screen
    • Dirección
      • Yoshimitsu Banno
      • Ishirô Honda
    • Guionistas
      • Yoshimitsu Banno
      • Takeshi Kimura
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios130

    6.17.3K
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    Opiniones destacadas

    7TCurtis9192

    Godzilla vs Hedorah (1971)

    This is a surreal experience and the strangest Godzilla film I've seen... I laughed so hard at this film out of pure enjoyment rather than mockery.

    It serves as a warning to children (and, of course, everyone who watches it) of the dangers of long-term pollution. There are amazing scenes highlighting environmental problems that are served in a variety of creative ways.

    Godzilla is hilarious in this film.

    Do not make the same mistake I did and watch the film with the brightness on half, I actually watched it the first time thinking you weren't supposed to see anything in the night time scenes... turned the brightness up and realised!
    6OllieSuave-007

    A Retro Godzilla Film.

    When the Godzilla series entered the 1970s, a retro and hippie feeling could be seen in this movie. This film starts off with a singer, played by Keiko Mari, singing a song titled "Save the Earth." Like 1964's Godzilla vs. Mothra, this film delivers a message of environmental danger. The story's about heavy pollution problems occurring in Japan. When an alien spore from outer space enters Earth and lands on a pile of toxic waste in the sea, a towering monster of sludge, crap, smog, and goo attacks Japan. This is the first Godzilla (Gojira) film in many years that depicts numerous human casualties. Scenes of humans deforming are a gruesome sight and echo elements in the original Gojira film. Like a viewer said, the fish tank scene is a similar scene of the fish tank in the original Gojira film.

    The central character in this movie is a boy, played by Hiroyuki Kawase, who idolizes Godzilla. Godzilla, by this time, is portrayed as a "defender of Earth," rather than a destructive force. Mostly, there are no hints of fears from the people upon Godzilla's appearances. The line "Get'em Godzilla!" is a real charmer, making the monster look more and more like a hero and defender of Japan.

    Yoshimitsu Banno did a good job directing and assembling the cast out, staging them in places like nightclubs, hills and amusement parks. The retro feel could be seen in the nightclub scene, where the singer sings the title song as blobs of retro paint move in a movie screen behind her. Also, the scene of the teenagers "celebrating" on a hill like a woodstock is also a retro feel.

    Takeshi Kimura gave us a dark and scientific story, but some lighthearted scenes can be seen, like the scene where Godzilla flies (I think this is the only time we see Godzilla fly). Teruyoshi Nakano's special effects were believable; plenty of monster battles, albeit slow in some parts. Some of the problems I have with the monster battles is the part where Godzilla and Hedorah virtually move towards each other, staring at each other for several minutes. The movie's cinematography lacks a little spirit and color, making this movie look a little dull, and the overall momentum of the film was a little slow. And, this film lacks an effective music score. The music is not really harmonic or melodic and lacks charm to it. Riichiro Manabe composed a theme for Godzilla-a theme played by overblown trumpets. Though somewhat wacky, this theme sounds heroic for Godzilla.

    Overall, a somewhat slow but an interesting Godzilla movie, returning you to the darker and more serious themes of the series.

    Grade C+
    5beetle-259-554148

    The most "eh" Godzilla movie of them all!!

    Okay, so.... Godzilla vs Hedorah! It's been said that this is a Godzilla movie you either love or hate, so it's either a 10 or a 0. For me personally, this movie is a 5; right smack dab in the middle! It's not a shining gem or a smouldering turd, it's just kinda "eh" *gesture where you shake your hand with all the fingers flat out*

    So, the premise; rampant water and air pollution has spawned Hedorah, a sentient monster made of pollution that is like a mix of the Blob and a garbage dump! Hedorah is able to melt people to bones! The only hope for humanity, as always, is GODZILLAAAAA~!!!!

    Hedorah is a notable monster as he is the last monster of the Showa era that is acting on his own will, he isn't obeying anyone or under mind control, unlike Ghidorah, Gigan, Megalon, Mechagodzilla, and Titanosaurus of the succeeding Showa films.

    This movie is different; there's bizarre animation, trippy montages, and drug innuendos a-plenty!!! Now, the animation shown isn't anime, it's just some bizarre animation straight out of Uncanny Valley. Hedorah is shown sucking on a smokestack from a factory and exhaling the smoke before showing his bloodshot eyes, a blatant reference to taking a bong hit.

    As someone who has taken a few bong hits before, I found this to be a clever little thing. The drug innuendos can be excused because this movie was made in 1971; weed culture was still in it's very huge first run!

    There are two or three POV shots from Hedorah's perspective.

    Also, no review of Godzilla vs Hedorah would be complete without mentioning the bizarre scene where Godzilla FLIES. This was a total WTF moment.

    All in all, if you watch this movie with a sober mind like I did, you'll either hate it or it'll just be "eh". If you watch it after smoking some weed or ingesting an edible, it'll be the best damn Godzilla movie you've ever seen!
    6mstomaso

    Godzilla: Environmentalist. Not great, but still my favorite Godzilla flick

    Godzilla vs Hedora (AKA The Smog Monster) is less slick than many of the later productions. It is also somewhat less serious, and features a Godzilla who is more mythic than consistent with his earlier and later portrayals. The Godzilla in this film is a force of nature in more than just a figurative sense. She is also highly intelligent and a defender of the earth and, to some extent, its people.

    Even from the title, its easy enough to figure out what this film is about. Tadpoles mutate because of the mutagenic properties of pollution in Tokyo Bay (interestingly, this somewhat silly idea is far less absurd than most of the latter pseudoscience used in Godzilla scripts - almost as bad as Star Trek Voyager sometimes was). The mutant tadpoles fuse at the cellular level and grow into a giant tadpole which then mutates three or four times, spewing out its own toxic pollutants, first as terrestrial and eventually as air pollution. The visuals are good, but the special effects are admittedly below even Toho's usual standards.

    Created in the early 1970s, this film is metaphorical and symbolic, although it is still, at heart, a Godzilla film. Hedora is an unsubtle metaphor for the ecological state of the world, and is, in that sense, a monster of our own making. Godzilla is an embodiment of nature, and is to be viewed as a positive force for all life on earth. These symbols are particularly apparent in the use of cartoons as transitional devices from one plot point to another.

    Godzilla Vs Hedora walks a very thin line between giant-monster violence and a kid-oriented film. As somebody who has since his early teens, been interested in the environment and as somebody who always liked Japanese Monster films, I developed a sentimental attachment to this film very early on. In fact, this is my all-time favorite Godzilla film, and more than any other film, it is the reason why I consider myself a fan of the big green lizard. This is the film which establishes Godzilla as an environmentalist and a friend to young people - his two best roles.
    BrunoMatteisNumberOneFan

    Craziest movie ever!

    Something spooky is happening on the Japanese coast; pollution is killing the fish in the ocean, but it also gives life to a monstrous mutated fish-monster. A professor and his genius kid watch it's destructions on TV, and the kid remarks: "- Oh, that was a tadpole-monster." Japan and the entire world is soon threatened by the unearthly Creature, who's named Hedorah by the Professors kid.

    At the same time a funky teenage assistant of the professor gets drunk at an absurdly psychadellic disco and has visions of all the party-people being mutated fish. Hedorah inhales polluted smoke from factory- chimneys and seem to get high, the kid is psychic and has visions of Godzilla coming to save the world, and the Professor is attacked by the Hedorah underwater and his face gets malformed. Godzilla and the "Smog Monster" (as it is sometimes referred to as) start fighting only 25 minutes into the movie. The Hedorah mutates from ocean- dweller, to reptile to flying creature, and experts conclude that "He" is probably from a distant Nebula in outer space. Scenes of havoc and the Professor's family is intercut with cartoon- style sequences with strong enviromental messages.

    One scene has the Hedorah flying over a group of people working out, and they turn blue-faced and ultimately into gushy skeletons. A man at a construction site screams out (extremely) loud, and then falls to his death. Hedorah has the ability to corrode metal, and people on TV quarrel intensely on the fate of the planet. The Professors assistant knows the end is near, and has a hippie-styled party on top of a mountain; "- Let's have fun as we die!!" The party is interrupted by the space/pollution freak, and most of the kids are melted by its poisonous vomit/droppings when they try to set it on fire.

    The Professor's kid has found the solution to defeat the grotesque beast: "- Dry it - it's only sludge!", and with the aid of the friendly Godzilla it finally works. Some scenes, as well as the sounds the Hedorah makes are beyond description; like the scene were it's covering Godzilla with its tons of toxic puke, and at the same time "laughing" diabolically. There are weird crosscutting throughout, the kid yells "Papa" alot and the groovy rock score helps to its remarkably insane mood. The PG- rating should be reconsidered. This one is too dark and demented in so many ways, I don't think a ten year- old should watch it. It's mad nightmarish, art-cinematic style could cause damage.

    A TV- reporter calls the Hedorah "a freak organizm" - much like this movie itself.

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    • Trivia
      Director Yoshimitsu Banno has mentioned that Hedorah's eyes in the film were deliberately made to resemble female genitalia, with Banno joking that the vaginally inspired look made it more unsettling. During Godzilla's battle with Hedorah, strange white orbs are ripped out of Hedorah's dried-out body. According to Banno, they are meant to be Hedorah's eyes, which he considered the most important part of a person's body. The film has a running theme of eyes being injured with several of its characters. However, the reason they do not resemble Hedorah's actual eyes is due to rushed production and a smaller budget. Banno mentioned that not only had Toho given him less than half of the budget of the prior Godzilla films, but he was also only given 35 days to shoot the entire film (both the drama scenes and the special effects scenes). Making matters even more challenging for Banno was the fact that he had to make do with a single film crew.
    • Errores
      When Hedorah throws some sludge at Godzilla during the Mt. Fuji scene, it hits Godzilla's right eye - but after Hedorah gets done laughing, Godzilla's left eye is the one that is damaged.
    • Citas

      Yukio Keuchi: There's no place else to go and pretty soon we'll all be dead, so forget it! Enjoy yourself! Let's sing and dance while we can! Come on, blow your mind!

    • Créditos curiosos
      In the AIP version of this film, its entire cast is mysteriously uncredited.
    • Versiones alternativas
      There are two distinct versions of the American International Pictures version of this film, which is titled "Godzilla vs. the Smog Monster." The first version, presumably the original 35mm theatrical version, features an English language cartoon sequence (reworked from a similar Japanese language one in the Japanese version). A similar insert replaces a shot of a newsreader with an English language map of Fuji City. In addition, AIP removed all of the Japanese text from the scenes of various "science lessons" given by Dr. Yano. This is the version that was released on VHS and LaserDisc by Orion Home Video in 1989. The second version, however, has none of these unique shots. The Hedorah cartoon and newsreader scene are unchanged from the Japanese version and Dr. Yano's science lessons feature onscreen Japanese text. This version seems to have been the standard 16mm release for television distribution and can be seen mostly in unlicensed home video releases of the film, such as the 1990 Simitar VHS release from the U.S. and the Digital Disc DVD release from Canada.
    • Conexiones
      Edited into Chikyû kôgeki meirei Gojira tai Gaigan (1972)
    • Bandas sonoras
      Kaese! Taiyô wo
      ("Return! The Sun")

      Main Title Theme

      Music by Riichirô Manabe

      Lyrics by Yoshimitsu Banno

      Sung by Keiko Mari, the Honey Knights and the Moon Drops

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    Preguntas Frecuentes17

    • How long is Godzilla vs. Hedorah?Con tecnología de Alexa
    • Hedorah is actually from space, right?
    • Are Hedorah's eyes modeled after female genitalia?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 29 de agosto de 1974 (México)
    • Países de origen
      • Japón
      • Estados Unidos
    • Idioma
      • Japonés
    • También se conoce como
      • Godzilla vs. monstruos del smog
    • Locaciones de filmación
      • Mt. Fuji, Japón
    • Productora
      • Toho
    • Ver más créditos de la compañía en IMDbPro

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    • Presupuesto
      • USD 250,000 (estimado)
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    Especificaciones técnicas

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    • Tiempo de ejecución
      • 1h 25min(85 min)
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.35 : 1

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