I girasoli

"I Girasoli" is certainly one of the best romantic stories in an honest and pure setting in Italy and Russia. It is a dramatic love story of Antonio and Giovana wanting to stay together in the war. The impossibility to hold on to the newly found and sweetest happiness becomes inevitable in the destructive war, where Anoinio is found half frozen by a Russian woman. The accent lies in finding love in warm sunny Italy and loosing this in the freezing cold war thousands of miles away. Although in this new other world there is love too, it is never the same as before. At the end the search for the lost love is completed and in vain when life has changed there lives irreversibly. Un impossibile ritorno al passato.

Epic romantic melodrama , set at the end of World War II , dealing with an Italian woman , Giovanna, she is a bereft war bride living near Milan , she conducts a desperate search for her husband, a soldier considered missing in action in Russia during WWII. As her husband never returned after serving on the Russian front . As Giovanna wandering over what feels like the whole of Russia and looking for clues her hubby. A woman born for love. A man born to love her. A timeless moment in a world gone mad. In a world gone mad...a love story. Filmed in Russia from the Kremlin to the Ukraine. A love story that spans two tempestuous decades in a motion picture of extraordinary power and enchantment!

Excruciating drama in which Sophia Loren plays a headstrong Italian wife looking for hubby , going to Russia to find him, starting in the town near the winter battle when he disappeared and much picturesque and soul-searching later she finds him with unexpected consequences . It is a heart-rending and heart-breaking studio of a beloved couple sadly separated by an unfortunate fate . There's a flashback to their brief courtship near her hometown of Naples, his 12-day leave to marry her, and ruses to keep from deploymentby posing as a nutty man . Sofia Loren gives a nice acting as the obstinate woman who refuses to accept that her husband missing on the Russian front, is dead. While Marcello mastroianni is perfect as the amnesic man missing in battle . The Technicolor cinematography by Giuseppe Rotunno and David Vinitsi is truly gorgeous. Shot on location in Russia and infact , this film is deemed to be the first occidental film to be shot in Poltava, Ukraine .And positively soaked in one of Henri Mancini's lushest soudtracks.

The motion picture produced by Carlo Ponti and Joseph H Levine , was stunningly directed by Vittorio de Sica . De Sica told about Loren : ¨I consider Sophia a great , a good actress and a great personality. Because she is a Neopolitan. Like me. We are the same people, the same origin. And we feel together the same. Yes, for me, I am very happy when I work with Sophia¨. De Sica was a famous actor and director .He turned to filmmaking in 1940 , making light comedies. His fifth movie collaborated with writer Cesare Zavattini , I Bambi ni ci guardano ,in which showed great sensitivity and nice fIl making . It was also the first movie he made with writer Zavattini with whom he would subsequently shoot "Shoeshine" , and Bicycle thief .After the boxoffice disaster "Umberto D" , he abandoned the Neorrealist genre to make more commercial films than previous . Subsequently , he he made "Yesterday , Today and Tomorrow" with Marcelo Mastroiani and Sofia Loren in which he won another Oscar . His two final films were Garden of Finzi Contini and A brief vacation that had limited success .Rating 7/10 . Worthwhile watching . Above average . Essential and indispensable seeing for Italian films buffs .

Vittorio de Sica achieved a remarkable feat in this eye-catching 1970 production, bringing together Americans and Soviets, in the midst of the Cold War, in the co-production of a Franco-Italian film.

From the Americans he got a memorable soundtrack, written and directed by Henry Mancini and nominated for an Oscar. From the Soviets he received the footage from Mosfilm, directed by Andrey Konchalovskiy, as well as the actress Ludmila Saveleva.

The script by Tonino Guerra and Cesare Zavattini has everything it needs to work, but the film gets lost somewhere in between so many attributes.

The story is basic and excessively melodramatic. The soundtrack is beautiful but quickly becomes cloying. The footage of the sunflower fields and the cemeteries of Russian combatants is powerful and eloquent, but inconsequential. This is, after all, a story of the living, not the dead. Only the final notes of the fatalism of war, which determines people's fates, far beyond their individual will, remain to give the film any meaning.

But it is not enough. A final result clearly less than the sum of its parts.

In Naples, in World War II, the local Giovanna (Sophia Loren) has a torrid love affair with the soldier Antonio (Marcello Mastroianni), who is ready to embark to Africa. Giovanna proposes him to get married with her to get a leave of twelve days; then Antonio pretends that he is insane and he is sent to an asylum. However, the doctors discover the farce and they give the option to Antonio to go to the Russian front as volunteer instead of being sued. When Antonio is missing in action in Russia, Giovanna does not accept that he is dead. Years after the end of the war, Giovanna travels to Russia with a picture of Antonio to seek him out in the countryside. When she finds a lead in a village, her hope becomes disappointment with truth about his disappearance.

"I Girasoli" is one of the most famous romances of cinema and discloses a beautiful story of love, hope, truth and renounce. Vittorio De Sica explores the chemistry between Sophia Loren and Marcello Mastroianni to the best, supported by a magnificent cinematography and the wonderful soundtrack of Henry Mancini, which certainly is among the most beautiful ones of the cinema history. The screenplay uses much ellipsis, and my remarks are the lack of dates, leaving the viewer without any reference of how many years have passed; further, the dialogs in Russian that are not translated. My vote is eight.

Title (Brazil): "Os Girassóis da Rússia" ("The Russia's Sunflowers")

meeting between two great actors and an impressive director. images from Italy and picture of Russia in the air of Cold War.a basic story about a couple, a war and a choice. a travel and the form of truth. beautiful music and force of unspoken words. that is all. or only gentle performance of Ludmila Savelieva. a great film. not for cast or dramatic slices, for the force of emotions or for the sunflower as vegetable testimonies about a tragedy. but only for its virtue to be a seed. a seed of questions and answers. an exercise of empathy. a sad love story in which love is more than feeling. a poem but just a very special poem. mixture of pure joy, shadows of war, a miracle and a search, it is homage to a sacrifice generation and reflection of deep need of sense in a chaotic world. nothing pink, nothing cold. only picture of a man, a young Russian woman who speaks Italian, a charming Sophia Loren and same Mastroianni. but the essence is possession of public.