Amores de vampiros

Where would the horror field be if it weren't for the legendary Hammer Studios? With their constant creativity and new variations on the general topic of vampirism they delivered some of the most important genre-films ever. Roy Ward Baker's film the Vampire Lovers is one of the most essential movies Hammer ever released and it meant a landmark turning point for the sub-genre of bloodsuckers. Due to THIS film, vampirism afterwards always got immediately associated with eroticism and lust. The Vampire Lovers influenced notorious directors like Jess Franco (Vampyros Lesbos, Les Avaleuses) or Jean Rollin (Lips of Blood, The Living Dead Girl) who practically made an entire career out of lesbian vampire movies. But this is the real thing! A stunning screenplay, based on a classic tale by Sheridan Le Fanu, solid acting performances and an atmospheric – almost dreamlike – photography. Ingrid Pitt plays the best, most memorable role of her career as the gypsy vampire Carmilla. Her sensual character seduces attractive young girls at the homes of prominent men where she's at guest and turns them into weak, lifeless slaves. The worried men have to uncover the origin of this vampire wench in order to destroy her forever.

'The Vampire Lovers' offers a nearly perfect combination of atmosphere, beauty and tension. Mostly thanks to the female cast led by Ingrid Pitt, this is the most bewitching horror tale Hammer ever told. The ravishing naked bodies of Pitt, Madeline Smith (Theathre of Blood) and Kate O'Mara (Horror of Frankenstein) will give this film a spot in your memory forevermore. And that's not a sexist remark; it just needs to be said. Other than the charismatic female appearances, this production also depends a lot on the eerie set pieces and the nightmarishly dark images of graveyards, ruins and castles. Overall, a splendid horror film and a must see for all fans of Hammer, vampirism or gorgeous beauties.

I tend to like the classic horror films of Hammer, Universal, and American International, and "Vampire Lovers" is an esteemed favorite. There are many elements skillfully blended in this fine production, but the central appeal is Ingrid Pitt who breathes passionate, undead life into her role. Her impressive acting ability is matched by her smoldering screen presence and beauty. She is perfectly cast in this role. Wow, did the people who made this movie ever know what they were doing. The costumery, the lighting and photography, the staging, the acting and direction, all combine seamlessly for a stunning spectacle to be savored over and over again. This is the movie that single-handedly minted the "lesbian vampire" as a major cinematic motif, and set the standard for comparison that later entries in this genre would forever be judged by. I doubt we would ever have had such films as "Vampyres," "Vampyros Lesbos" or various Jean Rollin movies (not to mention Hammer's other Karnstein trilogy entries) without this film. And this movie could never have been as good without Ingrid Pitt. Her command of acting nuance is really something. Check out her facial expression when she's in the broken-down coach and Laura, all excited, tells her: "You're to stay with us!"

This film gets a lot of ribbing for the casual nudity that bedecks it. Not fair. This film is in many ways another Hammer classic with its good solid acting, its lush photography and costuming, and general sense of horror. It is based in part on Sheridan Le Fanu's classic female vampire story Carmilla about a young girl that befriends other young girls only to vampirize them. Ingrid Pitt plays the toothy(and toothsome) vampire wench in all her busty splendour. She is magnificent on the screen and oozes sex appeal. Yes, she goes topless as do her female co-stars....but although one sees that these scenes feel forced...they do not detract from the film(and for me they enhanced it greatly). The rest of the cast is good with Peter Cushing as a general in a small role and Harvey Hall as a servant standing out. The best part of the film for me is the eerie graveyard of the Castle Karnstein that we are introduced to in the prologue and again visited to in the epilogue. It really sets the mood of the story and was a pretty inspired rendition of the Carmilla tale.

As a million other people have noted, this is not only a solid entry in the long-running Hammer vampire cycle, but an interesting piece of film history as well. Just as the original Hammer Dracula pushed the boundaries of censorship and cinema by confronting audiences with the very first color vampire film, The Vampire Lovers brought Hammer into the even looser censorship standards of the 70s with lots of nudity, including nearly full frontal, and unflinching lesbianism. Lesbianism and all, the film is a somewhat faithful adaptation of Le Fanu's novella, Camilla. Surely, that content is the main reason Hammer adapted the story to begin with.

The cast is solid, and we are treated to the incomparable Peter Cushing in a secondary, though pivotal, role of an uncle grieving the loss of his niece from a mysterious illness. The pacing never bogs down, and there are some nifty shots of fog swirling through graveyards and around castle foundations.

_The Vampire Lovers_ is one of the most faithful adaptations of a story I have ever seen in a major production. Based on J. Sheridan LeFanu's _Carmilla_, Baker's film captures the essence of evil wrapped in feminine beauty. Ingrid Pitt plays Mircalla with great restraint; her character comes off cold and deceptive, but still driven by a need for love. The action is well timed and choreographed, and the nudity, though a bit gratutious at times, is photographed sensitively and with great appreciation for the actresses.

Yes, this is something of a guilty pleasure because of the leads' beauty, but if one looks beyond the titilation, the story, photography, and performances in _The Vampire Lovers_ hold up very well indeed! 8 out of 10.