Fieras sin jaula

What is the price they have to pay, those who cheat in love, the adulterers? They deserve death? One thing is certain, for those who are cheated, life is not life anymore, it becomes unbearable, it becomes a slow death. I saw Curd Jürgens in many movies and I do not consider myself a fan of. But here I liked it how he lived Ronald Marvelling's character. Rosalba Neri, which usually shows her charms (neither here no exception), shows that she can also play well, she's not brilliant, but convincing. Juan Luis Galiardo is OK in the role of Pietro too. Emma Cohen is also credible in the role of Catherine. Piero Piccioni's music is not amazing, just functional. In conclusion, a good movie, except the end, which is disappointing.

The eternal return of the love triangle. Here, modern times oblige, king Mark is an old wealthy industrial, Ronald (Curd Jürgens, Et Dieu créa la femme). During the wedding in Paris of his daughter Catherine (Emma Cohen, Les Pétroleuses) with Marcel (Mario Della Vigna, Cross Current), Ronald meets one of her friends, Alexa (Rosalba Neri, Top Sensation). Despite of their age difference, he falls in love and asks her to marry him. Alexa, a poor student, sees the occasion of social success and accepts, ditching her boyfriend Philippe (Manolo Otero, Two Undercover Angels). But at a dancing she meets the young and handsome bohemian drawer Pietro (Juan Luis Galiardo, Alta Tension) and falls in love.

Pietro likewise drops his own girlfriend (Christine Laurent, Adieu Poulet) and decides to flirt with the spouse of the rich husband, and they become lovers. They spin the perfect love at Ronald's villa on the Normandy coast, but Ronald has planned a merciless revenge... This well acted thriller suffers from an extreme slowness and from digressions preventing tension to properly develop in this forced and noxious closed circuit. (Viewed in Spanish Neri-clothed 1h26 version.)

This Spanish/Italian co-production deals with a young girl : Rosalba Neri-mother of actress Francesca Neri- marries the rich father of one of her best friends : Emma Cohen . However, soon finds herself in love with a playboy: Juan Luis Galiardo . The elderly husband : Curd Jurgens to be aware of the treason , and he then will seek for retribution.

An acceptable thriller drama with intrigue , suspense, plot twists , brief nudism and made in Gialloesque style. A twisted and entertaining film about an interesting premise , the vengeance carried out buy an old man against his young wife who has an affaire with a virile boy by having the pair looked at a room in an isolated , far mansion .Trio starring are pretty well, Juan Luis Galiardo as the seducer macho man, gorgeous Rosalba Neri as the young girl who romances a hustler lover and veteran Curd Jurgens as the wealthy old hubby betrayed by a very young woman . They are well accompanied by a good support providing brief but attractive interpretations, such as : Emma Cohen, Manolo Otero , Ricardo Tundidor , Pilar Velazquez , and Eduardo Calvo .

It contains an atmospheric musical score by synthesizer composed by the Italian Piero Piccioni .As well as faded and worn-out cinematography by Florentini , being really necessary a perfect remastering . The picture was decently directed by Juan Logar. He was a multifaceted man , as he was a writer , dubbing actor, composer , producer and filmmaker , directing a few movies such as : "Aun hay tiempo , Quiero soñar, Autopsia , Trasplante de un cerebro , El perfil de Satanás, and this Fieras sin Jaula" at his best . Rating : 6/10 . Acceptable and passable . The picture will appeal to Rosalba Neri fans .

Not sure if this film evens answers to my own personal definitions of being a Giallo, but for sure it's a typically vile and sinister early 70s exploitation product like only the Italians could make them!

The sensationally beautiful Rosalba Neri ("Lady Frankenstein", "The French Sex Murders") stars as what you'd refer to as the ultimate gold-digger gal. She, Alexa, is determined to marry a rich old man, and doesn't waste any time as she easily seduces her college friend's wealthy father Ronald Marvelling, who's a widower and a frequently traveling business tycoon. Alexa also doesn't have the decency - or the patience - to wait for him to die and collect the inheritance, but promptly begins a steaming love-affair with the hunky Pietro. Unfortunately, but not entirely unpredictably, Ronald didn't get so rich and powerful because he's a weak and pitiable victim. He finds out about his young wife's adultery and prepares for a deadly trap in their little love nest. Ronald kills himself (or dies from a heart-attack, that wasn't very clear) in front of the couple, and promptly the bedroom turns into a hermetically sealed and inescapable tomb.

The original (for 1971, at least) premise, the absorbing narrative structure (through non-chronological flashbacks), and the convincing performances of both Rosalba Neri & Curd Jürgens are enough reasons for me to label "Two Males for Alexa" as a worthwhile cult flick. I do regret not being able to find a fully uncut version, though. In the barely 80 minutes version I watched, there isn't a single nude sequence (which is simply impossible in a Rosalba Neri film) and the already limited number of action footage is missing as well. Can't say for sure if "Two Males for Alexa" formed the inspiration, but similar plots featured more recently in other (modest) cult movies like "Alexandra's Project", "Gerald's Game", and "Till Death".

Entertaining Mystery/Giallo, from Spainish director Juan Logar - of Autopsy infamy - which features a very decent cast of Curd Jurgens, Rosalba Neri, Emma Cohen and Juan Luis Galiardo - lead in Logar's Autopsy. Story line is a little different from the standard Giallo, though in truth it isn't really a 'true' Giallo in any case. No mysterious or gloved killer, no dramatic twists as such and no red herrings, but plenty of drama, mostly seen in flashback. The direction is certainly different, odd at times, but never dull, and there is little about this film that is mainstream. Music is nice enough, Piero Piccioni scoring a solid soundtrack, that's no classic, but is far from lifeless or tedious. Acting is generally OK throughout, though Jurgens never streches himself too much. The stunningly beautiful Neri is her usual reliable, strong and incredibly sexy self. All in all a film that is definitely recommended, though not an easy one to get hold of, particularly in English. There are a couple of nice blu-ray release from Germany, with English subs - both of which also feature the 'clothed' Spanish variant - but currently no UK or US versions available on any format. Hopefully that will change !