Agrega una trama en tu idiomaA wealthy Englishman finds his third wife dead. After the police discover that his first two wives had also died suddenly, an investigation is launched. Meanwhile, a new neighbor moves in an... Leer todoA wealthy Englishman finds his third wife dead. After the police discover that his first two wives had also died suddenly, an investigation is launched. Meanwhile, a new neighbor moves in and becomes very interested in Arthur.A wealthy Englishman finds his third wife dead. After the police discover that his first two wives had also died suddenly, an investigation is launched. Meanwhile, a new neighbor moves in and becomes very interested in Arthur.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
José Luis López Vázquez
- Inspector Dunphy
- (as José Luis Lopez Vazquez)
Lone Fleming
- Mrs. Wood
- (as Lone Ferck)
Maria Gustafsson
- Julies sister
- (sin créditos)
Victor Harrington
- Member of Anderson's Defence Team
- (sin créditos)
George Hilsdon
- Policeman in Court
- (sin créditos)
Guy Standeven
- Barrister
- (sin créditos)
John Tatham
- Juror
- (sin créditos)
Opiniones destacadas
The plot becomes too convoluted during the second half, but the first 30 minutes or so forms an excellent mystery focused on Mr. Anderson's unlucky marriages to 3 women all of whom died in 'accidents' within a year after their weddings.
One of the writers was Santiago Moncada, who wrote stories and scripts for some 60 Spanish/Italian productions including the excellent neo/post/whatever noir thriller 'Corruption of Chris Miller' from about the same time as 'Fourth Victim'.
The mood is set by one of the best opening sequences I've seen in a giallo-esque picture, accompanied by Piero Umiliani's languid, dreamy theme featuring those theremin-like female vocals common to Italian 70's thrillers, ooohhh-ing over a dreamy gentle but melancholy descending melody.
We see a handsome middle aged man looking through a large window on a sunny day at a beautiful blonde woman floating alone in the backyard pool, reclining on a clear plastic inflatable chair. She looks very relaxed, slumped to one side, maybe asleep under her sunglasses, a drained cocktail glass at poolside. The dreamy sad music continues.
Then we see that the cigarette in her limp hand has burned all the way down to her fingers, but she doesn't react to the burning ashes at all. Something is wrong with her.
The sad music sound fearful and menacing as it hits an ominous chord.
The burning cig has begun to melt the arm of the plastic chair, and it gradually sinks as the inert comatose woman slowly rolls over into the water and lies floating face down. The man watching her runs down some stairs through a big mansion and out to the pool, where the woman is obviously dead....
The movie should've continued with the 'dead wives' mystery, but it goes off on a silly tangent. Nevertheless, it has a unique flavor different from most giallos, which makes it recommended.
One of the writers was Santiago Moncada, who wrote stories and scripts for some 60 Spanish/Italian productions including the excellent neo/post/whatever noir thriller 'Corruption of Chris Miller' from about the same time as 'Fourth Victim'.
The mood is set by one of the best opening sequences I've seen in a giallo-esque picture, accompanied by Piero Umiliani's languid, dreamy theme featuring those theremin-like female vocals common to Italian 70's thrillers, ooohhh-ing over a dreamy gentle but melancholy descending melody.
We see a handsome middle aged man looking through a large window on a sunny day at a beautiful blonde woman floating alone in the backyard pool, reclining on a clear plastic inflatable chair. She looks very relaxed, slumped to one side, maybe asleep under her sunglasses, a drained cocktail glass at poolside. The dreamy sad music continues.
Then we see that the cigarette in her limp hand has burned all the way down to her fingers, but she doesn't react to the burning ashes at all. Something is wrong with her.
The sad music sound fearful and menacing as it hits an ominous chord.
The burning cig has begun to melt the arm of the plastic chair, and it gradually sinks as the inert comatose woman slowly rolls over into the water and lies floating face down. The man watching her runs down some stairs through a big mansion and out to the pool, where the woman is obviously dead....
The movie should've continued with the 'dead wives' mystery, but it goes off on a silly tangent. Nevertheless, it has a unique flavor different from most giallos, which makes it recommended.
Michael Craig stars as Arthur Anderson whose blonde wife is found suspiciously drowned in their swimming pool.Because he two previous wives also died strange deaths Anderson is charged with murder and only gets off because his motherly housekeeper lies to clear his name.Soon a pretty blonde woman(Carroll Baker)shows up and starts flirting with Anderson but it's clear from the get-go that she may not be who she seems to be.She quickly becomes the fourth Mrs. Anderson."The Fourth Victim" is very rare Spanish giallo with capable cast and nice score by Piero Umiliani.There is not much gore and the pace is slow,but last 20 minutes are quite twisted.6 out of 10.
I recently watched the Italian giallo Fourth Victim (1971) on Tubi. The storyline follows a man whose third wife mysteriously dies...much like the two wives before her. The husband inherited large sums of money in each case and is the primary suspect. As the police poke around the circumstances a new blond arrives at the husbands doorstep with her own motives, but what are they? Could she want to be the fourth victim and why?
This movie is directed by Eugenio Martín (Horror Express) and stars Carroll Baker (Kindergarten Cop), Michael Craig (I Promised to Pay), Enzo Garinei (Dr. Clown) and Marina Malfatti (All the Colors of the Dark).
This picture has a tremendously unique storyline with a nice mix of murder mystery and slasher elements. The kills only take place at the very beginning and very end, and both scenes are shot in classic giallo fashion. The "who done it" elements are solid and have a classic 70s feel to them. Michael Craig delivers an excellent performance as a strong, rigid character who could care less what the police or society thinks of him and is just doing his best to get through the circumstances, no matter who is poking into his affairs. Carroll Baker is gorgeous and delivers her conniving role to perfection. The ending is rewarding with a classic giallo twist.
Overall, this is an above average addition to the giallo genre that I would score a 5.5-6/10 and recommend seeing once.
This movie is directed by Eugenio Martín (Horror Express) and stars Carroll Baker (Kindergarten Cop), Michael Craig (I Promised to Pay), Enzo Garinei (Dr. Clown) and Marina Malfatti (All the Colors of the Dark).
This picture has a tremendously unique storyline with a nice mix of murder mystery and slasher elements. The kills only take place at the very beginning and very end, and both scenes are shot in classic giallo fashion. The "who done it" elements are solid and have a classic 70s feel to them. Michael Craig delivers an excellent performance as a strong, rigid character who could care less what the police or society thinks of him and is just doing his best to get through the circumstances, no matter who is poking into his affairs. Carroll Baker is gorgeous and delivers her conniving role to perfection. The ending is rewarding with a classic giallo twist.
Overall, this is an above average addition to the giallo genre that I would score a 5.5-6/10 and recommend seeing once.
This is quite a stylish production with a fine cast and a good ending. However, it is rather slow which may cause some viewers to lose interest half way through the film. This is definitely worth seeing if you are a fan of obscure giallo's or Spanish Horror/Exploitation (like me!), otherwise it's probably not worth tracking down. (For those interested, there is only one video release of this that anybody has been able to find, which was on "Master Home Video" in Greece. It was fully uncut, but is long deleted as it was released sometime between 1984 and 1987. The cover art is very cool and totally misleading!)
A wealthy man keeps finding his wives dead under mysterious circumstances and, after standing trial and getting off, a mysterious woman enters his life and strange things start to happen.
For a giallo, The Fourth Victim is low on violence and sleaze, but the performances are better than average and the script won't make you cringe as much as many similar films. There are enough twists and turns to keep you interested without having to slice up bodies every 10 minutes. Some of the twists are silly, but silliness is to be expected with this sort of Italian thriller.
For a giallo, The Fourth Victim is low on violence and sleaze, but the performances are better than average and the script won't make you cringe as much as many similar films. There are enough twists and turns to keep you interested without having to slice up bodies every 10 minutes. Some of the twists are silly, but silliness is to be expected with this sort of Italian thriller.
¿Sabías que…?
- TriviaArthur drives a light blue Jaguar.
- Citas
Arthur Anderson: [of Julie] Where the hell is she?
- ConexionesReferenced in El cuarto hombre (1983)
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- How long is The Fourth Victim?Con tecnología de Alexa
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