A Man Called Sledge

I must confess to "umming and ahhing" a fair bit as to whether I really wanted to see this film. I've got nothing against James Garner, but he just didn't say "spaghetti western protagonist" to me. He doesn't have that certain "kill" look in his eye (think Eastwood, Nero, Gemma, Steffen et el). However, having always respected Howard Hughes' "Essentials" book, this was one of the few films that he had covered so far that I had not seen - and his recommendations had generally not disappointed. I am really glad that I did dispel these initial reservations, because Man Called Sledge makes great viewing from beginning to end.

Luther Sledge (Garner) is introduced to us as he enters a bar with one of his cohorts. Leaving his colleague to participate in an ill-fated card game, Sledge reunites himself with his lover Ria (Laura Antonelli). After a night of passion (lucky man!) he is woken by the sound of a gunshot. He returns to the bar to find his partner dead, and forced to defend himself against the killers. An old timer witness (John Marley) confirms that Sledge has merely defended himself.

Sledge and the old timer soon cross paths again, with the former assuming that he is being tracked due to the price on his head. However, it soon transpires that the old man has been spying on a delivery of gold. This gold is transported by a posse of armed guards and stored in a top security prison overnight. The old man recounts how he spent time in the jail, with his cell sitting side by side to the safe.

The lure of the gold is too much for Sledge, and he is soon devising a scheme to get his hands on the horde and allow him to settle down and lead an honest life with Ria. And what better way to get access to the treasure than to find ones self imprisoned in the jail......

A simple yet highly enjoyable idea for a story, with double crossing aplenty and a cracking soundtrack. If truth be told, I am still not completely sold on Messrs Garner and Weaver in the spaghetti genre, but the film itself more than makes up for such minor grumbles. There are some great scenes, with Sledge's wilful imprisonment (with some very shady characters forming his prison mates) a particular highlight.

Highlighly recommended, and grasping at a possible "must view" berth.

In the Old West, a gunfighting outlaw called Sledge(James Garner) connives his way into a prison in hopes of getting his hands a cache of gold on stored there . Sledge join forces with a varied bunch of bandits (John Marley , Dennis Weaver , Claude Akins , Bruno Corazzari , among others) attempting to take a large shipment of gold into a prison fort . The misfit group of outlaws wind up battling each over a cache of gold . A quintet of unlikely partners match wills and wits and fight enemies and each other .

Entertaining Spaghetti Western with shootouts , action ,violence and amusement . It is a mainstream Western amusement with a lot of surprises , thrills and including a love story between James Garner and a whore played by gorgeous Laura Antonelli . This film realized in Spaghetti style contains action-Western , gun-play , fist-play and is pretty bemusing . Vic Morrow's spaghetti western, probably won't be making too many top ten lists, but its an agreeable flick . It's an exciting western that scrutinizes the greed and paranoia that afflicts a misfit group , including breathtaking showdown between protagonists and the enemies . The film blends violence , thrills , high body-count and it's fast moving and exciting . There is plenty of action in the movie , guaranteeing shootouts or stunts every few minutes , including a spectacular final confrontation . Although by many to be director Vic Morrow's finest film , this is a tale of fear , greed and murder , as some partners fall out over the gold they have robbed from an impenetrable safe . It also has probably the most brutal prison escape ever put on film . Underrrated by some reviewers , but till interesting to watch . It above all things mostly also remains a real characters movie, in which the five main roles are the essentials . Their dynamic together is also great and is what mostly keeps this movie going. They are five totally different characters, which is the foremost reason why they work out so great together on film . This theme about confrontation among mean people for a cache of gold has been treated in various Spaghetti such as ¨Ruthless four¨ by Giorgo Capitani with Van Heflin , Gilbert Roland , George Hilton , and ¨A reason to live , a reason to die¨ by Tonino Valeri with James Coburn , Jose Suarez and Bud Spencer . Here James Garner is superbly believable and gives a nice portrait of an increasingly unhinged thief . James Garner enthusiasts might be surprised to see the star play a villain . Furthermore , John Marley is very good as a cunning old man and remaining support cast is pretty well . There appears Spaghetti's ordinary actors such as Ken Clark , Wayde Preston , Steffen Zacharias , Fausto Tozzi , Bruno Corazzari , Angelo Infanti , Luciano Rossi , Barta Barry , among others.

The musician Gianni Ferrio composes a vibrant soundtrack and well conducted ; including a catching leitmotif and considered to be one of the best . In addition , a marvelous song at the beginning titled ¨Other men's gold¨ , with lyrics by Bill Martin and Phil Coulter , sung by Stefan Grossman . Atmospheric scenario with barren outdoors , dirty landscapes under sunny exteriors and a shimmer sun and fine sets by production designer Mario Chiari with striking cinematography by Luigi Kuiveiller . The picture resulted to be shot entirely on location in Almeria , Spain , where in the 60s and 70s had been shot innumerable Ravioli/Paella Westerns , and interiors in Dino De Laurentiis Cinematographica S.A. , Rome . The motion picture was well written by Frank Kowalski ad Vic Morrow who also directed . While Morrow was filming ¨Twilight zone : the movie¨ , he was unfortunately killed on the early morning hours of July 23, 1982 in a tragic, freak accident on the set while filming a scene involving a helicopter which crashed right on top of him and two young children . Rating : 6'5 , acceptable Spaghetti with good lead from James Garner .

Although there are a lot of familiar "television" names associated with "A Man Called Sledge", there is nothing extraordinary about the film itself or about any of the performances. In fact, the only thing that distinguishes it from a 1960's-70's television series like "The Rat Patrol" is a bigger cast and a lot more violence.

James Garner is the biggest star and apparently thought he should try to break away from all the light comedy stuff he had been doing ("Maverick", "Support Your Local Sheriff"-"Gunfighter" etc.). Unfortunately his earthy likability works against him, as Sledge is a humorless character written to cash in on the popularity of Clint Eastwood's spaghetti western character. But Eastwood's stuff was not this flat and uninteresting.

I suppose that "A Man Called Sledge" could be classified as a spaghetti western although the pacing is too slow to really fit that sub-genre. Fans of the slow-paced "Combat" television series will feel an instant connection as Vic Morrow directed the film and co-wrote the script with Frank Kowalski. Throw in some then trendy slow-mo shots and cross-dissolves, which call attention to themselves rather than serve a story-telling purpose.

The plot is the standard "big heist" thing (insert "The War Wagon" here) with Sledge plotting how to heist a $300,000 gold shipment. His gang includes Claude Akins and Dennis Weaver. The problem is that while on the move the shipment is guarded by 40 outriders and while stopped it is locked in a vault inside the territorial prison. I think there was an episode of "Alias Smith and Jones" with the same plot.

The story would make a decent hour of television but gets old very fast as a very padded feature length film. Garner does not allow any of his charm to leak into his characterization and the film does not generate enough suspense to hold a viewer's interest.

The thing finally crashes and burns shortly after the heist when the gang engages in a contrived and totally illogical card game.

Then again, what do I know? I'm only a child.

It's possible that A Man Called Sledge might have been done irreparable damage on the cutting room floor. Maybe someone will demand a director's cut one day, but I seriously doubt it.

James Garner decided to cash in on the spaghetti western market and in doing so brought a whole lot of Americans over to fill the cast out. Folks like Dennis Weaver, Claude Akins, John Marley. And of course we have Vic Morrow who both wrote and directed this film.

Garner always gets cast as likable rogues because he's so darn good at playing them. But he has played serious and done it well in films like The Children's Hour and Hour of the Gun. He can and has broken away from his usual stereotyped part successfully. But A Man Called Sledge can't be counted as one of his successes.

He's got the title role as Luther Sledge notorious outlaw with a big price on his head. After partner Tony Young gets killed in a saloon and Garner takes appropriate Eastwood style measures, he's followed from the saloon by John Marley.

Marley's spent time in the nearby territorial prison and it seems as though gold shipments are put under lock and key there on a rest stop for the folks transporting the stuff on a regular run. Garner gets his gang together for a heist.

Here's where the movie goes totally off the wall. Usually heist films show the protagonists going into a lot of methodical planning. Certainly that was the case in The War Wagon which some other reviewer cited. But in this one Garner decides to break into the prison as a prisoner of fake US Marshal Dennis Weaver and cause a jailbreak at which time the gold will be robbed.

That was just too much to swallow. If taking the gold was this easy it should have been done a long time before. But I will say for those who like the blood and guts of Italian westerns, during that prison break there's enough there for three movies.

That's not the whole thing, of course the outlaws fall out and we have another gore fest before the film ends. But by that time the whole film has lost a lot of coherency.

The great movie singer of the Thirties Allan Jones is listed in the credits. But for the life of me I can't find him in the film. Maybe a chorus of the Donkey Serenade might have made this better.

Couldn't have hurt any.

A Man Called Sledge

The main proponent of laxed prison sentences is always the man who prints the Wanted Posters.

Mind you, the outlaw in this Western doesn't need any likeness to land him in jail – just the promise of untold riches.

Tipped off to a regular gold shipment that is locked up overnight at the nearby prison, notorious bandit Luther Sledge (James Garner) rounds up his gang (Dennis Weaver, Claude Akins) and plots to purloin the bullion by getting himself apprehended.

Incarcerated, Sledge frees the inmates and escapes with the booty during the melee.

However, infighting amongst Sledge's men over the gold during a poker game results in bloodshed, and the kidnapping of Sledge's prostitute girlfriend.

An unorthodox Western thanks to its substantial Italian influence, A Man Called Sledge features a refreshing departure from the affable gunslinger characters that Garner usually played.

Furthermore, pioneer prisons were notoriously ineffective on account of their sod roofs.

Yellow Light

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