Harry el sucio

Don Siegel's highly polished .44 magnum-opus, with Clint Eastwood as the daddy (or should that be mutha?) of all maverick cops. Given an A-picture budget by Warners, Siegel delivered a tremendously taut thriller, as provocatively amoral as anything he had done in his 20-year career of expert B-pics like The Killers.

Dirty Harry also gave Eastwood a definitive Hollywood identity after leaving spaghetti westerns behind. It may lack the humour of Siegel and Eastwood's first collaboration, Coogan's Bluff, but it packs a much more uneasy political punch.

Inspector Harry Callaghan is the taciturn, laconic spokesman of Nixon's Silent Majority, elevated to iconic status. His dialogue with criminals is delivered behind the barrel of a devastatingly phallic Magnum hand-gun. "Feel lucky, punk?" he taunts one wounded miscreant in a famous line he repeats at the end of the film.

There's just enough moral ambiguity about Harry in this film to escape it being an endorsement of vigilantism – but if it poses resonating questions about how a liberal society can be held hostage by those outside the law, it also contrives a worryingly two-dimensional picture of psycho-killer Scorpio (Andy Robinson) - and of Harry, himself – with which to frame those questions.

Made by the veteran director in the same year as Hollywood-new wave young gun William Friedkin shot The French Connection, it's just as coolly authoritative and exciting. Siegel uses Bruce Surtees' always serviceable photography of San Francisco locations with flair (years before, he had shot the low-budget but excellent The Line-Up there). The swooping helicopter shot out of the baseball stadium, as if to rush the audience away (either as witnesses or as voyeurs) as Eastwood presses his foot on Scorpio's wounded leg, shows Siegel's smooth mastery of the medium.

Siegel made the insouciant Charley Varrick with Walter Matthau next, after which his career went into slow decline.

For me this is that movie that you love when you're young but as you get older you see the dark side to it.

I mean...it's not exactly Masha and the Bear even on a superficial level but you know what I mean.

As an action movie, this is just timeless. It has a gentle, yet uncompromising tone that immediately puts you in the mindset that you are in an unforgiving, violent world. It's clearly going for the X rating. It's not about elegance, it's just about being honest.

There's something folkloric in this tale of hunter and hunted where it's hard to tell who is the more brutal. That was indeed meant to be the gimmick: "two killers on the loose, one carries a badge".

It's a vivid movie about sadism and unapologetic brutality. Where there is only kill or let others get killed. Harry is a delicious character and Eastwood's cool portrayal, always seeming to be one jolt away from going nuts is captivating.

But in recent years I've had new feelings. Harry seems to personify that kind of cop who hates the 4th amendment, who sees themselves as the only barrier between the innocent and monsters and is devoted to protecting without a thought for who will protect the public from him. It's that counter-counter-cultural thinking wear one wants more power to law enforcement not less. I know the title suggests that these are Harry's negative traits but when watching, these are why we fall in love with him as a character. It's kind of a double bluff. Especially when Harry's violation of protocol is seemingly respesented as necessary.

Scorpio is amazing. He is played with maniacal relish that complements the stony Harry like how the Joker does for batman. But I would say he's scarier. We don't get the comic fantasy as a barrier.

I might be overthinking this movie but it is a fascinating rumination on grey morality and how it's not always easy to tell who to root for. even when you think you've realised that the official heroes aren't always good.

it's a difficult movie to interalize and ultimately, that's why it's brilliant.

There's never been a movie quite like it.

Effective first installment in ¨Dirty Harry¨ series and followed by various sequels still gripping and stirring . The film starts with a prologue : ¨In tribute to San Francisco Police officers who gave their lives in the line of duty¨ . Iconoclast Harry Callahan(Eastwood) attempts to detain vicious killers who are robbing a bank , he takes on criminals determined to bring them to justice, even if he has to break some rules . This time has a young partner who is assigned when his ordinary pal is wounded . The rock-hard inspector is accompanied by a Mexican cop (Reni Santoni) and they track down a nasty series killer (Andrew Robinson) .The psychotic murderer is detained but is freed on legal technicalities and Harry takes the law into his own hands. Harry wielding a revolver Magnum 44 ( in fact, as is titled the second entry, Magnum force) returns his unorthodox means ; facing off ominous murderous that is threatening the city of San Francisco. Harry in troubles as habitual with his chiefs (Harry Guardino , John Larch) and the District Prosecutor (Josef Sommer) because his methods lead abuse the criminal's civil rights and a pile of death in clod blood along his wake. Harry pursues the revenge-obsessed murderer and encounters he has more problems with him than he expected. Rule-breaking Callahan strides grimly throughout San Francisco in pursuit the murderous , including an exciting final on a school bus . Whatever your reservations about Harry's expeditious methods we know he'll always vanquish , shooting in cold blood with his pistol .

Formula thriller plenty of action , crisply edition , tension, suspenseful and lots of violence . Clint Eastwood's good performance as two-fisted Harry Callahan , the tall and taciturn inspector who utilizing his Magnum 44 pistol kills baddies and , as always , he says some original phrases . Well written by Harry and Rita Fink ; it packs intrigue , violence, action-filled and is a really effective film . It turns out to be interesting and plenty of vivid action , suspense and thrills. Good secondary cast gives effective performance as John Larch , Harry Guardino , Josef Sommer as the prosecutor and John Vernon as the Mayor. Good use of locations filmed in Panavision and Technicolor , by cameraman Bruce Surtees , son of prestigious photographer Robert Surtees , reflecting splendidly the streets of San Francisco , ordinary scenario of the series . Adequate and atmospheric musical score by usual Lalo Schifrin , including a classic jazzy leitmotif . Taut and expert direction by Don Siegel who formerly directed him in ¨Coogan's bluff¨ and subsequently in ¨Escape from Alcatraz¨ and well financed by the usual, Robert Daley as executive producer from Malpaso Company . Followed by ¨Magnum Force¨ by Ted Post with Robert Urich and David Soul , ¨The enforcer¨ 1976, by James Fargo with Tyne Daly, Harry Guardino, ¨Sudden impact¨1983, Eastwood with Sandra Locke , Pat Ingle and ¨Dead pool¨ 1988, by Buddy Van Horn with Liam Neeson and Jim Carrey . This formula thriller will appeal to Harry Callahan series enthusiasts , because of the tension, unstopped action , exciting edition , chills abound in this original entry . Well worth seeing for Clint Eastwood fans and it's a cool companion for the action genre followers . An entertaining and amusing film , mounted for its maximum impact and with several scenes that'll have you on the edge of your seat

In the opening scene of the film, a beautiful young woman swims in a rooftop pool. Poor gal. A shooter (Andrew Robinson) from a nearby building kills her with one shot. Soon, the SFPD will send detective Harry Callahan to investigate the happening. As "Dirty Harry" discovers the place where the shooter did his deed, Harry finds a note. Calling himself Scorpio, the assassin insists the city pay him big bucks or he will kill again; the victim will be a priest or a black American. Pulling his hair out, the mayor decides they should pay but Harry is adamant they should NOT. A compromise posting in the SF Chronicle says they will pay but need more time. Meanwhile, Harry goes to lunch but can't even digest his food without needing to stop a bank robbery nearby! Harry is one cool cop. The top police brass give Harry a new partner named Chico (Reni Santori) but he's rather green. Nevertheless, together these two hatch plans to "catch" Scorpio without paying big money. Unhappily, Scorpio matches them with tricky escapes. Now, a school bus full of children may be in danger! What can Harry do? This gritty, somewhat violent film is taken from the story of the real Zodiac killer. Its a sick, twisted tale but Harry is one admirable detective, played to understated perfection by Eastwood. Santori is quite likeable, Robinson is great as the loathsome killer and other cast members quite fine. Add on good cinematography and a tense, inventive plot and the movie is quite compelling. Its a classic folks! Don't delay in viewing it.

Don Siegel's "Dirty Harry" was arguably the start of the serial killer/cop genre inherent in so many mainstream American movies released today. Setting the stage for countless rip-offs and sequels, "Dirty Harry" was one of the true first of its kind--not only in regards to its genre influence but also in terms of its content. (Full frontal nudity, heavy vigilante-style violence and strong language.) It is, in fact, one of the quintessential 1970s films--capturing the very essence of the typical gritty '70s film style we're all familiar with. If "Midnight Cowboy" began the trend, "Dirty Harry" extends it.

Clint Eastwood delivers one of his finest performances as the titular "Dirty" Harry Callahan. He's got just the right amount of cocky cynacism and inset sense of self-justice and importance to make the character realistic and likable, despite his flaws.

The plot almost seems routine now, but back in '71 it was controversial stuff: Harry is a tough cop trying to track down a mad serial killer in San Francisco, who is murdering victims in an effort to receive ransom money. When he kidnaps a young girl, Harry makes it his mission to disobey direct orders and take on the killer by himself.

It's easy to point at this now and say, "I've seen this already." In many cases film classics can only be graded well for nostalgic purposes, because their imitators have improved upon the original material.

Not here. The original really does still remain (one of) the best.

Siegel would later follow up "Dirty Harry" with another examination of criminals and cops, and would also team up again with Clint Eastwood. This is probably his best film, which is saying a lot. Its reputation precedes it, but in this case, the strength of the film itself really is deserving of its popularity. The final speech is awesome stuff.