Strange Report

During the summer of, I think, 1971, NBC used a three-year-old British show called The Strange Report as a summer replacement. I have very good memories of my 20-year-old sister wanting me to see this cool show and my surprise that it was cool (and she wanted to spend time with me, her annoying brother of 13!).

I remember the show as a fairly hip, witty, and funny show about three scientists who investigated the para-normal. The two male leads, Anthony Quayle and Kaz Garas were established character actors, but I didn't have a clue about the female lead. The show was spooky and scary and terribly fun to watch on a hot July night. Honestly, I don't remember much from the show--this review is more about the memories it evoked, but, if you ever get a chance to see it, watch it with an open mind (through my adult lenses, it's probably just awful!) and imagine seeing this with your older sibling(s) and feeling just fine.

I've just recently obtained the DVD set of all 16 episodes of "The Strange Report" and have managed to watch a quite few episodes. This is really a first class series. I'm a big fan of most of the ITC productions (the golden age of UK TV), but I wasn't aware of this programme until recently. It is definitely up there with such quality ITC shows as "The Champions", "The Prisoner", "Randall and Hopkirk Deceased" and "Department S". Apparently, this series differed from the rest because it was an Anglo-American co-production, involving both American and UK producers, writers etc.

The 3 main characters interact very well on screen and there is a very good rapport between them which draws the viewer in. I think the show really stands out because it tackles some very emotive subjects such as racism, immigration, medical ethics and diplomatic incidents.

Another great aspect to all the episodes are its views of late sixties London; capturing some parts of the city which have changed over time. A lot of ITC stuff tended to rely on mostly studio and set production with a little location filming and stock footage. This programme has plenty of location work which just gives it that edge. Finally, a fantastic, vibrant and very memorable theme by Roger Webb, puts the cherry on the cake.

It would have been great to see the planned second series set in the USA. Definitely a fine example of good old Anglo-American cooperation.

I couldn't agree more with John Hughes. What an excellent series, and such a shame they never continued it. The other night I caught an episode on ITV 4 and it brought back several happy memories of being 12 in swinging sixties Britain.

Those were the days all right, and Strange Report captures them perfectly.

In terms of raw atmosphere it has oodles in common with other well-known series from the same period like: The Baron, Man in a Suitcase, Gideon's Way and The Champions. Yet, Strange Report was 'different' in a way I can only attribute to the level-headed, avuncular personality of Adam Strange himself, played brilliantly by Anthony Quayle. I guess he was the vital essence that distinguished the series from the rest.

But hey! There was a raft of other stupendous acting talents in there too – people like: John Thaw, Robert Hardy, Martin Shaw, Ian Ogilvy, Richard O'Sullivan, Julian Glover, Bernard Lee, Kenneth Griffith, Peter Vaughan, Keith Barron and Sylvia Syms. In fact, a veritable potpourri of contemporary British stardom by any measure.

Also, Roger Webb's outstanding theme tune deserves special mention. It was up-front, very catchy and eminently arresting. A classic of the genre – and of the era.

So, all in all, if you're a die-hard sixties fan like me, I reckon Strange Report is a fab way to relive the wonder years for not a lot of dosh. You'll love this one to bits.

Honest!

I've thoroughly enjoyed watching this (largely-forgotten) series over the past few weeks, & I'm just so surprised that I'd never come across it before. Starring the excellent Anthony Quayle (in a very naturalistic & perfectly understated performance) as criminologist Adam Strange, each hour-long story sees him tackling an unusual (numbered) case that is slightly out of the normal field of Scotland Yard's remit - ably assisted by forensics expert Ham (Kaz Garas), & Strange's pretty young female artist neighbour Evelyn (played by Dr Who's Anneke Wills). There are some eminent guest-stars too, including a pre-Sweeney John Thaw, Ian Ogilvy, Julian Glover, Martin Shaw, Sally Geeson, Bernard Lee & Anthony's 'Ice Cold in Alex' co-star Sylvia Syms, to name a few.

Only one series of 16 episodes were made - broadcast in the UK on Sunday evenings between September 1969 & January 1970. I liked the Little Venice London setting of Strange's apartment, & there's some excellent location work too which adds plenty of colour & late-60s period charm. The production is based at Pinewood, & good use is made too of the studios environs & locations in the surrounding areas. There's also of course the obligatory catchy theme tune & memorable title sequence that you would expect.

This show to me seems to bridge the gap perhaps from the more studio-bound & fantasy-based ITC shows of the 60s to the more gritty & realistic drama series that would start to emerge in the 70s. It's highly-enjoyable & original, & it seems a pity that only one season was made - although I'm not sure the proposed setting of the second season in America would have been such a good idea, as it may have lost the intimacy & 'Swinging London' feel that make this perfect collection of 16 episodes so unique.

All in all, highly-recommended for fans of tele-fantsasy & lovers of 60s kitsch, & a real hidden gem of a programme.

Funny, but a few series have come to light recently where some bright executive has thought that it does well on Britain so we should try the 'States, and got it sunk mid Atlantic.

I did not see The Strange Report first time, as I didn't have a television in 1968, so I am glad to be able to see it now. The stories are good as is the acting, and it is all clean, so clean that when I saw the first episode from half way through, I knew it wasn't 'modern'.

This particular episode, set in a hospital was roughly contemporary with one of my spells as a hospital porter. I remember the considerable precautions that the radiologists took to ensure that patient details were recorded on the film. A small stencil was made by writing with a stylus to remove radio-opaque wax, and this was then clipped onto the negative carrier so that the stencil wax showed up white and the patient details in black writing.

Of course, different hospitals had different methods.

Nevertheless, I still like the series.