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IMDbPro

Perfect Friday

  • 1970
  • R
  • 1h 34min
CALIFICACIÓN DE IMDb
6.4/10
1.3 k
TU CALIFICACIÓN
Ursula Andress, David Warner, and Stanley Baker in Perfect Friday (1970)
Trailer for Perfect Friday
Reproducir trailer1:59
1 video
78 fotos
CaperHeistComedyCrime

Agrega una trama en tu idiomaThe deputy manager of a London bank has worked out a way to rob the branch of £200,000. When he becomes involved with the attractive Lady Dorset he decides to go ahead with his plan. He need... Leer todoThe deputy manager of a London bank has worked out a way to rob the branch of £200,000. When he becomes involved with the attractive Lady Dorset he decides to go ahead with his plan. He needs her help and that of her philandering spendthrift husband. It all comes down to a matter... Leer todoThe deputy manager of a London bank has worked out a way to rob the branch of £200,000. When he becomes involved with the attractive Lady Dorset he decides to go ahead with his plan. He needs her help and that of her philandering spendthrift husband. It all comes down to a matter of trust.

  • Dirección
    • Peter Hall
  • Guionistas
    • Anthony Greville-Bell
    • Scott Forbes
  • Elenco
    • Ursula Andress
    • Stanley Baker
    • David Warner
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    1.3 k
    TU CALIFICACIÓN
    • Dirección
      • Peter Hall
    • Guionistas
      • Anthony Greville-Bell
      • Scott Forbes
    • Elenco
      • Ursula Andress
      • Stanley Baker
      • David Warner
    • 23Opiniones de los usuarios
    • 18Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Perfect Friday
    Trailer 1:59
    Perfect Friday

    Fotos78

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    Elenco principal32

    Editar
    Ursula Andress
    Ursula Andress
    • Lady Britt Dorset
    Stanley Baker
    Stanley Baker
    • Mr. Graham
    David Warner
    David Warner
    • Lord Nicholas "Nick" Dorset
    Patience Collier
    Patience Collier
    • Nanny
    T.P. McKenna
    T.P. McKenna
    • Smith
    David Waller
    • Williams
    Joan Benham
    Joan Benham
    • Miss Welsh
    Julian Orchard
    Julian Orchard
    • Thompson
    Trisha Mortimer
    • Janet
    Ann Tirard
    Ann Tirard
    • Miss Marsh
    • (as Anne Tirard)
    Johnny Briggs
    Johnny Briggs
    • Taxi Driver
    Fred Griffiths
    • Taxi Driver
    Sidney Jennings
    • Taxi Driver
    Hugh Halliday
    • Cyclist
    Max Faulkner
    Max Faulkner
    • Strong Room Guard
    Carleton Hobbs
    • Elderly Peer
    Eric Longworth
    • House of Lords Messenger
    Brian Peck
    Brian Peck
    • Chauffeur
    • Dirección
      • Peter Hall
    • Guionistas
      • Anthony Greville-Bell
      • Scott Forbes
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios23

    6.41.2K
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    Opiniones destacadas

    erolgalip

    Enjoyable, Entertaining

    I don't know why, but every time I think of this film, I'm reminded of "Fish Called Wanda, A". John Cleese, and Stanley Baker seem to be almost impersonating each other. They both play stuffy, uptight people, who end up becoming mixed up in some sort of convoluted plot involving grand larceny, etc. (after being introduced to some glamorous female). And there's the third party - in "Fish Called ...", it's the incredibly stupid American (Kevin Kline), however in this film, it seems to be the equally daft Earl of Dorset (David Warner). Both films end up with a sort of race to Heathrow Airport, but the similarities in plot-lines end about 5 minutes before the closing titles. I did like the way the robbery was handled (very cute) - particularly the 'phone conversation between Mr Graham's immediate superior and the parts played by both David Warner and Ursula Andress in the adjacent office. Some nice shots also of seventies London, and great comments by the Earl of Dorset on British Rail (as it was then known).
    6gridoon

    Too gimmicky, but suspenseful.

    In the first half, the elliptical narrative is very confusing for a first-time viewer; throughout the movie, the direction is sometimes unnecessarily gimmicky, employing fast cutting and close-ups a little too often. Still, the movie has some truly suspenseful set pieces (where you're afraid that even an accidental "wrong" glance may destroy everything), several nude scenes with Ursula Andress and a kicker of an ending. Much better than "Dollars" with Warren Beatty. (**1/2)
    6philkessell

    Not so perfect Thursday night

    Well I won't give the ending away folks, but you will see it coming a MILE OFF!!

    Stanley Baker, in his last film performance, plays a tired, jaded under manager in a bank he's worked at for the past ten thousand years. He longs to escape the futile tedium of work, but is, on the surface at least resigned (and apparently content) to working out his days in a gold fishbowl office where his superiors can see him but he can't see them.

    'I'm poor and broke' he sighs as he neatly summarises his attitude to 'work'. If we all have to do it (as most of us sadly do) we might as well acquire as much financial gain as we can. Very early on, it's clear that Baker's character is already painfully aware that he has gone as far as he is going to go, and that alternative action is required if he is not to give way to perpetual professional atrophy.

    So, in comes Britt (can't think where they got that foreign sounding name or accent from, eh chaps). I disagree with some who say that Andress can't act. True, her range is limited, but so were those of luminaries like Bogart, so I feel it's a little unfair to admonish her professional credentials in this way. Also, let's not deny that there are worse things to clock within the cinematic pantheon that Andress's 'undress', and there's plenty of that here. I make this point from a purely 'cinematic' perspective, you understand.

    True, the characters are all pretty unlikeable, Warner's in particular, yet it's interesting to see him turn from repellent upper class knob into Baker's whipping boy, mysteriously travelling up and down the country for no apparent reason. (What was THAT all about?) His gesture of defiance towards the end just comes across as toothless, when it's obvious to all who the real winner of the piece is going to be....

    Anyway, not bad as it goes, but far from perfect. I always love films for this era (1969-72), just for the 'feel' of the piece, and the washed out yet oddly warm feel of the print itself. As one other reviewer said, there are still traces of 'swinging' London to be found here (in the feel of the film and knowing it was made in 1970), whereas by 1972, that eponymous decade had cinema well and truly contained within it's er' 'distinctive' sartorial grip. We're on the cusp here folks, and all the better for it.

    Worth watching, but don't expect to remember it tomorrow.
    8plan99

    A crime caper comedy.

    Still very well worth watching 50+ years since it was made and it gives us a look at London of yesteryear with all the now classic cars to admire. Very entertaining from start to finish with the audience wondering often what was going to happen next.

    Did I predict the ending correctly, no I didn't and I was sure that I was on the right track.

    Great performances all round with Stanley, unusually, in a non tough guy role. An original plot, or original to me at least, which runs along very pleasantly with no bits that drag along.

    The time passes quickly so it is an an enjoyable watch and not just because of Ursula's frequent habit of taking her clothes off.
    6TheFearmakers

    The Stanley Baker Affair

    In the stylishly offbeat, British bank-heist comedy PERFECT FRIDAY the most offbeat aspect is the editing, providing non-linear time sequences where uptight banker Stanley Baker meets with a flaky Lord played by David Warner in a museum... a single conversation randomly spliced throughout the first twenty-minutes as we get to know Baker's dull banking desk job... until Ursula Andress walks in...

    Visually Baker's proper/classy role is to the tough guy actor what THE THOMAS CROWNE AFFAIR was to Steve McQueen, only his Mr. Graham has very little money,.. as does a quirky, perpetually-broke Warner in an almost sexless marriage to Andress, making for the usual "who'll backstab who?" criminal trio, common in this genre...

    The ultimate problem is also what works through the first two acts as director Peter Hall provides a creatively choppy rhythm, allowing no superfluous moments since none of the conversations between the three members (always two at a time) lasts longer than needed to provide enough exposition to move the story forward...

    But the idiosyncrasies eventually exhaust the heist-at-hand, making Andress's potential fatale, Baker's Henry Higgins-type and Warner's odd-man-out get lost in the director's frantic process, ultimately feeling more like an overlong (though nicely constructed) movie trailer than a sparse 90-minute caper.

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    Argumento

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    • Trivia
      Stanley Baker and Ursula Andress' characters enjoy a picnic on the site of Wraysbury Reservoir which was in the process of being constructed to serve London. It was completed in 1970.
    • Citas

      Lord Nicholas "Nick" Dorset: What a dreadful tie.

      Mr. Graham: A present from an admirer

      [Dorset's wife]

      Mr. Graham: .

    • Conexiones
      Referenced in Shaft (1971)

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    • How long is Perfect Friday?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 1 de enero de 1971 (Reino Unido)
    • País de origen
      • Reino Unido
    • Idioma
      • Inglés
    • También se conoce como
      • Pljacka i obmana
    • Locaciones de filmación
      • Hyde Park Corner, Hyde Park, Westminster, Greater London, Inglaterra, Reino Unido(Mr Graham waits for Lady Dorset in the park)
    • Productora
      • Sunnymede Film Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Total en EE. UU. y Canadá
      • USD 502,198
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 34 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.66 : 1

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