La historia del ataque aéreo japonés de 1941 en Pearl Harbor y la serie de errores previos cometidos por los estadounidenses que intensificó su eficacia.La historia del ataque aéreo japonés de 1941 en Pearl Harbor y la serie de errores previos cometidos por los estadounidenses que intensificó su eficacia.La historia del ataque aéreo japonés de 1941 en Pearl Harbor y la serie de errores previos cometidos por los estadounidenses que intensificó su eficacia.
- Ganó 1 premio Óscar
- 2 premios ganados y 7 nominaciones en total
- Admiral Chuici Nagumo
- (as Eijiro Tono)
Opiniones destacadas
Throughout this well done production, the story in true chronological sequence shifts between the two opposing sides with full subtitles giving the role played by each leading actor.
The viewer is given a clear concise unfolding of events with the part of the code-breakers importantly emphasized.
The attack is quite breathtaking in parts with several scenes closely resembling or being actual footage taken.
Ironically the breaking of the Japanese naval code by U.S. Intelligence gave the Americans every opportunity to correctly contemplate the next move of their adversary, but a desire for utmost secrecy by the Roosevelt Administration and the top brass of the Navy and Army restricted the transmission of clear and proper communications necessary for the Pearl Harbor commanders, Admiral Kimmel and General Short to make sound objective judgments regarding their respective commands.
Both men were treated shabbily by their superiors in the aftermath of the attack, were relieved of their command, and for decades thereafter had to endure the shame and responsibility placed on them in allowing this occurrence to happen.
This movie does a lot to exonerate them from their part in this terrible disaster.
P.S. I had the great honor of meeting bugler Richard Fiske personally, (USS West Virginia) with a colleague of mine when we visited Pearl Harbor in March 1997, (plus autograph),and had our photo taken with him. It is one of my enduring photos of this great sailor who gave his time unselfishly as a volunteer survivor, at the base, to give two second generation Australians the respect of knowing that we met a man who belonged to a nation which contributed to the success of winning the Pacific War.
Whether you want to waste time seeing Brucheimer and Bay's self-indulgently long PEARL HARBOR with its totally extraneous fictional romance -- that's up to you. But whether you see it or not, the real history of the human stupidity on both sides of the Pacific that created the attack is clearly portrayed in TORA! TORA! TORA!
The new DVD edition has insightful commentary by the director plus a documentary about the attack. This film is tensely paced and displays and excellent cast. The Jerry Goldsmith score is kept to a minimum but is very effective. The special FX for the attack are all the more impressive considering they were done before the advent of computer generated FX such as those in PEARL HARBOR -- and they equal those of PEARL HARBOR.
If you want to know the real story, see this film and then also check out the companion stories in FROM HERE TO ETERNITY, DESTINATION TOKYO, and THIRTY SECONDS OVER TOKYO.
I remember the survivors talking about how accuratly the attack was presented. They also talked about some of the inaccuracies (mostly uniforms and aircraft) but overall they thought it was great. Many grown men cried as they remembered fallen comrads.
I'm still impressed with the special effects. Several postings have complained about how "fake the backgrouds" looked. I've been to Pearl Harbor and the movie was actually filmed there.
There have been comments about the lack of suffering shown. Even if it had been filmed the studio would not have released it. Combat footage from World War II is shown on the History Channel today couldn't been shown in the theaters or TV when I was growing up (the 50's). It was considered too graphic for public consumption!
FOX had to build the full-sized battleships that you saw in the movie. They weren't computer generated images (CGI). Actually, they only built one that stood in for all the other battleships. There wouldn't be another massive shipboard set built along that scale until James Cameron's "Titanic".
The models of the ships (both U.S. and Japanese) built were also done on a large scale.
They had to assemble a fleet of flying Japanese aircraft (they modified existing surplus U.S. Navy and Air Force trainers) and rent real B-17s and P-40s. Those planes you see up there on the screen are real. Many of those "Japanse" aircraft are still flying and can be seen at Air Shows across the nation.
Whereever possible, the exact locations of the attack were used. In at lease one case, a hanger that was scheduled for demolition was destroyed in the filming of the movie.
It's much better than "Pearl Harbor".
¿Sabías que…?
- TriviaThe previous war epic by Darryl F. Zanuck, El día más largo del siglo (1962) was an extreme success. As stated by his son, producer Richard D. Zanuck, this was because it was about victory. He noted in contrast that Tora! Tora! Tora! is about defeat. Although the film made a great deal of money, it did nowhere near as well as The Longest Day. In Japan, however, the film was a smash. For the Japanese audience, it not only depicted a battle victory (after twenty-five years of films depicting defeat) but it also put the attack on more understandable footing; identifying not only the villains but also the motivation of those who believed that their actions were honorable.
- ErroresShortly before the attack commences, an officer tells Isoroku Yamamoto, "The Emperor wishes to follow the Geneva Convention. A declaration of war will be delivered at 1 pm, 30 minutes before the attack." The Geneva Convention deals solely with the treatment of POW's and non-combatants. Japan ratified but did not sign the Geneva Convention. He likely meant the Hague Convention of 1899, which covers the rules of war, and which Japan signed. Senior Japanese officers would be well aware of that.
- Citas
[last lines]
Admiral Isoroku Yamamoto: I had intended to deal a fatal blow to the American fleet by attacking Pearl Harbor immediately after Japan's official declaration of war. But according to the American radio, Pearl Harbor was attacked 55 minutes before our ultimatum was delivered in Washington. I can't imagine anything that would infuriate the Americans more. II fear all we have done is to awaken a sleeping giant and fill him with a terrible resolve.
- Créditos curiososFor the U.S. version of the film, the next to last of the main credits reads "Japanese Sequences Directed by Toshio Masuda Kinji Fukasaku" and the last credit reads, "Directed by Richard Fleischer." For the Japanese version of the film, the next to last credit reads, "American Sequences Directed by Richard Fleischer" and the final credit reads, "Directed by Toshio Masuda Kinji Fukasaku."
- Versiones alternativasThe original release included a line by Admiral Halsey (James Whitmore) saying that after the war, Japanese will only be spoken in Hell. This line is removed from later releases.
- ConexionesEdited into La batalla de Midway (1976)
Selecciones populares
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Tora! Tora! Tora!
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 25,000,000 (estimado)
- Tiempo de ejecución2 horas 24 minutos
- Color
- Relación de aspecto
- 2.35 : 1