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IMDbPro

4 moscas de terciopelo gris

Título original: 4 mosche di velluto grigio
  • 1971
  • PG
  • 1h 44min
CALIFICACIÓN DE IMDb
6.5/10
11 k
TU CALIFICACIÓN
4 moscas de terciopelo gris (1971)
To mark the Fortieth Anniversary of its production, and twenty years after the film disappeared from the public eye, Shameless Screen Entertainment are aiming to release the first ever worldwide Blu-ray of Dario Argento’s Four Flies on Grey Velvet – remastered in HD from the original negative by the original lab.
Reproducir trailer1:01
1 video
99+ fotos
Dark ComedyGialloWhodunnitCrimeMysteryThriller

Agrega una trama en tu idiomaA musician is stalked by an unknown homicidal maniac, who blackmails him for the accidental killing of another stalker.A musician is stalked by an unknown homicidal maniac, who blackmails him for the accidental killing of another stalker.A musician is stalked by an unknown homicidal maniac, who blackmails him for the accidental killing of another stalker.

  • Dirección
    • Dario Argento
  • Guionistas
    • Dario Argento
    • Luigi Cozzi
    • Mario Foglietti
  • Elenco
    • Michael Brandon
    • Mimsy Farmer
    • Jean-Pierre Marielle
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.5/10
    11 k
    TU CALIFICACIÓN
    • Dirección
      • Dario Argento
    • Guionistas
      • Dario Argento
      • Luigi Cozzi
      • Mario Foglietti
    • Elenco
      • Michael Brandon
      • Mimsy Farmer
      • Jean-Pierre Marielle
    • 80Opiniones de los usuarios
    • 115Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    FOUR FLIES ON GREY VELVEY
    Trailer 1:01
    FOUR FLIES ON GREY VELVEY

    Fotos126

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    Elenco principal37

    Editar
    Michael Brandon
    Michael Brandon
    • Roberto Tobias
    Mimsy Farmer
    Mimsy Farmer
    • Nina Tobias
    Jean-Pierre Marielle
    Jean-Pierre Marielle
    • Gianni Arrosio
    • (as Jean Pierre Marielle)
    Aldo Bufi Landi
    • Pathologist
    Calisto Calisti
    • Carlo Marosi
    Marisa Fabbri
    Marisa Fabbri
    • Amelia, the Maid
    Oreste Lionello
    Oreste Lionello
    • The Professor
    Fabrizio Moroni
    • Mirko
    Corrado Olmi
    • Porter
    Stefano Satta Flores
    • Andrea
    Laura Troschel
    • Maria
    • (as Costanza Spada)
    Francine Racette
    Francine Racette
    • Dalia
    Bud Spencer
    Bud Spencer
    • Diomede…
    Dante Cleri
    • Coffin Salesman
    Guerrino Crivello
    • Rambaldi, the Neighbor
    Gildo Di Marco
    • Postman
    Tom Felleghy
    • Police Commissioner Pini
    Leopoldo Migliori
    • Musician
    • Dirección
      • Dario Argento
    • Guionistas
      • Dario Argento
      • Luigi Cozzi
      • Mario Foglietti
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios80

    6.510.5K
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    Opiniones destacadas

    7moonspinner55

    Bravura filmmaking

    Deluxe giallo from writer-director Dario Argento, with a presentation so stylish it threatens to overwhelm the plot. Dedicated husband and drummer for a rock band angrily confronts a mysterious man who's been following him; they scuffle and the stranger ends up stabbed with his own knife. No one is around to help the shaken musician, but there is one witness: a person in costume with a camera. This isn't a blackmailer--they don't want money--but the musician is quickly taunted with photos and notes...and soon, the people closest to him start dropping like flies. Argento shows an uncanny grasp of character here, and his roster of victims and suspects is delicious (there's also a scripture-quoting con-man who acts as a lookout, a terrified postman afraid of delivering the mail and a gay gumshoe hired by the protagonist who hasn't solved one case in his last 87!). Argento is a cinematic madman; his screenplay might not hold up under close scrutiny, but it's hard to nitpick with the small details when the end results are this tantalizing. *** from ****
    9Mario77

    One of Argento's WEIRDEST. Definitely NOT one of his worst!

    "Four Flies On Grey Velvet" is surely an odd, truly bizarre film, even by Dario Argento standards. In my opinion however, it most definitely is not a bad film, much less one of Argento's worst. Much of what is said about the film, by critics and fans alike, seems (to me) to wrongly condemn it. I definitely can understand why one might be frustrated by this film, but I don't believe that's a reason to reject it completely. Some may feel the acting and/or story isn't all that good. I would respectfully disagree. I feel the acting is strange and aloof, but I believe that it works in favor of the film; and the story is confusing, but that is typical for an Argento film, and as a viewer, I appreciate not being handed all of the answers on a platter. Perhaps what repels many viewers is consistently being displaced espacially within the film context; that is to say one (the viewer and/or the characters) doesn't necessarily always know where one is within the "reality" of the film or how one got there. Here, in what is perhaps Argento's most abstract film to date, the director makes some very bold, disarming choices with editing; choices I believe serve a greater purpose and add chillingly to the effectiveness of the film. For instance, the sequence in which the protagonist (Michael Brandon) is driving to the office of a private investigator. Shots of him driving in his car to the office are quickly intercut with gliding POV shots approaching the office building, going up the stairs, nearing the office door. The effect is that of feeling as if he is literally driving up the stairs and down the hallway to the office door, creating a tense and strangely humorous sequence of events. This editing technique, prevalent throughout the film, is surely a forceful presence and I suppose could turn off some viewers. Regardless of the editing, the atmosphere and visual punch of the film is pure Argento, albeit an Argento who was still developing his technique and discovering his style. There are many beautiful and stunning visuals to be appreciated, including the violent, shocking ending sequence and a very creepy chase scene in an otherworldly city park. My favorite visual flourish in this film is the reoccuring nightmare had by the protagonist, in which a Middle Eastern execution is taking place in a bleached out desert dreamscape; thoroughly chilling. A frantic, highly enjoyable score from the master Ennio Morricone adds greatly to the proceedings as well. I really like this film, despite whatever flaws it may have, and have but one question for anyone who thinks "Four Flies On Grey Velvet" is (one of) Argento's worst... "Have you seen "The Five Days Of Milan" or his "Phantom of The Opera"?

    Definitely not for everyone's tastes, but a certain must for any Argento fan, Euro-horror fan, or anyone who just really wants to be daring and see something totally different.
    6claudio_carvalho

    Intriguing Title, Flawed Film

    The drummer of a rock and roll band Roberto Tobias (Michael Brandon) sees a man wearing sunglasses stalking him everywhere. He follows the man to a derelict opera house and when he confronts the stranger, he pulls a knife. However Roberto accidentally stabs him in self-defense and the man falls from the stage to the floor. Out of the blue, a spotlight is turned on and Roberto is photographed in the crime scene by a masked person on a theater box. Roberto leaves the place and returns home. On the next morning, he reads the newspaper the news about a stranger called Carlo Marosi that was murdered. During the night, Roberto and his wife Nina (Mimsy Farmer) welcome friends and Roberto finds a photo of the previous night entwined with his vinyls. He tells the truth to Nina and their maid Amelia (Maria Fabbri) overhears the story. While Robeto meets his friend Godfrey (Bud Spencer) to ask for help, Amelia schedules an encounter in the park with someone to blackmail with the photos she had found in the apartment; however Amelia is murdered in the park Meanwhile Nina's cousin Dalia (Francine Racette) arrives to stay with Nina. But soon Carlo Marosi appears eating at a restaurant and calling someone to meet him. What has happened in the opera house?

    "4 mosche di velluto grigio" is a flawed film with am intriguing title. The atmosphere is suffocating most of the time; the camera work uses unusual angles and positions; the cast has good performance. But the plot point with the identity of the killer is weak and quite senseless. My vote is six.

    Title (Brazil): "Quatro Moscas Sobre Veludo Cinza" ("Four Flies on Grey Velvet")
    7Witchfinder-General-666

    Rare And Quite Different Argento-Giallo

    "4 mosche di velluto grigio" aka. "Four Flies on Grey Velvet" is the last film in Dario Argento's animal trilogy, which also includes the brilliant "Bird With The Crystal Plumage" (1970) and the very stylish "Cat o' Nine Tails" (1971). This is certainly Argento's oddest film, and also by far the least widely known of his Gialli. While certainly not one of Argento's masterpieces, this strange, and highly interesting flick is nonetheless more than worth tracking down, for a variety of reasons.

    When rock drummer Roberto (Michael Brandon) wants to take a guy to task who has been following him for days, the guy threatens him with a knife, and in the subsequent scuffle, Roberto accidentally stabs the guy to death. The incident is photographed by a masked psychopath, who subsequently begins to stalk Roberto and people close to him... Sounds like the beginning of a typical Giallo, but, apart from the typical formula of a mystery killer, murders from the killer's perspective, etc., this film differs from Argento's other Gialli in a variety of aspects. This is partly a very comedic Giallo, that, in some parts even features absurd slapstick humor. Several characters are purely satirical, such as a (very) gay private eye, or a sarcastic writer who likes narrating bizarre short stories. Another supporting role is played by none other than the ass-kicking cult actor/comedian Bud Spencer! The superb score by maestro Ennio Morricone is one more reason to watch this film. Dario Argento is one of my all-time favorite directors, and while "For Flies On Grey Velvet" is certainly not one of his highlights, it is definitely a weird and highly recommendable film that my fellow Italian Horror fans should not miss!
    7Tweekums

    Four Flies on Grey Velvet

    Roberto Tobias is the drummer in a rock group. He has become increasingly stressed as a strange man has been following him. Eventually he confronts the man, who pulls a knife on him! In the scuffle that follows the man is stabbed and dies. At this point Roberto realises that not only is there a witness, in a mask, who has taken pictures through a telephoto lens. Later the masked witness confronts him and tells him that they haven't finished with him. No money has been demanded but Roberto assumes it is a prelude to blackmail. Then people around him start being murdered. Will Roberto be able to find the identity of his tormentor before it is too late?

    On the one hand this is a mystery film but being from director Dario Argento it is something more... something weirder. As one would expect from him there are plenty of disturbing moments; these are made even better by the stylish way in which it is filmed and the music used. I had expected weirdness but what I didn't expect, and was a pleasant surprise, was the level of humour. When the killer is revealed it isn't a complete surprise but that said it was neither too obvious. Overall a fun film that I'd certainly recommend to fans of Argento; I need to watch more.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Dario Argento's usual collaborator Ennio Morricone scored the film, but had a major argument with Argento over some tracks Argento didn't want in it. As a result, the director and Morricone would not work together again until 1996, and the rock group Goblin would eventually become Argento's regular composers.
    • Errores
      During the scene where Nina is shooting Roberto, her dubbing inexplicably goes in and out of English and Italian repeatedly, though she has never spoken Italian before this scene.
    • Citas

      Roberto Tobias: Well, it's a bit risky, and, and I don't...

      Gianni Arrosio: Ah, yeah. And you're thinking this fairy will jump on a chair and scream bloody murder if he sees a mouse, right?

      Roberto Tobias: Yes, that's what I thought.

      Gianni Arrosio: Oh, you heterosexuals! I don't suppose you've ever had a homosexual experience?

      Roberto Tobias: Let's just forget it, man.

    • Créditos curiosos
      You have just seen Four Flies on Grey Velvet.
    • Versiones alternativas
      The original U.S theatrical release was cut mainly for pacing as well as shortening the tub love scene and a decapitation for a PG rating.
    • Conexiones
      Featured in El mundo de horror de Dario Argento (1985)

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    Preguntas Frecuentes14

    • How long is Four Flies on Grey Velvet?Con tecnología de Alexa
    • What are the differences between the US VHS Version (Silver Star) and the UK VHS Version (Virtual Assassin)?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 6 de diciembre de 1973 (México)
    • Países de origen
      • Italia
      • Francia
    • Idioma
      • Italiano
    • También se conoce como
      • Four Flies on Grey Velvet
    • Locaciones de filmación
      • Milan, Lombardia, Italia(subway scenes)
    • Productoras
      • Seda Spettacoli
      • Universal Productions France
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 44 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.35 : 1

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