Zatôichi to yôjinbô

I've seen about 7 or 8 zatoichi flicks and both of yojimbos. This is probably the best of zatoichi's films not just because of mifune but the story and craftsmanship of the film as well. The two stars work well together, although the yojimbo character is more p***ed off then the previous two films. I could be wrong but I think we find out who mifune's yojimbo is really working for which would explain why he acts like a scoundrel but in the end serves justice. The movie sports great swordplay and keeps the tradition of both characters

this may not be the best zatoichi title, hindered by a complicated plot and an unusually long runtime (116 mins), but it's easily an 8/10 compared to other zatoichi films (1989's 'zatoichi' being the worst and a 1 out of 10). if you're a zatoichi fan you are not allowed to miss this one or you're out of the club.

shintaro katsu and toshiro mifune are in excellent form and their presence alone makes it worth seeing. both of them look great. mifune is in his post-kurosawa days, but still in his prime and his face is aged to perfection.

don't expect a kurosawa film––this series was made as entertainment, not art. of course yojimbo is a better film, but this is every bit as funny and entertaining.

As one of the other reviews mentioned, you should really start with the original "Yojimbo" to fully appreciate the Mifune character here. However, this was my first Zatoichi story, and I enjoyed it immensely.

The two characters have a great repertoire, an uneasy adversarial partnership, further complicated by the appearance of a third mystery agent, and the various dealings of Mifune and his boss.

This particular storyline allows Mifune especially some time to explore the farther corners of his Yojimbo/Sanjuro character. We see some comedy, and even some romance... though Sanjuro might be loathe to admit it. The ending even makes sense, in a strange way, providing a possible closure on the character's fate.

Ichi and Sanjuro are funny together, and their chemistry is really entertaining. Katsu Shintaro sketches Zatoichi as both a master swordsman, and a bit of a klutz. He treads a fine comedic line between having fun at Ichi's expense, and portraying Ichi as a cleverly self-deprecating tactician.

Finally, the Chambara Entertainment version (released recently) had an excellent transfer, was widescreen, and came with a very informative little insert, explaining some of the more esoteric terms and puns. The subtitling was superb as well, using different colors to denote who was talking.

I highly reccomend this movie for fans of chambara, and especially for fans of Mifune and Shintaro! Mind you, it's not Kurosawa, but it's decently-made, and the actors are very entertaining.

Zatoichi Meets Yojimbo was good as a throwaway movie-of-the-night to watch with friends (friends who were into Zatoichi and old samurai movies), but in the sense of it being something worthy of its stature, it didn't quite deliver. An issue, as some reviewers as well as author Stuart Galbraith (Emperor and the Wolf), was Toshrio Mifune wasn't playing the character really as he was in the Kurosawa films.

In the original Yojimbo and Sanjuro, Mifune crafted a true anti-hero bad-mutha samurai, who was grungy with his scratches, but also very cunning in how he could play both sides or act a little uncouth in his manipulations. Here, one just sees him acting like a stumbling drunk, and even a little like a scummy caricature of Yojimbo. Truth be told, it's meant more for Zatoichi fans- he was a HUGE title character, as played by its star Shintaro Katsu.

The problem there as well is that there have been better Zatoichi movies (I haven't even seen many, but the few I've seen, and as repetitive as they can get, aren't shoehorned plot-wise like so). And this isn't totally to put the movie down, as a cash-in flick it does attempt at making some entertaining segments (and I do like how the two of them decide at first to combine forces, so to speak).

It's entertaining enough, but should be more memorable, as other franchises can get more creative or try different ideas with their stars when trying to combine their vehicle-makers - although if you have come this far anyway with Zatoichi, why stop now. It's even sort of lackadaisically shot and edited, in a very formulaic manner.

In making my way through the Zatoichi films, I was both trepidatious and excited to arrive at 'Zatoichi Meets Yojimbo'. On the one hand I was worried, once we get into the crossover films, that's a sign they're starting to run out of ideas. On the other hand, how can you go wrong with a film that unites Katsu and Mifune? It's also directed by Kihachi Okamoto (The Sword of Doom, Kill!), the only real name director the series has had besides Misumi. And besides, after nineteen instalments there has yet to be one I thought was less than great; the series hasn't shown any sign of slowing down yet.

Alas, though, I think this is the first Zatoichi film I thought was merely 'good'.

The movie sees Zatoichi returning to his home town, a town that looks very similar to the one in Yojimbo, and here he meets the titular bodyguard. For a while at the beginning I was trying to figure out if this was in fact supposed to be the town from Yojimbo, if the old man in this movie was supposed to be the same old man from that film, and just what the hell Mifune's yojimbo was doing still there considering the ending of that film. Mifune's character also seemed quite different from his character in that film, despite some surface similarities; here he plays kind of a drunken bastard. I soon realized, the best way to approach this film is, it's a different town, and Mifune plays a different character: it's just another Zatoichi adventure, with no connection to Kurosawa's film save a few nods here and there.

Really, this is what I was hoping for. Those less familiar with Zatoichi may have been hoping for a true crossover that takes place as much in the Yojimbo universe as the Zatoichi universe, but in the context of the Zatoichi series, this wouldn't feel right. But even just as a regular Zatoichi flick, I was still slightly disappointed in this effort. At nearly two hours this is, I believe, the longest Zatoichi film, but it just lacks the storytelling economy that makes the other entries so enjoyable; this one seems over-complicated and uncompelling by comparison.

Further, there were other little things that bothered me about this movie. Katsu seemed less competent than usual - struggling with normal stairs, and apparently unable to gauge the distance of a sound... This film continues the trend of the last few entries towards a darker side of the character, but Zatoichi's aspiration to becoming a 'villain', and simultaneous contempt towards 'spies' just seemed kind of random. And as much as I love Mifune, his performance here really didn't impress me.

There are good points to the film though. It's one of the more visually stunning entries in the Zatoichi series, with some beautiful sequences. And the finale is quite satisfying (even if it borrows a bit too blatantly from Treasure of the Sierra Madre). It's a solid film, but considering the talent involved, it could have been something really special, and instead it gets my vote as the weakest entry in the series so far.