El estrangulador de Rillington Place

The zenith of British film making, 10 RILLINGTON PLACE (the location since re-named) is a true story. John Christie (who last time I was there was still a star exhibit at Madame Tussaud's waxworks museum in London) was the mega-ordinary, almost mousy south east Londoner who besides liking a good cuppa tea...killed people in his dingy little residence. Somewhat of a sexual predator (though this is hinted at, rather than depicted) Christie used his very basic scientific knowledge to offer "comfort" to such as pregnant young girls by way of his own in-house abortion that none actually survived. The case of young and fully dim-witted Timothy Evans (so brilliantly played by John Hurt) who comes to lodge and whose pretty young wife (Geeson) becomes another victim of the serial killer Christie represented the height of British injustice when Christie himself was able to manipulate the facts to point the finger of guilt at Evans himself and who was actually hanged for the murder of his wife and child. (The later-bestowed pardon would have been of little consequence I feel....the ultimate "too liitle too late")

The film's bleak depiction of immediate post-war Britain is just stunning, Attenborough deserved the Oscar for his amazing characterisation of Christie...a monster with a facade no-one thought to question. No clear-thinking and perceptive person could possibly watch this movie and not be affected in some way. The horror Is that there IS no horror, just a veneer of respectability and decency. I cannot offhand, nominate a more powerful or credible piece of film-making. We have this film in our library and watch it on average ever two years - it has never aged or been less impactful!

This is the story of serial killer John Christie, who between 1943 and 1953 murdered women and disposed of their bodies on his property at the titular 10 Rillington Place. Christie used his mild mannered demeanor to gain the confidence of women. He often falsely claimed to have medical knowledge and told them that if they came back to his flat he could take care of their migraines, bronchitis, etc. Once there, he killed them. He was never suspected because the women who disappeared had no known connection to him.

What becomes his undoing is when he becomes homicidally attracted to Beryl Evans, wife of one of his boarders, Tim Evans. Christie does a pretty good job of planning the killing, but he is rather reckless, telling his wife things that will be refuted later. Ultimately the victim's husband Tim is convicted of the murder of his wife and is executed. There were holes in the criminal investigation for sure, and Evans was illiterate and mildly intellectually handicapped as well, known for telling tall tales, so he was limited in how he could help his own defense. So when he truthfully does tell the police what happened, they do not believe him.

Richard Attenborough is very much the enigma as killer John Christie. You can easily find out why Christie probably did what he did with some quick internet research, but here no explanation is provided, and that helps add to the tension. Highly recommended.

No need to repeat consensus points already made. Instead, I'll try to touch on noteworthy aspects generally unmentioned.

The movie's not only a reflection on the death penalty, but on anti-abortion laws, as well. Those desperate women wouldn't have been driven into the clutches of the lunatic Cristie were abortion licensed and legal. That may not have stopped his madness, but he would have had to come up with a different ploy.

The movie focuses on one particular episode (the Evans killings) rather than the series of killings that actually covered a considerable time period. So, cooped up in the city, Cristie ends up hiding his many victims where he can (in the garden, in the washroom, in the walls). What surprises me is that no one, least of all, the wife, notices what must have been an atrocious smell.

Note the dispatch with which Evans is hanged, unlike the more ritualized American way. I assume the movie is an accurate depiction. He walks into an ordinary room, the hood is placed over his head, and plop, the trapdoor opens. And it takes just about that long. The suddenness really startled me.

Contrast two ends of the serial killer spectrum—the shy, unattractive Cristie and the charming, handsome Ted Bundy of 1970's America. Understandably, Bundy had no trouble luring girls to their doom; judging from the movie, however, Cristie's victims must have been truly desperate to let that little creep lay hands on them.

Not mentioned in the movie, but in one of the books that I recall, is that Cristie kept swatches of pubic hair as trophies.

Like any good document on serial killers, the film presents a glimpse of lives and social levels that otherwise go unnoticed. Here we get a sense of a decaying part of London and the dreary lives hanging on there. A good movie or book is like a knife slicing through a cake, exposing layers that otherwise remain hidden. That's the particular strength of this film.

My only reservation is the casting of Judy Geeson as Evans' wife. She seems too pretty and smart to be hooked up with a dead-ender like Evans. Still and all, Geeson's performance is excellent— note her subtle expressions on first meeting the creepy Cristie. Nonetheless, I suspect her casting was the one concession the producers made to commercial appeal.

All in all, it's a grim, ugly film-- as it should be. We may not get much sense of why Cristie has taken the warped, monstrous turn he has. But then such dark matters may be beyond us, anyway. Above all, the movie should not be viewed in a depressed state or if you're looking for a room to rent.

Slow, deliberate, creepy, grimy, grim, repressed.

The recreation of one of Britains most famous serial killers crimes and the impact on one family in particular is nothing if not sober in tone.

Director Richard Fleischer had recent "true crime" form with his version of The Boston Strangler 1968, Fleischer shoots with hand-held cameras under realistically dim lighting, creating an intimate close up portrait of the house and its occupants.

As such the performances have to match, and do. Richard Attenboroughs in particular. His portrayal of Christie will come as a shock to those who only know him from the Jurassic Park series or Miracle on 34th Street. John Hurt and Judy Geeson as the young, ill-educated Evans couple do well though Hurts accent is a little wayward early on.

There's a whole host of films from the great decade that was the seventies that have gone on to not get the praise that they so rightly deserve, and if one were to make a list of those films; 10 Rillington Place would feature in a prominent position. The film follows the true story of serial killer John Christie, who murdered a series of women in the late forties. His modus operandi is to murder his victims with gas, shortly before having sex with the corpse. Despite this shocking premise, the film always sees fit to focus more on the reality of the situation than the actual murders themselves. Despite not being graphic, this actually makes the film more shocking as we are constantly reminded of the things that go on behind what people allow us to know about ourselves. The murderer in this story is just a normal man. A nice man, in fact. People trust him, and even respect him; yet despite all this, the man is a stone cold killer. The realistic way that the story is approached, combined with the fact that these are real events ensures that 10 Rillington Place is a morbidly fascinating watch.

Richard Attenborough takes the lead role and does fantastically well with it. His calm mannerisms and nonthreatening demeanour clash well with the underlying evil of his character and we really can believe that this man is a maniac. The film was made in the United Kingdom, I'm proud to say, and this is obvious throughout. UK films have a certain atmosphere about them, and although I didn't know that this movie was homegrown before watching it; it soon became apparent. This style bodes well with the theme of the film, as it's downtrodden and makes sure that the film is firmly planted in the land in which the story took place. The idea of an innocent man not only going down, but being killed, for a crime he did not commit is shocking and the cold way that it is presented in this film reflects the fact that it actually happened and also gives it more of a degree of shock. On the whole, 10 Rillington Place is a film that shouldn't be missed by anyone. It's not all that well known, but this is unfair considering the quality of it and I wont hesitate to recommend this movie to people in the future.