La piel de Satanás

This 1970 British horror pic is just oozing with atmosphere. It takes place in England in the 1600s where life was harsh and the appearance of weird bones in a farmer's field sets off a chain of demonic activities when a group of farm children discover them. They then begin to worship a mysterious evil entity and start sacrificing other children to it. The music score is appropriate for the movie and there were some scenes that made my skin crawl (no pun intended). I would recommend this movie for connoisseurs of classic horror pictures where the characters don't act like total fools when confronted with evil. If you're squeamish, don't watch this in the dark.

It's a bit like Never Let Me Go, but instead of donating parts for others, it's Diablo's parts you grow, as you're young and quite untainted, the beast takes hold and gets acquainted, growing on you as you grow, the parts he needs to take a hold, having been ploughed up all broken, he's not much more than a token, but his powers of persuasion, quite soon leads to a pervasion, of youths rising up in rage, against traditions that have caged, all perpetually conditioned, brainwashed, pressured and conditioned. Alas, the patriarchy of middle aged men cannot allow this to take place and the rebellion is curtailed and quelled, sadly, but not for the first time and definitely not the last.

The British horror boom of the 60s and 70s was dominated by Hammer, but a couple of other studios, Amicus and Tigon, tried their best to make their mark. Amicus are probably the better remembered of the two, with a few well loved anthologies to their credit (e.g. 'Asylum'), but Tigon actually made the better movies, especially the now classic 'Witchfinder General', directed by doomed cult figure Michael Reeves, as well as 'The Creeping Flesh', and 'The Blood On Satan's Claw', which is what 'Satan's Skin' is best known as. This movie frequently gets compared to 'Witchfinder General', but apart from being set in a similar era, and even having one actor in common (Patrick Wymark who plays The Judge here had a small cameo as Oliver Cromwell in 'Witchfinder General') they are quite different in approach and execution. Piers Haggard is no Michael Reeves but he's had an interesting career which has included the underrated final 'Quatermass' series (which starred Sir John Mills) and the entertaining Oliver Reed/Klaus Kinski exploitation thriller 'Venom', as well as working with Dennis Potter on 'Pennies From Heaven'. I still don't think 'Blood On Satan's Claw' is as good as 'Witchfinder General', but it's an excellent chiller nevertheless, and one of the most underrated British horror movies of all time. Like Reeves Haggard knows how to make the most of a small budget, and he manages to create an unsettling and creepy atmosphere. Also like Reeves he makes brilliant use of the English countryside. Patrick Wymark sadly died shortly after completing this movie, but it's a good testament to his talent. He gives a terrific performance. Also look out for his work in 'Repulsion' and 'Journey To The Far Side Of The Sun'. Seventies sex siren Linda Hayden ('Baby Doll', 'Madhouse', 'House On Straw Hill') is also memorable as Angel Blake, the leader of a Satanic group of young villagers. She looks absolutely stunning, and has one unforgettable nude scene. The supporting cast includes a few familiar faces, most notably Michelle Dotrice ('Some Mothers Do 'Ave 'Em') who plays Margaret, and Wendy Padbury (Zoe from 'Dr Who') who plays Cathy. The only thing I can really fault with this movie is the ending, which is a bit rushed and anti-climactic, but apart from that it's one of the best British horror movies of the early 70s, and highly recommended viewing.

Set in 17th century Britain, this severely under-rated horror yarn fairly drips with a thick, creepy atmosphere that is hard to shake. The incredibly sexy Linda Hayden (here sporting bizarre, wicked eyebrows) stars as the sluttish leader of a group of children who discover, then worship, the remnants of what appears to be a demon in a farmer's field; they soon begin to perform sacrifices of other children to it. Patrick Wymark, in a fine, subtle performance, plays a Matthew Hopkins-type who puts a stop to the group's murderous shenanigans. The plot is presented in a somewhat disjointed, vague manner, especially during the disappointingly incoherent, anti-climactic finale. But the film's great strength is its amazingly real sense of place and time. Set during a remarkably superstitious period, the vividly presented characters (the acting is uniformly excellent) are in constant fear of an evil presence that palpably lurks everywhere; the film is so extremely well made that the viewer comes to share their constant dread. The end result is a stylish horror movie that is very uncomfortable to watch.

This film is just as bonkers as it sounds. Another Tigon production, it was massively influenced by Witchfinder General and is just as unflinching if not the depraved masterpiece that its predecessor is.

All the ingredients of a great 'folk horror' staple are here- witch trials, a country setting, Olde English magick and buxom wenches showing off their voluptuous delights.

Joe Dante says this is one of the best horror films of the 70's. I agree with him.