CALIFICACIÓN DE IMDb
5.4/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaEvan's son Joe receives Black Beauty stallion. After Evan's death, new owner mistreats animals. Black Beauty sold to circus after card game. Joe attempts to reclaim stallion from circus.Evan's son Joe receives Black Beauty stallion. After Evan's death, new owner mistreats animals. Black Beauty sold to circus after card game. Joe attempts to reclaim stallion from circus.Evan's son Joe receives Black Beauty stallion. After Evan's death, new owner mistreats animals. Black Beauty sold to circus after card game. Joe attempts to reclaim stallion from circus.
- Dirección
- Guionistas
- Elenco
Uschi Glas
- Marie
- (as Ursula Glas)
José Nieto
- Lorent
- (as Jose Nieto)
Opiniones destacadas
I don't think a horse has seen so much violence.
Black Beauty, the name of the horse and the movie, is a horse that lived a very full life. He (I believe it's a he) was passed from owner to owner where he was witness to man's worse behavior. He suffered abuse and witnessed about three battles of varying sizes. Fortunately, at times, he was treated to some tender care.
The movie is really a series of mini-movies compiled into one feature length film with the horse as the only constant. Each time Black Beauty moves on we're privy to a new plot, new climax, and new resolution. I think the mini-episodes were simply OK on average. Truly, the only thing going for this movie would be the beautiful horse. Besides, t's not like the horse had any say in the script. Shoot! He didn't even have any say on whether or not he wanted to be in a movie!
Black Beauty, the name of the horse and the movie, is a horse that lived a very full life. He (I believe it's a he) was passed from owner to owner where he was witness to man's worse behavior. He suffered abuse and witnessed about three battles of varying sizes. Fortunately, at times, he was treated to some tender care.
The movie is really a series of mini-movies compiled into one feature length film with the horse as the only constant. Each time Black Beauty moves on we're privy to a new plot, new climax, and new resolution. I think the mini-episodes were simply OK on average. Truly, the only thing going for this movie would be the beautiful horse. Besides, t's not like the horse had any say in the script. Shoot! He didn't even have any say on whether or not he wanted to be in a movie!
This is a movie that can be looked at one of two ways. You can look at it as an adaptation of Anna Sewell's classic novel, or you can look at it as a story about a bunch of people who all happen to own the same horse. I'll do both.
As an adaptation of the novel this movie disappoints terribly. The plot bears almost no relation to the original story. Classic characters like John Manly, Reuben Smith, and Jerry Barker are cut out completely. New characters are often shallow and one-dimensional. Ginger, one of the most important horses in the story, acting as a foil for Black Beauty and with her own heart-wrenching story is turned into a gelding, given about three seconds of screen time and has no involvement in the actual story. The plot, particularly the ways in which Beauty passes from owner to owner, often seems contrived. On more than one occasion Beauty is simply standing around in the middle of nowhere and someone comes along and finds him. Other times he performs some heroic deed which would merit his owners deciding to keep him forever and the next thing we know he's being sold again. While the novel deeply explores the society of the time and the effects of that society (for better or for worse) on both the humans and the animals this movie disregards that aspect entirely. It portrays some rather stereotypical views. Worse, some of the bad guys are just that: bad guys with no depth or personality. Take for instance the young squire who is cruel for no reason and loves to hurt horses just for the fun of it.
As a movie with complete disregard to the book it isn't half bad. The story as it is presented here is not about the horse; it is about all the different people who own the horse. Beauty isn't a character so much as he is a plot device. If you don't mind the focus shifting from animal to human it is an enjoyable sequence of stories. I stand by what I said earlier about many of the characters being one-dimensional, but when the entire cast is reviewed as a whole it displays a wide range of personalities and backgrounds. There is a good balance between kind and cruel owners. Pacing was fairly good. The movie had a nice balance with enough action but not too much. Cinematography was very nice. Many of the shots of the countryside were beautifully done (if occasionally somewhat overdone). Most of the stories were fairly standard plots (a decent farmer at the mercy of a heartless bank, young lovers forbidden from meeting) but some, such as the circus family were rather creative and even the recycled plots were well done. Acting was good overall.
My conclusion: A good animal and people story, but if you want something closer to the source watch the 1994 version.
As an adaptation of the novel this movie disappoints terribly. The plot bears almost no relation to the original story. Classic characters like John Manly, Reuben Smith, and Jerry Barker are cut out completely. New characters are often shallow and one-dimensional. Ginger, one of the most important horses in the story, acting as a foil for Black Beauty and with her own heart-wrenching story is turned into a gelding, given about three seconds of screen time and has no involvement in the actual story. The plot, particularly the ways in which Beauty passes from owner to owner, often seems contrived. On more than one occasion Beauty is simply standing around in the middle of nowhere and someone comes along and finds him. Other times he performs some heroic deed which would merit his owners deciding to keep him forever and the next thing we know he's being sold again. While the novel deeply explores the society of the time and the effects of that society (for better or for worse) on both the humans and the animals this movie disregards that aspect entirely. It portrays some rather stereotypical views. Worse, some of the bad guys are just that: bad guys with no depth or personality. Take for instance the young squire who is cruel for no reason and loves to hurt horses just for the fun of it.
As a movie with complete disregard to the book it isn't half bad. The story as it is presented here is not about the horse; it is about all the different people who own the horse. Beauty isn't a character so much as he is a plot device. If you don't mind the focus shifting from animal to human it is an enjoyable sequence of stories. I stand by what I said earlier about many of the characters being one-dimensional, but when the entire cast is reviewed as a whole it displays a wide range of personalities and backgrounds. There is a good balance between kind and cruel owners. Pacing was fairly good. The movie had a nice balance with enough action but not too much. Cinematography was very nice. Many of the shots of the countryside were beautifully done (if occasionally somewhat overdone). Most of the stories were fairly standard plots (a decent farmer at the mercy of a heartless bank, young lovers forbidden from meeting) but some, such as the circus family were rather creative and even the recycled plots were well done. Acting was good overall.
My conclusion: A good animal and people story, but if you want something closer to the source watch the 1994 version.
This is an excellent little horsey film with Mark Lester, the angel-faced victim of Bill Sykes (Oliver!), now playing the farm boy on what looks like Exmoor or somewhere similar (perhaps Scotland). His nemesis this time is the terrible, sadistic Sam Greene (Patrick Mower) whose mission is to wreak havoc on everyone on his newly-inherited estate following the death of his altruistic father.
Really, it's a bit of a naturalist film, with the actual birth of Black Beauty himself shown and lots of delightful shots of rural, country life in England amidst classical English landscape. There really is some fine cinematography with sweeping panoramic landscapes, etc. The Pro-Hunting enthusiasts in England would now love this film and there are tons of shots of bands of red tunic huntsmen all over the place, with packs of dogs and stuff in hot pursuit.
However, the editing is clumsy and contrived and the director seems to want to create some sort of pseudo-art film, with lots of slow motion shots of hunting accompanied by a cheesy, amateurish soundtrack.
Really, it's a bit of a naturalist film, with the actual birth of Black Beauty himself shown and lots of delightful shots of rural, country life in England amidst classical English landscape. There really is some fine cinematography with sweeping panoramic landscapes, etc. The Pro-Hunting enthusiasts in England would now love this film and there are tons of shots of bands of red tunic huntsmen all over the place, with packs of dogs and stuff in hot pursuit.
However, the editing is clumsy and contrived and the director seems to want to create some sort of pseudo-art film, with lots of slow motion shots of hunting accompanied by a cheesy, amateurish soundtrack.
This internationally-produced version of the oft-filmed Anna Sewell classic about the adventures and misadventures of a horse that is seperated from its original owners is the best of several films based on the timeless tale. Mark Lester stars as the young boy who longs to be reunited with his beloved horse. The film rarely strays from its source, and I believe this is superior to the 1994 remake.
A serviceable adaptation of the Anna Sewell novel, although it loses something in the translation; the horse becomes more of a supporting than central character here. Unusually, this was produced by Harry Alan Towers for Tigon, and it's far less sleazy than most of his work (although familiar faces like Maria Rohm turn up). Mark Lester is still riding high from OLIVER!, the actors are invested in their roles, the scenery beautiful and the story involved and fast-moving.
¿Sabías que…?
- TriviaTop billed Mark Lester only worked three weeks. He only appears in the first 25 minutes, apart from a brief reappearance at the very end.
- ErroresIn a scene where Black Beauty witnesses the gypsies having a brawl on the cold bog-like, mud-ridden moorland and silently slips away, he appears to have walked to arid sub-tropical terrain completely different to what he had just left.
- ConexionesFeatured in Auf Wiedersehen, Pet: A Home from Home (1986)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Black Beauty - Auf der Suche nach dem Glück
- Locaciones de filmación
- Ardmore Studios, Herbert Road, Bray, County Wicklow, Irlanda(Studio, uncredited)
- Productoras
- Ver más créditos de la compañía en IMDbPro
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