Los Intocables

Twenty-five large buys hard-time con Hank McCain (John Cassavetes) a parole so he can take part in a Vegas casino heist, but when the job is called off, McCain decides to go it on his own, despite knowing whose money he's planning on boosting. The nihilistic story is cold and hard and as such, a perfect fit for Cassavetes smouldering persona. Peter Falk is quite good as volatile mob underboss Charlie Adamo who sets things in motion (if the film was made in the 90's, the part would have been a perfect fit for Joe Pesci). Gabriele Ferzetti is also good as Don Francesco DeMarco, a menacing New York capo. On the distaff side, classic 60's beauty Britt Ekland is along as McCain's moll and Gena Rowlands has a small but strong role as McCain's tough former partner/lover. Unfortunately, the story is not up to the cast. The central heist is simple enough to be realistic but no explanation is provided as to why the vault door seems to have been left partly open during the evacuation and later both McCain and the pursuing mod-underlings seem to make elementary mistakes, which undermines their characterisations as experienced and competent gangsters (McCain continues to return to old haunts even when he knows he's being hunted; and what wise-guy would allow a hard-case ex-con to put her hand in her purse shortly after threatening her with torture). With a little more attention to detail, this could have been a classic 60's neo-noir gangster film. Too bad, but the soundtrack is good and the images of Las Vegas at its flashiest/trashiest are fun.

This is a stylish, complex and exciting gangster melodrama (which Leonard Maltin in "Movies & Video Guide" calls "junk" and awards a mere **!) bolstered by an infectious Ennio Morricone score (especially the title ballad). Amazingly, it was shown on Italian TV at the time of the Cannes Film Festival as part of a series of past nominees; unfortunately, however, the print was of the choppy 94-minute U.S. version (bearing the Columbia logo upfront) and panned-and-scanned to boot (making the Techniscope compositions pretty claustrophobic)!! I've been unable to determine the film's original length, but I've seen running-times as long as 119 minutes!

The film is well-served by a great cast: an intense and fearless John Cassavetes as the title character, a delectable Britt Ekland as a girl he meets and marries on being sprung from jail (who becomes an accomplice in his criminal schemes without batting an eyelid, at least in this version!), Peter Falk as a bad-tempered small-time hood whose ambitions see him clash with his ruthless superiors, Florinda Bolkan as his even more avaricious wife, Gabriele Ferzetti as the crossed Don who goes to teach Falk a lesson (and who seems to be having an affair with Bolkan!), Luigi Pistilli (rather under-used as Falk's right-hand man), Salvo Randone (as the No. 1 Mafia Boss who keeps track of the situation from his New York office), Tony Kendall (as the hit-man dispatched to eliminate both Falk and Cassavetes) and "Special Guest Star" Gena Rowlands (as McCain's tough old flame - together they were a legendary criminal double-act, and the real-life couple demonstrate undeniable chemistry in their one scene together! - who, still having feelings for him, aids in his escape from the Mob and suffers the consequences for her actions). It's an interesting mix of 'styles': the Italians give it authenticity, the women a touch of class and the two male stars (who, regrettably, don't share any screen-time but were eventually re-teamed in a gangland milieu in MIKEY AND NICKY [1976] - which I recently watched - and where they were practically inseparable!) an aura of intelligence. Some sources credit The Doors' frontman Jim Morrison in the role of a lackey, but it certainly didn't seem like him to me!

The best sequence is the ingenious heist from a Las Vegas casino (indeed, the glitzy and often sleazy locations are a definite asset) and, in the cynical fashion of cinema in the late 60s, the film ends - rather abruptly - with a downbeat 'curtain'. Montaldo didn't make that many films but from the three I've watched - the others being the enjoyable light-hearted caper GRAND SLAM (1967) and the excellent IL GIOCATTOLO (1979), a Death Wish-type drama with a remarkable leading performance from Nino Manfredi - he certainly knew his business.

Old school crime film with hard case armed robber John Cassavetes at its centre. John plays Hank, once part of a Bonnie and Clyde type duo who's spent twelve years in the joint. His son, who's basically a stranger to him, springs him from the clink to take part in another heist - this one being the robbery of a classy casino in Vegas.

This casino is the centre of a complicated business involving newly appointed mob boss Peter Falk, who has taken over mafia duties on the West coast from a guy who was killed in front of his kids. His New York mob superiors have told Peter not to touch anything in Vegas, and they are enraged that he's muscling in on a casino he doesn't know they own. Worse still, Peter seems unaware that his young wife (a big-haired Florinda Bolkan) seems to have a past with one of the New York mob bosses...

In between not trusting his son, really not trusting the two goons his son is hanging about with, and preparing for the heist, John somehow still manages the time to romance Britt Ekland, who really is the only innocent person in the film. Nevertheless, she also gets caught up in all the double crossing and (in one case literal) back stabbing as the cast is whittled down.

Apart from The Dirty Dozen (a film that spawned several thousand Italian rip-offs) I don't know much about John Cassavetes, but he makes a pretty convincing gangster, and who doesn't want to see Colombo in an Italian crime film? I'd pretty much watch Peter Falk in anything, so seeing him on screen with Italian genre regulars Luigi Pistilli and Florinda Bolkan just ticks all the boxes for me. Tony Kendall usually shows up in Spaghetti Westerns, but manages to stand out here as a suave button-man hunting down Cassavetes.

This film has two other things going for it - the nice cinematography that captures the Californian atmosphere (as well as the harsh sunlight invading interior scenes) and Ennio Morricone's melancholy soundtrack. Keep in mind this an old school Eurocrime film that is a bit more classy than the trashy, over the top ones of the seventies. I prefer those, for the record.

John Cassavetes is supremely cool as the protagonist of this glittery 60s crime flick. Directed with gusto by Giuliano Montaldo, it has Cassavetes as the tough title character, an armed robber getting out of prison after a dozen year stretch. Almost immediately, McCains' pathetic son Jack (Pierluigi Apra) is recruiting him for a job. But McCain is agreeable, despite having some misgivings about who he's working with. The job is the robbery of the Royal Casino in Las Vegas, a place that's hotly contested by both the West Coast and East Coast mob families.

This well-paced film is quite enjoyable in general. All the fighting between various mobsters is good for some amusement, with the great Peter Falk scoring as an ambitious mafioso who's eager to make some real dough. Britt Ekland doesn't have to do much besides look very sexy as a young woman who catches McCains' eye. Cassavetes' real-life partner Gena Rowlands makes a special guest appearance as an old flame, and naturally he has more genuine chemistry with her than he does Ekland. Other top notch character actors include Gabriele Ferzetti, Luigi Pistilli, and Steffen Zacharias, and lovers of Euro-cult cinema will note the presence of thespians such as Florinda Bolkan (as Falk's wife), Tony Kendall, and Salvo Randone. But other than Falk, it's starring actor Cassavetes who is the main reason to watch. A sardonic, witty, surly guy (with an obvious contempt for his son), he's a compulsively watchable antihero.

You add to that the excellent widescreen photography, the stunning, colourful locales, some very satisfying explosions, a riveting chase finale wherein you see the lead character literally afraid for his life, and yet another superb Ennio Morricone soundtrack, and you have the makings of a good, solid film of this type.

Seven out of 10.

I just recently got Drive-in Classics channel and it was the best decision of my life. Why? Because I get to see rare movies from the genres and eras long forgotten by most. This was one of those movies. Peter Falk stands out most in this movie just like he does in any of his movies. He's a mobster, a ruthless one at that and takes the cake for number one on my list of bad asses. If you ever get a chance to pick this up in a store or see it on TV then watch it and enjoy it. You'll never regret that decision.

For style, Ennio Morricone's great score and Peter Falk. I give this movie 10/10.