Monty Walsh

Sensitive Western with satisfying and impressive directorial by William A Fraker , in his film debut for this award-winning cinematographer , being based on Jack Schaefer's novel , author of ¨Shane¨ . The film starts at the ending XIX century when appears railway , big companies buy ranches and new technologies put difficult things for traditional cowboys who lost their jobs . Monty Walsh (Lee Marvin) a veteran cowboy sees declining the ending days of Wild West era and the transition to a new century where horses are left . As railway and barbed wire hardly eliminate the need for the cowboys who are yearning the freedom of the open prairie . The aging cowboy realizes that the West he knew and loved will soon be no more and that there will be no room for him, either . In spite of penury , shortage and obstacles he faithfully carry out his thoughts and wishes and he goes on being a good cowboy . Monty along with his best friend (Jack Palance , this is one of only a few occasions where Jack is not cast as a villain and giving a touching acting) transport a herd of horses across the countries . Their lives are divided between months on the range and the occasional trip into town . They find themselves like dinosaurs in an old West that's dying out . Monty has a long-term relationship with a prostitute named Martine Bernard , while Chet has fallen under the spell of the widow who owns the hardware store. Monte Walsh and his partners are left with few options for survive , tough new jobs opportunities are available. Round-up , go riding and relationship with the other cowboys fill their days, until one of the hands , Shorty Austin (Mitch Ryan) , loses his job and gets involved in rustling and killing . Aging cowboy Monty is a good and professional man and embarks on mission to avenge his colleague .

Moving and sensitive Western where the cowboys must say goodbye to the lives they know and some of them attempt to make a new upright start and others way to crime . This melancholic picture is acclaimed like one of the best twilight Western and has a nice nostalgic feeling . It's an excellent Western with thrills , emotion , a love story , shootouts , breathtaking scenarios ; but also melancholy , competition , unlovable camaraderie and emotionalism . Moving Western , elegiac , subdued and worthwhile for genre lovers , including great Lee Marvin and Jack Palance in an unusual good guy character . However, the narration is too slow-moving to keep a fine grip on the interest . The movie was shot on location , including marvelous outdoors in Mescal, Arizona, Old Tucson, Arizona , being splendidly photographed by David M Walsh . Sensitive and stirring Western where cowboys must say goodbye to the lives they know and undergo an extraordinary and dangerous travel . Great acting for all casting with magnificent main roles from Marvin as Monty who only lives his work and is enamored for a prostitute named Countess Martine and Jack Palance as his loyal friend . Ample support cast with several familiar faces such as Mitch Ryan , Matt Clak , G.D. Spradlin , Bo Hopkins , Jim Davis , film debut of Eric Christmas and final film of veteran villain Roy Barcroft, who died before its release. Special mention to Jeanne Moreau as an aging whore who falls in love . Gorgeous landscapes , reflecting wonderfully the wide open spaces, they are splendidly photographed . Gorgeous outdoors are well photographed by cameraman David Walsh. Emotive as well evocative musical score by the great John Barry in his ordinary and brilliant style , including some wonderful songs . Sensational directorial by notorious cameraman William A Fraker . Usual and top-notch cameraman William A Fraker proves himself a proficient filmmaker in this , his first venture , though he subsequently directed another Western , a failure ¨Lone Ranger¨ . It's followed by a remake starred by Tom Selleck titled ¨Monte Walsh¨ TV (2003) by Simon Wincer with Isabella Rossellini, in Jeanne Moreau's role , Keith Carradine in Jack Palance role , George Eads, William Sanderson, Rex Linn and William Devane, role of Jim Davis . Rating : Better than average for the proficient film-making . It's a magnificent movie , and an unforgettable , unchallenged classic western.

So says Monte's friend as they sit on a front porch, wondering what they'll do now that their way of life is coming to a close. One of the most touching and poignant westerns ever made, "Monte Walsh" is a love poem written to a way of life that only lasted about 20 years, but defined much of American culture. The cowboy period only lasted from about 1865 to 1885, and this film shows several friends who have been cowboys for most of that time, deeply in love with their work, who see it all ending, and are powerless to stop it. Barbed wire fence and one really hard winter (which really did happen, and single handedly changed the western cattle industry, and eradicated the cowhand) do away with their blissful existence, forcing them to confront themselves. What do they do now? It isn't always pretty, and the decisions they make when the chips are down tell you most everything you need to know about human nature. The wonderful theme song by Mama Cass Elliot "The Good Times Are Coming" is just marvelous, and perfect for the film. All in all, one of the 5 best westerns ever made, and the absolute best one dealing with the working cowhand culture. Don't watch this movie if you are embarrassed about crying, because it will break your heart. Truly a work of art. The words "I rode down the gray" will haunt you for the rest of your life.

I heartily agree with the other enthusiastic reviews of this movie, so instead of repeating their comments I'll just add a couple of notes which I didn't see in anyone else's remarks.

One thing that really drew me into this movie was how, over and over, I would be watching a scene play out and there would be a _very_ few words exchanged, with minimal "dramatizing music" or other "play-ups" adding dramatic weight, and I'd just ache for more words to be said. So much was happening _to_ the characters (mostly internal, as the film focuses more on people than events) and they went through it with such a minimum of dialogue. That made a strong impression on me as it left me wanting more; wishing somehow they could make it alright by just saying more of what was obviously on their hearts.

Another thing I loved about this movie was the distinctiveness of the characters. One had false teeth; one rarely (if ever) bathed; one was called "Shorty"; and, of course, the unforgettable mugs of Palance and Marvin -- and the distinctiveness of these wasn't all simply in their appearances. Before long they started to feel like my own friends. My heart broke watching their whole world pass them by.

This is a nice film to watch on a rainy evening. Lee Marvin and Jack

Palance did as good a job of acting that I have ever seen them do.

The supporting cast is full of wonderful career action character

actors who you would recognize if you watched a lot of films and

TV in the '70's.

I borrowed the tape from a relative after seeing the remake by TNT

and though I think the remake was better, this was for it's time

pretty good. The way movie progresses noticed a lot of scenes

seemed choppy and there must have been a lot left on the cutting

room floor.

Lee Marvin looked like he was playing his typical Marvin character,

but Jack Palance was likeable and I believe did a better job and

even portrayed his character better than Carradine did in the

remake and Carradine did a great job.

Though it's a "tear-jerker" it's one that tells a story that's not unique

to just the "Cowboys" of the 19th and early 20th century. There are

periods in history when due to evolution of civilization, lifestyles are

phased out or altered due to change of professions needed to

exist.

My appreciation of Mama Cass' singing increased when I heard

her sing the title song. She really had a fine voice, it was a plus

that she sung the lead-in rather someone like Joplin. In fact

before I saw her credits in the lead-in I thought the singer was one

of the great singers who had sung a James Bond movie title song.

When "Monte Walsh" appeared in 1970, I avoided it like the plague. "Who wants to see a movie about the end of an era?" I asked myself, conveniently forgetting how much I loved "The Man Who Shot Liberty Valance." So, nearly 30 years later, Turner Classic Movies gave me the opportunity to correct what might have been a mistake. Had I erred in 1970? Well, yes and no. Yes, because "Monte Walsh" now joins my list of one of the five best westerns ever made; and, no, because at the tender age of 21, I would not have appreciated this masterpiece; which, in these especially troubled times, seems more relevant than ever.

According to TCM host, Robert Osborne, William Fraker directed only 4 films during his distinguished career, preferring his role as director of photography. If "Monte Walsh" is any example, then director Fraker missed his calling; as, "Monte Walsh" boasts outstanding ensemble acting, unusual unless the director is especially gifted. Many in this cast give the best performances of his or her career, particularly Jim Davis and Mitchell Ryan. "Monte Walsh" should be the role for which Marvin is remembered, as "Chet" should be the role to remember Jack Palance. It's a joy and a privilege to watch Marvin and Palance interact, even more enjoyable than Marvin and John Wayne in their frequent pairings. The first two thirds of "Monte Walsh" is largely upbeat, even in the hard times portrayed, while the final third left me both numb and aching.

"I won't p**s on 30 years of my life," is one of the many profound quotations in "Monte Walsh." It defines Monte's code of honor; a decent, loving and honorable man unwilling to compromise who he is. I give "Monte Walsh" a "10".