La noche de Walpurgis

This barely keeps afloat and is so slow in parts that when one of the characters falls asleep at the table we think for a moment she has dropped off in a state of boredom. And it is such a shame about the pacing because there are decent moments, lovely girls, lots of nudity and blood, even a little gore. The slo-mo gliding of the lady vampires is good too and there are a few minutes somewhere in the middle where it looks as if the film is rising to some altogether different level. But no we are soon back to a plodding Mr Naschy and the plodding script. It's the extras on the disc that tip the scales and the interview with Mr Plod is welcome and goes some way to helping one understand his popularity!

Paul Naschy again with his classic character and frightening to viewer. It deals with Elvira (Gaby Fuchs) and her friend Genevieve (Barbara Capell) travelling through the French countryside in search of the lost grave of a medieval vampire, Countess Wandesa (Patty Shepard) , then things go wrong . The Blood Flows Like Vintage Wine ! . Things happen that have never been seen by human beings ! . The blood flows like vintage wine ! .

Jacinto Molina or Paul Naschy , who recently passed away, was actor, screenwriter and director of various films about the personage based on a fictitious character, the Polish count Waldemar Daninsky. The first film about Waldemar was ¨The mark of the Wolfman (1967)¨ by Enrique Eguiluz , after that ¨Night of Walpurgis¨, ¨Fury of the Wolfman¨ , ¨Doctor Jekill and the Wolfman¨ ,¨The return of the Walpurgis¨, ¨Howl of the devil¨, ¨The beast and the magic sword(1982)¨ that is filmed in Japan and finally ¨Licantropo(1998).

It's a B series entertainment with abundant sensationalistic scenes and a Naif style. The movie has a bit of ridiculous gore with loads of blood similar to tomato . This time Paul Nashy/Jacinto Molina exhibits little breast but he was a weightlifting champion. Here Waldemar takes on Countess Wandessa played by Patty Shepard in some unforgettable slow-moving scenes . Brief nudism and erotic situations in charge of Gaby Fuchs and Barbara Capell . Good cinematography by cameraman Leopoldo Villaseñor is accompanied by a correct remastering . Eerie and atmospheric musical score by composer Anton Garcia Abril .The motion picture was professionally directed by Leon Klimovsky , a slick craftsman who directed all kind of genres, as Terror for Paul Naschy (Marshall of hell, Rebellion of dead one , Orgy of vampires , Werewolf shadow ,Dr Jekill vs. The werewolf) , Warlike (June 44 attack force Normandy , A bullet for Rommel, Bridge over Elba) and Spaghetti/Paella Westerns (Badland drifter , Some dollars for Django , Death knows no time , Two thousand dollars for Coyote). Carlos Aured's assistant direction, who directed the following sequel titled, ¨ The return of the Walpurgis ¨. The flick will appeal to Paul Naschy fans and horror genre enthusiastic. Rating : 6/10 . Acceptable and entertaining.

I had this film on one of the cheapo Brentwood DVD sets but didnt watch that version opting to buy the Anchor Bay restored version so I could see the complete film. DOH!

Don't bother spending the extra $$ on the complete film. Definately not worth it.

I heard some buzz about Paul Naschy and I'll admit that I enjoyed Horror Rises from the Tomb.

Werewolf Shadow on the other hand is really really lame. The plot is as deep as a Scooby Doo episode. The pacing is mindnumbingly slow. Naschy is a truly awful actor. He doesn't do a lot of line intensive "acting" in Horror Rises from the Tomb, so in that film he is easier to take. In Werewolf Shadow though - his scenes are ENDLESS....After about the half-way point in the film the very sight of him was triggering fits of yawning. The scenes where he turns into a werewolf are particularly embarassing - just him roaring like a 4-year-old pretending to be an angry dog - while they do the most rudementary special effects. His make-out scenes are even worse. Dreadful.

Only for the compulsive completist. The Brentwood print is dark and scratchy and 10 minutes shorter than the complete Anchor Bay version, but after seeing the complete film, darkness, and brevity are good things. Go with the Brentwood version.

"The Werewolf vs the Vampire Woman" wastes lots of great Gothic elements in plodding through it's (too long) running time. The ideas are there, but thoroughly unrealized by Director Leon Klimovsky, as one boring scene follows another, generating little or no tension or interest. Scenes from this flick look great as stills; when moving, they leave a lot to be desired.

Paul Naschy's acting talents never advanced beyond "high school play status" in any of his filmic endeavors. He reacts to most of the outlandish goings-on with his usual impassiveness, as though his scenes were for blocking purposes only. When his character, Waldemar Daninsky, transforms into the werewolf of the title, Naschy employs body slams, punches and arm-swipes as though he were on the undercard of a poorly rehearsed wrestling match. The climatic battle between Vampiress and Werewolf is underwhelming in its embarrassing lack of action. Naschy's slavering drool, however, provides one of the few highlights.

The soundtrack plays like one of those "Halloween Sounds" tapes offered every season, littered with ghostly wails, shrieks, and assorted bumps. That, along with some haunting (but oft-repeated) musical motifs, offer some pleasant diversion. Unfortunately, the werewolf's growls sound like a guy with serious indigestion and leave alot to be desired.

Definitely a reminiscense for those who fell in love with drive-in & grindhouse fodder in the 60's & 70's. Given the relatively short life span of homo sapiens, why waste valuable hours of your lifetime on this dreck?

Noche de Walpurgis, Nacht der Vampire, Blood Moon, Werewolf Shadow ... the amount of alternative titles that this movie has, annoying as it may be, is a testament to it's international success.

So why is it that the world cared so much about some Spanish horror movie? Well, the fact is, it was simply better than most of what everyone else was doing at the time. But like "I Was A Teenage Werewolf" did in the late fifties, this movie sparked off a whole new generation of similar werewolf movies such as "The Beast Must Die", which attempted to emulate it's atmosphere precisely.

But has it stood the test of time? Lead actor and writer Jacinto Molina certainly thinks so. Others are less certain. For instance, it's easy to put off by the cheesy soundtrack, complete unsuited to what the mood of the movie should be, and the script definitely has it's dull moments. There's a whole sequence towards the end of the movie, when a policeman comes to investigate the murders and seems to spend half an hour in pointless conversation with the villagers. Oh, and the 'romance' aspect of the film feels both rushed and forced. The blood often looks fake, and the clearer the picture is, the less convinced you are by the makeup. It's one of the few movies that fails to benefit from a restored DVD version.

However, there's still plenty of good stuff here that help it to rise above the 'trashy horror' category for some parts at least. There's only a small amount of nudity in the film, gratuitous though it may be, and the dialogue isn't half as bad as most horror movies of this period. The historical sequences are surprisingly good, and the vampires are particularly creepy -- thanks to Molina's insistence that they should be filmed in slow motion. His performance is easily the most notable, and it's likely that if he'd been given more creative control over the production of these movies, they would have been much better.

All in all, this movie may well be for genre fans only. Most will probably find it dull and dated, but at the time it was definitely something pretty special.