CALIFICACIÓN DE IMDb
6.5/10
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TU CALIFICACIÓN
Dos fugitivos están a la fuga en el desierto de un país no especificado. Vayan donde vayan, les persigue un amenazador helicóptero negro.Dos fugitivos están a la fuga en el desierto de un país no especificado. Vayan donde vayan, les persigue un amenazador helicóptero negro.Dos fugitivos están a la fuga en el desierto de un país no especificado. Vayan donde vayan, les persigue un amenazador helicóptero negro.
- Dirección
- Guionistas
- Elenco
- Nominada a1 premio BAFTA
- 1 nominación en total
Andy Bradford
- Soldier
- (sin créditos)
Pamela Brown
- Widow
- (sin créditos)
Robert East
- Soldier
- (sin créditos)
Roger Lloyd Pack
- Soldier
- (sin créditos)
Christopher Malcolm
- Helicopter observer
- (sin créditos)
Warwick Sims
- Soldier
- (sin créditos)
Henry Woolf
- Helicopter Pilot
- (sin créditos)
Tariq Yunus
- Soldier
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Figures in a Landscape is the most peculiar film I've ever seen. I've seen a lot of peculiar films (The Keep, The Island, A Zed and Two Noughts, Eye of the Devil, etc.) but this one beats them all in terms of its curious nature.
It has almost no plot. What little plot there is details the efforts of two escaped convicts to evade a menacing black helicopter as they flee through the rugged landscape of some un-named South American country. Did they really commit a crime at all? Why does the chopper pilot want to catch them? Who are they? All these questions, so obvious and central to all the other films of this type, are left unasked and unanswered. This is purely a chase for the sake of a chase movie. Everything is left unexplained, and the immediate action is the only thing that is concentrated upon.
Given the existentialist angle that the film adopts, it is little surprise that it is unpopular.Many people feel cheated by the lack of explanation. I have a soft spot for the film, because it lets me decide for myself what is going on and what has gone before. I feel that Robert Shaw's performance is commanding, and the aerial photography is outstanding. However, I'm not saying that this is some kind of overlooked classic; nor even that it is an excellent film. It's just a wrongly panned film that has enough interesting features within its running time to make it commendable to anyone who has yet to see it.
It has almost no plot. What little plot there is details the efforts of two escaped convicts to evade a menacing black helicopter as they flee through the rugged landscape of some un-named South American country. Did they really commit a crime at all? Why does the chopper pilot want to catch them? Who are they? All these questions, so obvious and central to all the other films of this type, are left unasked and unanswered. This is purely a chase for the sake of a chase movie. Everything is left unexplained, and the immediate action is the only thing that is concentrated upon.
Given the existentialist angle that the film adopts, it is little surprise that it is unpopular.Many people feel cheated by the lack of explanation. I have a soft spot for the film, because it lets me decide for myself what is going on and what has gone before. I feel that Robert Shaw's performance is commanding, and the aerial photography is outstanding. However, I'm not saying that this is some kind of overlooked classic; nor even that it is an excellent film. It's just a wrongly panned film that has enough interesting features within its running time to make it commendable to anyone who has yet to see it.
Inspired by the minimalist theater-driven film-making of the period, Figures in a Landscape is much more interesting than its competition (Tomorrow, Losey's own "The Servant). Why? Because of the helicopter, of course!
Robert Shaw, always inspired, is here particularly so, all but frothing at the mouth as he drags his weary carcass over the mountains, from nowhere, to nowhere, until the endless desert itself seems more and more like a stage for their mad performance.
An inversion of the often static fare of the period that still displays serious acting chops. Recommended.
Robert Shaw, always inspired, is here particularly so, all but frothing at the mouth as he drags his weary carcass over the mountains, from nowhere, to nowhere, until the endless desert itself seems more and more like a stage for their mad performance.
An inversion of the often static fare of the period that still displays serious acting chops. Recommended.
I spent quite a few pennies to get my hands on this film as it was consigned to oblivion after its brief cinematic release some 35 years ago, and it was money well spent. They certainly don't make them like this anymore. From the off you're thrown into this situation with Shaw and McDowell as two convicts on the run and being pursued by a menacing black helicopter through hostile, mountainous terrain. The aerial cinematography is breathtaking at times, more real than anything you see on the silver screen today, and quite frightening too. The chase becomes personal, with one character hell-bent on destroying the enemy and the other just wanting to escape. It's compellingly brilliant - beautifully shot, in most parts, and well acted. There are some lengthy sequences which the majority of todays directors, and actors, would struggle to pull off without CGI. It does have flaws, most films do, but there are enough positives here and it's a shame it ended up as another of those 'lost' films. Okay we don't find out where they are, although it was shot in Spain, or what crimes they have committed, so what? It's a bloody good film, though I can't help but think, what a film it could have been.
Here is another film that has just dropped mysteriously out of sight. Why some movies never make reappearances in these days of DVDs and the internet is just as strange as the whole story that takes place here.
Two guys are on the run in some South American-looking country, their hands tied behind their backs. They are chased and sometimes menaced by a black helicopter, like something out of a conspiracy nut's nightmare. A hopeless situation? Maybe, but the character played by Shaw is so tough, the score is evened up a bit.
As the film progresses, the action grows and so do the questions. Who are they? What country are they in? Why are they there? How can they ever get out? Shaw's character becomes more interesting as the story unfolds, and more enigmatic. Is he insane? A mercenary? An escaped killer? There is always a suspicion you might not find out, but you keep watching anyway.
I read the novel this is based on, it's a great story and written in my favorite style, but the ending is different. I'm waiting to see the film again, looking for a DVD soon.
Two guys are on the run in some South American-looking country, their hands tied behind their backs. They are chased and sometimes menaced by a black helicopter, like something out of a conspiracy nut's nightmare. A hopeless situation? Maybe, but the character played by Shaw is so tough, the score is evened up a bit.
As the film progresses, the action grows and so do the questions. Who are they? What country are they in? Why are they there? How can they ever get out? Shaw's character becomes more interesting as the story unfolds, and more enigmatic. Is he insane? A mercenary? An escaped killer? There is always a suspicion you might not find out, but you keep watching anyway.
I read the novel this is based on, it's a great story and written in my favorite style, but the ending is different. I'm waiting to see the film again, looking for a DVD soon.
I saw this movie for the first and last time on Dutch television in the late 70's / early 80's. I was 9 or 10 years old at that time. I remember it gave me the creeps. Especially the helicopter... that could show up at any time. This film has been in my head for a long time (not remembering the title) Since I know the title (recently) i can't wait to see the movie again but unfortunately this films isn''t available on tape or DVD. I wonder what happened to it and i would like to ask anyone involved in making this film to blow the dust from the original print and release it very soon. Then I can judge the film again and maybe come to the conclusion that it is a terrible movie after all ;-)
Rob (The Netherlands)
Rob (The Netherlands)
¿Sabías que…?
- TriviaThis project was in the works for a long time before the film finally emerged. There were various changes of cast and director, and many writers, including James Mitchell and Stanley Mann, produced drafts of the script before Robert Shaw, who was also a novelist, agreed to do a final rewrite immediately before shooting was due to begin. Although he assured Joseph Losey that he would finish it before the first day of shooting, he did not, in fact, complete it until the end of filming, with changes being seemingly made almost every day. The film was a box-office failure and was mostly shown in Britain in a heavily-cut version, although television showings have been complete.
- Versiones alternativasThe cut released in Italy (under the title "Caccia sadica," or "Sadistic Hunt") lost 14 minutes according to Joseph Losey, who looked into having his name removed from the credits.
- ConexionesReferenced in Aqueles Dois (1985)
- Bandas sonorasCartagena
(uncredited)
Music by Julián Palanca
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- How long is Figures in a Landscape?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 50 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Figures in a Landscape (1970) officially released in India in English?
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