La amenaza de Andrómeda

Robert Wise made the daring decision not to cast any big name stars in The Andromeda Strain.. It certainly save on the budget. But it also lent a nice ring of authenticity.

The story behind Michael Crichton's science fiction novel and the movie is that a small northern California town has been wiped out by a new strain of virus. The only survivor are a wino and an infant. Scooping them up four scientists Arthur Hill, James Olson, David Wayne, and Kate Reid take them to a secure location as they race against time to prevent a pandemic. This thing creeps up silently and moves fast.

It's not like anything seen on earth. It's called The Andromeda Strain because that's the nearest galaxy to the one planet earth is in The Milky Way. The four have to race against time to come up with an answer.

Robert Wise got a lot of tension out of this film, especially at the climax when it is race against time to prevent a self destruct from occuring just as are four are finding answers.

They do find an answer. And ironically it's from some of the most plentiful things we have on planet earth is where the cure comes from.

This one is a science fiction classic.

The 1970s were a time before some of the "intelligentsia" of American culture began to abandon rationality and reject science on pseudo-ethical grounds. Unsurprisingly, then, 1970s sci-fi is often better informed by science than the sci-fi of later decades, and it is also often more thoughtful and intelligently written. The Andromeda Strain is one of the best hardcore sci fi epics from a decade which brought us such genre classics as 2001, Solyaris, Silent Running, and the original Rollerball. Unlike most of these films, however, Andromeda Strain does not strain believability beyond its bounds, nor does it indulge in metaphysical tangentializing or philosophical moralizing.

Developed from what I consider to be Michael Crichton's best book, the Andromeda Strain takes its cue directly from the hard realism of that book, along with its documentary style and scientific background research. Though aspects of the plot defy biological probability, if not law, almost the entire film is plausible. Also borrowed from Crichton's writing is the general point the film attempts to make - one which is present in nearly all of Crichton's work - that along with technological advance comes risk. Fortunately, however, this story does not reach the near-paranoid levels of technophobia which sometimes appear in later works.

A great ensemble cast full of not easily recognized character actors represent a team of scientists called together to contain and manage a deadly virus-like organism which has arrived on a crashed space research probe. The virus has already wiped out an entire town, and now the scientists must work at a breakneck, sleepless, pace to determine what the organism is, how it spreads and grows, and how it can be killed or contained. Their only major clues, it seems, are an old man and a baby who survived the initial outbreak. To avoid spoilers, I will avoid any further details regarding the plot.

The only aspect of the film which really seems dated is the strange electronic soundtrack, which, at times, seems more derivative of 1950s sci-fi than more modern stuff. Suffice to say that this is one of the best uses of the 'as-it-happens' documentary film-making style. The entire film is delivered in a very refreshingly straightforward manner, with believable dialog, actors that look like real people, and a pace that builds constantly from start to finish.

Highly recommended.

There's an echo of 2001 and a foreshadowing of The Parallax View in this paranoiac sci-fi drama. The movie delights in presenting the tools of science and questions the direction and authority of those elected or selected to preserve us. The pacing strikes modern audiences as slow - it is - but that's the film's greatest success: suspensefully unfolding at a snail's pace. Some of the dialog is stilted and some points are far too belabored (the scene where Dr. Mark Hall, James Olson, is instructed on the use of his key is a tedious overplaying of the moment). The cast do what they can with dialog that sounded a little trite and predictable in its day and sadly is the main thing that mars an otherwise hypnotic journey into the dangers of modern governments and modern science. At the film's core, however, is a lesson that bears repeating, lest we forget.

I saw this movie quite a while ago, but it made a cracking impression on me. Really if you like 60/70 sci-fi movies this is definitely the movie youve been searching for. Brilliant camerawork ,acting, scenary. And the story is so *****in good. Its too bad they dont make these anymore nowadays.

Believe me if i tell you that im a very critical moviefanatic but this movie is really the best sci-fi movie after A space Odyssey 2001.

9+ / 10 GREAT!!!!

Well on second hand 10 / 10

Robert Wise is an under rated director but in his body of work are such gems as 'The Body Snatcher', 'The Set-Up', 'The Day the Earth Stood Still', 'Odds Against Tomorrow', 'The Haunting', 'West Side Story', 'I Want to Live!' and on its own terms, 'The Sound of Music'. He managed to make genre films more interesting and watchable than other more celebrated directors.

'The Andromeda Strain' is an engrossing film from beginning to end. It is science fiction, alien virus comes to earth type thing, but has more depth than just that. The scientists, played very well by Arthur Hill, David Wayne, Kate Reid and James Olson, are fallible and have real emotions. Yet in them is a longing to know, to discover, to solve. Most popular cinema celebrate the fist or the gun but part of the excitement of this film is the use of the intellect to tackle the problem. Brains and not brawn is key.

The early scenes in the town of Piedmont are fascinating. Nothing dramatic, only small details adding up to a large tragedy. Restrained film making is not common but in this case it is really effective. After these scenes the film moves on as fear and wonder grip the scientists to a satisfying conclusion.

The electronic music is just right, the sets are atmospheric, the hard ware plausible and the photography simple and effective. A mention should be made of Paula Kelly as a nurse, an excellent actor and shamefully under used in films. (She is great in 'Sweet Charity' too.)In a supporting role she gives an intelligent, spirited performance.

A near perfect film. Hopefully no one will re-make it.