En la Francia del siglo XVII, el padre Urbain Grandier busca proteger la ciudad de Loudun del corrupto establecimiento del cardenal Richelieu. La histeria se produce cuando es acusado de bru... Leer todoEn la Francia del siglo XVII, el padre Urbain Grandier busca proteger la ciudad de Loudun del corrupto establecimiento del cardenal Richelieu. La histeria se produce cuando es acusado de brujería por una monja sexualmente reprimida.En la Francia del siglo XVII, el padre Urbain Grandier busca proteger la ciudad de Loudun del corrupto establecimiento del cardenal Richelieu. La histeria se produce cuando es acusado de brujería por una monja sexualmente reprimida.
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Izabella Telezynska
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Tony Allen
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I can't believe that someone still hasn't released a definitive version of this film on Blu Ray. I used to work in a video store and the copy we had was cut up so badly that the plot was incomprehensible. I own a DVD that seems to probably be uncut but the picture is faded and the colors aren't very bright. Also, the sound pretty bad. However, as far as I know it's the only uncut version out there. Hell, The Criterion Collection released Salo and that's miles more depraved and offensive (watch it though) than this film. I was raised Catholic and the whole film is blasphemous. When I first read Marquis de Sade's The 120 Days of Sodom (I almost couldn't finish it), the book on which Salo is based, I said to myself alot that I was going to go to Hell for reading this. The Devils gave me the same feeling. I haven't been a practicing Catholic for 45 years but those teachings are still ingrained in your subconscious. Visually, this is an absolutely beautiful film. The stark black and white colors of Loudoun and the Abby have never been duplicated as far as I know. The scene where the hysterical nuns simulate sex with Jesus on a giant cross are a bit much. It brought back the I'm going to hell for watching this. The violence in parts is still shocking even though it's 50 years old. The only flaw is Ken Russell's insistence of putting corny, un funny humor in his films. If there was ever a film that didn't need any humor it's this one. It's here though and it detracts from the flow of the film for no good reason. That's a small quibble though since the film is pretty much a masterpiece. The performances are flawless. It's Oliver Reed's best performance and Vanessa Redgrave is unforgettable as the deranged Sister Jeanne (I hope that's how it's spelled). In fact everyone is absolutely top shelf (except maybe the guy who plays the king and brings the awful humor to the movie). So, Criterion please release a version of this. Everyone else watch it without a doubt unless you hate violence, depravity and general unpleasantness. If you're a practicing Christian (especially Catholic) skip it too unless you want that I'm going to Hell feeling . Ken Russell's best film and one of the best films of all time. Watch it!
10degelb
Cited by director Alex Cox and critic Mark Kermode as one of the ten greatest achievements in cinema of all time, The Devils is based on a true story set in France in 1634 about the evils of the union of church and state controlled by power hungry, perverse men who prey on faith and fear, and one priest, Father Grandier, who tries to protect the liberties and walls of his city, Loudun.
This film was met with great controversy and opposition due to its contents and depictions of blasphemy. Hardly available today, the current VHS release suffers from trigger happy censors with no desire to leave the plot intact. The video translation is appalling, with only a fraction of the resolution and quality of film, and the fullscreen framing mauls at least 60% of the compositions. If you can attain this on widescreen on DVD, you are a lucky person. Unfortunately, as is reflected by another comment on this board, most people see the crappy version and judge the film based on that.
This film was met with great controversy and opposition due to its contents and depictions of blasphemy. Hardly available today, the current VHS release suffers from trigger happy censors with no desire to leave the plot intact. The video translation is appalling, with only a fraction of the resolution and quality of film, and the fullscreen framing mauls at least 60% of the compositions. If you can attain this on widescreen on DVD, you are a lucky person. Unfortunately, as is reflected by another comment on this board, most people see the crappy version and judge the film based on that.
This film never got the credit it deserved. It's both a savage socio-political critique in the vein of Millers "The Crucible" and a crazed excerise in Grand Guignol. Only Russell could have pulled this one out. Also features Oliver Reed in one his greatest roles. Father Grandier was Reeds Maximus.
I can never understand why "The Devils", which was such a major film and caused such controversy, never became a cult classic being shown every other week on cable TV. This film totally annihilates all the trashy "straight-to-video" horror films. Based on true events in 17th century France, this film is one of the most horrifying tales of man's intolerance: religious and sexual.
The tale begins with an outbreak of the plague, which the folk of the middle ages, with typical misunderstanding of the real cause, rat fleas, believed that someone was to blame. Who more convenient a scapegoat than Father Grandier, played by the notorious Oliver Reed an actor who ended his rambunctious life by dropping dead in a bar. The sexual appeal of Fr. Grandier drives the supposedly celibate clergy into a frenzy of jealousy. A group of nuns, led by a noblewoman who has been forced into the convent due to her physical deformity and therefore, lack of marriageable options, joins in the hysteria which is not satisfied until Fr. Grandier is burned at the stake.
Although set in France in the middle ages, a lot of the hysteria can be seen today, in our more enlightened times. Just witness the periodic witch hunts in the United States, such as the furore over the alleged Satanic cults running day care centers, not to mention the reds under the beds hysteria of the 50's.
This was one of Ken Russell's most controversial films, and definitely very 70's in its style, after all, we had Mick Jagger and Twiggy perfectly cast as decadent French nobility, and it has taken 20+ years to see how right on the mark he was.
Although Russell was the hottest thing in cinema for a while, he faded like a discarded fashion as every wannabe copied his style, but without being able to understand what is was that set Ken Russell apart. Unfortunately Russell did not help his reputation by becoming more and more the icon of bad taste. Eventually he became a parody and the fickle who had formally worshipped his genius could not disassociate themselves quickly enough.
Like Orson Welles, Ken Russell's brilliance will not be realized until a new generation discovers his work. I recommend "The Devils" along with "The Music Lovers" as his best work.
The tale begins with an outbreak of the plague, which the folk of the middle ages, with typical misunderstanding of the real cause, rat fleas, believed that someone was to blame. Who more convenient a scapegoat than Father Grandier, played by the notorious Oliver Reed an actor who ended his rambunctious life by dropping dead in a bar. The sexual appeal of Fr. Grandier drives the supposedly celibate clergy into a frenzy of jealousy. A group of nuns, led by a noblewoman who has been forced into the convent due to her physical deformity and therefore, lack of marriageable options, joins in the hysteria which is not satisfied until Fr. Grandier is burned at the stake.
Although set in France in the middle ages, a lot of the hysteria can be seen today, in our more enlightened times. Just witness the periodic witch hunts in the United States, such as the furore over the alleged Satanic cults running day care centers, not to mention the reds under the beds hysteria of the 50's.
This was one of Ken Russell's most controversial films, and definitely very 70's in its style, after all, we had Mick Jagger and Twiggy perfectly cast as decadent French nobility, and it has taken 20+ years to see how right on the mark he was.
Although Russell was the hottest thing in cinema for a while, he faded like a discarded fashion as every wannabe copied his style, but without being able to understand what is was that set Ken Russell apart. Unfortunately Russell did not help his reputation by becoming more and more the icon of bad taste. Eventually he became a parody and the fickle who had formally worshipped his genius could not disassociate themselves quickly enough.
Like Orson Welles, Ken Russell's brilliance will not be realized until a new generation discovers his work. I recommend "The Devils" along with "The Music Lovers" as his best work.
A few movies are so controversial that the Movie industry does their best to kill them off (see Terry Gilliams' "Brazil"). Such was the case with "The Devils" First, to clear a few things up...this did NOT come from a play, nor was it a novel. It is based on Aldous Huxley's painstakingly researched religious history of the famous Loudun exorcisms during the time of Richelieu. The book may be out of print, but my wife found a copy published in 1952 by Chatto & Windus. There are some more recent publications, but this one is lovely, with an engraving of Bishop Urban Grandier(the main character) dating back to 1627. Huxley actually includes original letters, which still exist, written by the participants of this travesty. Much of the dialogue of the film is directly from Huxley. The vision however is uniquely Russell's. When this movie was originally released, it was given an X rating, not due to sex, or even violence, although there is some of each. The plain fact is that the film in its original form is simply overpowering. The Movie Review board thought so! I was fortunate enough to see the original uncut version, rated X at the local art-house upon its release. This film is a shortened version. While still worthwhile, this film absolutely SCREAMS for a Criterion Collection restoration to its original (brilliant) form.
¿Sabías que…?
- TriviaDerek Jarman's sets are modeled on the sets of Fritz Lang's Metrópolis (1927). Ken Russell wanted to avoid the clichéd look of period films and insisted on anachronistic, even futuristic, design. Russell's guidance to Jarman was that it should echo the 'rape in a public toilet' line from the Huxley novel that inspired the film.
- ErroresEarly in the movie when Urbain Grandier (Oliver Reed) is seen grooming his hair. It is a close-up of him supposedly looking at a mirror in the upper left hand corner of the screen, behind the viewer. Obviously there is no mirror as he consistently misses combing the more egregiously messed up parts of his hair and instead repeatedly combs the portions that are already groomed. In fact when he is done, his hair is still messed up.
- Créditos curiososAt the start of the film: "This film is based upon historical fact. The principal characters lived and the major events in the film actually took place."
- Versiones alternativasIn 2012 the BFI persuaded Warners to allow them to release the film on video in the UK. Warners refused to allow the director's cut at all and would only allow the BFI to release the original 'X' certificate version on DVD. Warners refused permission to allow a hi rez release. The BFI produced a superb DVD transfer for the first time in its proper 2.35:1 ratio. The Channel 4 documentary 'Hell on Earth' was included but the 'Rape of Christ' sequence was removed. They also cut a line of dialogue when one of the actors refers to Warners as a bunch of 'c**ts'. Before this in the USA the 'unrated' version appeared as an upcoming release complete with sleeve art. 24 hours later Warners stopped the release!
- ConexionesFeatured in Omnibus: Russell's Progress (1971)
- Bandas sonorasBourrée d'Avignon
from Secretum musarum (1615)
Music by Nicolas Vallet.
Played as the king's dance in the opening.
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- Tiempo de ejecución1 hora 51 minutos
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