Il giardino dei Finzi Contini

The Finzi-Continis are a wealthy and privileged Italian family. It is shortly before WWII, a time when the Fascists are slowly taking away the rights and livelihoods of Jews, including the Finzi-Continis.

But none of this seems to pass the walls of their magnificent garden, where the children Micol and Alberto often invite their friends. One of their friends, Georgio, is hopelessly in love with the beautiful Micol. The way this film evokes such youthful, quixotic yearning, or a woman's growing awareness of physical beauty's power, is splendid.

The sadness I felt at the end came from knowing all along what would happen to all of them, rich and not-so-rich, and that they didn't recognize what lay in store for them until it was too late. The Garden of the Finzi-Continis was Vittorio De Sica's last hurrah, a masterpiece of neorealism, and timeless evocation of a time lost.

I just watched the DVD and had not seen the movie in many years. I found it every bit as moving as I had remembered from my first viewing. This included the Prayer For the Dead (El Moleh Rachamim) magnificently sung as the final credits rolled. I am not Jewish so I had to do some "googling" to learn that El Moleh...is indeed a prayer for the dead. What moved me so apart from the singer's mournfully beautiful voice were the names Aushwitz, Maidenek, Treblinka et. al. interpolated into the text. It reminded me of the penultimate paragraph in Andre Schwartz-Bart's extraordinary novel of the Holacaust, The Last Of The Just where the names of the death camps are artfully placed among the repeated words "And praised Be The Lord". Thank you for the opportunity to share my thoughts.

While undeniably not for the shallow or those who expect their movies to lay every detail out for them amid plenty of "action," THE GARDEN OF THE FINZI-CONTINIS (a parable on a latter day "Eden" of doomed innocence?) remains after more than a quarter century one of the most perfect reflections of the gradual process by which the Holocaust could have happened in a Europe which believed itself civilized.

The tragic love story allows us into the garden. Only our own action - or blind ignorance - can allow us out.

Not a lot need be added to the perceptive comments already examining the details of this beautiful and moving film - but Americans, especially those of my fellow Republicans who are able to objectively look at their own country and leaders, should seriously examine the politicians who use fear and nebulous "enemies" to gain and hold power in the light of this film. The realization is inescapable that the world of the Finzi-Continis is not that far removed from our own. A question of degree not of kind.

The garden is still seductively attractive, the country around it still relatively free, but will we follow the course the Finzi-Continis took or will we come actively out of our garden while there is time?

I first heard a radio adaptation from the Garden of the Finzi Contini and afer that read the book. I thought it would be difficult to make an adaptation to cinema. Indeed, the book is above all psychological (or romantic in the literary meaning of the 19th century)i.e the narrator describing his inner world and his sufferings...

However, Vittorio de Sica succeeded in expressing this without using monologue, without making a too slow picture... The music is very good too... the images are wonderful...

I must correct some commentaries Malnate, Micol's lover is not a fascist but a communist... There is also a difference with the book : in the book we do not know for sure that Micol and Malnate were lovers, it is an assumption whereas it is an evidence in the film...

In spite of this differences, this picture deserves a 10 out of 10!

`The Garden of the Finzi-Continis' stands out from the scores of films about the Fascist persecution of Jews due, in no small part, to director Vittorio De Sica. His veteran hands crafting an excellent story into a masterpiece.

The story focuses on a young Italian-Jew and his interaction and quest for romance with the daughter of a wealthy Jewish aristocrat. The trials of their relationship coming during the growth of Fascism in Italy in the late-1930s. Even the viewer can feel the segregation closing on the two young people and their families.

But even the superb drama of the film cannot hold a candle to the awesome cinematography of beautiful scenery that adds vitality to the film. The acting is good, mostly from the supporting cast, but occasional spouts of brilliance come from all directions.

Exceptional. 9/10 stars.