The Rise and Rise of Michael Rimmer

Michael Rimmer (Cook) joins an opinion poll company in a mysterious capacity, a silent and malevolent observer of what goes on. In this he's not a million miles from Bedazzled's George Spiggott, but in 'The Rise and Rise of Michael Rimmer' the targets are clear - big business, local government, the parliamentary parties, democracy itself.

As Rimmer gains more and more personal power, we see a Britain decaying at the seams in a sea of corruption - from the dim humbug makers with their sexy ad campaign to the would-be PM with planted questions at party conference. Supporting roles are judged well (Denholm Elliott, John Cleese, Arthur Lowe, Ronald Fraser in particular), while Cook himself looks the part, smirking and smart-suited, interfering in a cosy world of middle-aged execs and politics in need of a shake.

There's a lot going on here in a Britain stood still - and it makes for a very entertaining film.

I find it hard to believe that this film has not had a greater showing on television than it has. I can only recall one showing on British TV in the last few years and it definitely deserves more. This is not to say it is a brilliant film, although I think it's pretty good, but it really needs to be seen in the context of modern day politics. Its still "bang on the nail" relevant and you can either be worried about lack of progress in politics or society, or marvel at how far ahead of its time it was.

The plot is a bit lacking in focus, sub-plots involving Rimmer's romance with his girlfriend, and the duplicity of his political partner are distracting and are really padding for a concept that isn't really film length. However, these are minor foibles in what I think is a well written political satire which is a must see for anyone who thinks modern politics boring – this might just get you thinking.

And it's funny as well.

I was lucky enough to discuss this film with David Frost in 2005 and it is a film he is still (he was the producer) very proud of, citing it as one of Peter Cook's best works.

The film was given a very limited release in 1970. I saw it in the Cosmo Cinema in Glasgow in 1970 and fell off my seat laughing - the first time I have ever done that in a cinema - and I was not the only one. The Cosmo by the way (now the Glasgow Film Theatre) was a specialist cinema which attracted intellectuals and serious film students, so they clearly saw the importance of this film from the word go and it is such a shame that Warner Brothers are unable to do the same and recognise this as an important historical film document.

The film disappeared and has only been shown on TV 3 times - originally shown on ITV in 1979 by various channels who usually used it to pad out their late night schedules - and the version I taped then runs about 8 minutes short. It has also been shown on Channel 5 twice and they have made less cuts, but there is still some material missing which is why it needs to be issued on DVD with care and by someone who knows the film well and understands its importance to fans of John Cleese, Peter Cook, Monty Python - and 60s British comedy.

Another perspective is that Michael Rimmer is essentially Tony Blair, so this film predicts presidential style UK politics and spin and contrasts it with old fashioned Labour thud and blunder with Harold Wilson lookalike George A Cooper in his best ever role.

This should be compulsory viewing for all political students and if you liked the "Yes Minister" TV series, chances are you will very much enjoy this.

Post Mortem Since I wrote the initial comment above, the DVD has been released complete with director commentary - and I still find this an incredibly funny film all these years later.

This film was shown recently on Channel 5 in the UK. Basically, a young official looking man with a clipboard, Michael Rimmer (Peter Cook) walks into a dead beat polling company - and begins to change it dramatically. Very soon, the company is a thrusting dynamic organisation - with Michael Rimmer as it's head. He is loved by everyone, and he can manipulate people easily. He then begins to move into politics, and rises very quickly up to Prime Minister. It is then that his true motives begin to appear - he wants to be President of Great Britain. Will he succeed? Of course, he's Michael Rimmer. Watch this film and be amazed. Don't be concerned if you find you rewind it and watch it all over again. It is superb.

In Bedazzled, Peter Cook played the devil. Here he plays something worse; a man with a clipboard.

As the movie begins, Peter Cook starts following people at an ad agency, writing things down on a clipboard and introducing himself to everyone as Michael Rimmer. He claims to be an employee, yet he has to introduce himself to every single person at the company.

Soon Cook is a pollster, then a politician, each step preceding from the last, each move built on deceit in a world that accepts deceit as the norm, and Cook as one of them.

Cook is a mysterious character. We can see him manipulating events and working his way up the food chain, but there's never a sense of what it's all for. He seemingly just wants power, but it's never enough, and he never uses it for anything except gaining more power. This is interesting, but at the same time its distancing, leaving one intellectually engaged but emotionally disinterested.

The movie is at its best when it lays out the manipulations, as when a politician practices for a speech in an odd way, and then we see the speech and exactly what the rehearsal was all about.

The film is also interesting as a time capsule. It's strange to watch any non-war movie that is so man-heavy. While many movies of the time should men exclusively in business roles, there is usually a counterbalance of women in roles of emotional support. But in a movie all about power made at a time where only men had power, women are pure decorative, used for sex jokes and gratuitous nudity. This is true to what was going on at the time, although in a satire one always notices where the creators seemingly accept the status quo, and here there seems to be no thoughts for the ladies.

The movie didn't do well, but then, how often does satire do well? If you're one of those rare people who are drawn to satire this is a very worthwhile film.