Drácula vs. Frankenstein

This film gets a bad rap from a lot of people. That's understandable, because it's a low budget paste-up job, combining previously shot footage from a uncompleted biker film with the monster team-up. But Dracula Vs. Frankenstein is really a lot of fun -- particularly if you first saw it on late night TV when you were 13 or 14!

Forry Ackerman has a cameo in the film as one of Dracula's victims, so the movie got promoted in Famous Monsters magazine, with "Zandor Vorkov" gracing the cover in his dime store fangs. It was (I believe) the final film appearance of J. Carroll Naish and one of Lon Chaney Jr.'s last roles. Ken Strickfadden's Frankenstein lab equipment is used, and the music is well chosen. Parts of the film are quite moody and effective, with highly competent photograghy considering the budget and haste of production.

To compare this little film with the Hammer films is a bit unfair. No, it cannot match them on any level -- nor was it intended to -- this was drive-in fodder without the budget or resources of England's Hammer and its American partners and distributors. It's too bad none of the major American studios tried to cash in on the 1960's-70's monster boom. Then there might be some truly interesting American monster films worthy of the comparison.

BLOOD SEEKERS was Adamson's unfinished gore epic that was filmed in the late 60s. He decided to shoot framing scenes adding the whole Dracula-Frankenstein angle later on, and the whole package goes as follows...

Mad Dr. Frankenstein (J. Carroll Naish) is busy at work reconstructing dead bodies while retarded manservant Groton (Lon Chaney, Jr.) spends most of the time whimpering and petting a puppy. When the doctor injects Groton with a special serum it transforms him into a lurking, laughing, sweating, beach-bunny-decapitating, axe murderer. The cops are already after them, but even more troubles arise when the echo-voiced Count Dracula (Zandor Vorkov) arrives and blackmails the mad doc into resurrecting the Frankenstein monster and giving him the blood of his victims!

Meanwhile, in Las Vegas, a lounge singer (Regina Carroll) performs a lounge act called "She Travels Light." They try to make it look like it's a big production number by filming it in a large auditorium, but we only see an audience of about four people. Miss Carrol gets news of her sister's disappearance and heads off to Venice Beach looking for answers. She goes to a club, is slipped LSD in her coffee, has a substandard 70s trip out scene, then teams up with three hippies (led by Anthony Eisley) to find out what's going on.

Possibly Adamson's most famous film, and even though it's cheap, silly, trashy and completely nonsensical, there's enough going on here (and an interesting enough cast) to qualify it as a must see to die-hard horror fans. The cast is just overloaded with familiar faces! Aside from those already mentioned, Russ Tamblyn, Jim Davis, Forry Ackerman, Angelo Rossitto, Gary Kent and other swell folks appear and future director Greydon Clark (of SATAN'S CHERRLEADERS fame) also has a small role. If none of those names are ringing a bell, then you may not be as amused by what you see here.

Side note--Some nudity and violence seem to have been removed so it could pass with a PG rating.

Each artist has his defining moment. With Picasso, it was "Guernica". Orson Welles had "Citizen Kane".And Al Adamson's is surely "Dracula vs Frankenstein". It is the quintessential example of his style,the ultimate Adamson flick. Sure,"Satan's Sadists" was great and "Horror of the Blood Monsters" had its moments, but nothing combined so many aspects of the master's approach. Cheesy monsters, sleazy bikers, awful music, Regina Carrol, Lon Chaney, Jr.,a cameo by Forrest J. Ackerman, the original lab equipment from 1931's "Frankenstein",a wigged-out LSD trip and even a breezy Las Vegas musical number...in what other film do such iconic elements combine? Truly, "Dracula vs. Frankenstein" is a towering achievement of drive-in cinema.

Al's works are starting to be appreciated much as Ed Wood's are. And why not? Entertainment is the name of the game and Al throws everything into this ghouish goulash with maximum gusto. Put your brain beneath the chair, enter the surreal world of "Dracula vs. Frankenstein" and prepare to be blown away!

For the IMDb I gave this movie a 5 but that reflects how awful it really is. If I were to rate it as a serious horror flick I'd give it a 2 or 1; but as a comedy its an 8 or 9. I've watched this movie countless times with my crapola lovin' friends, and some of the dialogue has become a part of our everday speech, especially the line, from a man who can animate the dead, no less "When a man enters my laboratory, and bears on his hand the unholy seal of Dracula, there can be no scientific answer to anything" (generally followed by one of us shouting "Even simple force-mass equations?" "No, I said anything!") Basically, this movie should be treated like Rocky Horror is now: it should be shown in every late-night movie theater and heckled. Its horribly incompetent; we get to see the spectacle of Lon Chaney Jr. and J. Carrol Nash's last, horrible movie. See crappy bikers and hippies come into conflict! See the worst dialogue delivery ever! The Drac makeup is so bad that his hands and arms are tanned while his face is clown-white! We've dubbed him "Frank Zappula" due to his resemblance to the famous rocker. The Frankenstein figure, Dr. Duray, is dressed like COLONEL SANDERS! For this reason we feel it should be re-titled "Frank Zappula vs. Colonel Frankenstein" and released in every major market. If you have the slightest love for crap cinema,do yourself a big favor and SEE THIS MOVIE!

You have to give credit to producer-director Al Adamson he has a rare talent for getting well-known actors to star in his atrocious movies. This film (and several other Adamson projects) was put together slowly over a period of years. What Adamson ended up with was a film that features J. Carrol Naish (in his last role) as Dr. Frankenstein, living under an alias while he manages an amusement park (!), Lon Chaney, Jr. (in his last role) is Frankenstein's moron assistant who obediently fetches the heads of young girls. Russ Tamblyn ("West Side Story", "tom thumb") plays an aging biker. Even Jim Davis (Jock Ewing from "Dallas") has a part in this disaster. And Forest J. Ackerman (editor of Famous Monsters of Filmland) is one of the monster's victims, along with Anthony Eisley ("The Navy versus the Night Monster").

Adamson also manages to insult several famous props from classic films; some of the lab equipment he used is from "The Bride of Frankenstein". Adamson's busty blond wife (Regina Carrol) is bitten by Dracula (played by an actor named Zandor Vorkov, who looks like Frank Zappa in "Kiss" makeup). Frankenstein also has a dwarf assistant, played by Angelo Rossitto, who starred in the bizarre 1932 film "Freaks". All in all, a remarkable film from the man who gave the world "Blood of Ghastly Horror".