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IMDbPro

Drácula contra Frankenstein

  • 1972
  • 1h 25min
CALIFICACIÓN DE IMDb
4.2/10
961
TU CALIFICACIÓN
Drácula contra Frankenstein (1972)
Terror

Drácula mata a sus víctimas. El Dr. Seward intenta detenerlo. El Dr. Frankenstein devuelve la vida a Drácula usando a su monstruo. Drácula y una vampira aterrorizan al pueblo. Seward es atac... Leer todoDrácula mata a sus víctimas. El Dr. Seward intenta detenerlo. El Dr. Frankenstein devuelve la vida a Drácula usando a su monstruo. Drácula y una vampira aterrorizan al pueblo. Seward es atacado por el monstruo de Frankenstein.Drácula mata a sus víctimas. El Dr. Seward intenta detenerlo. El Dr. Frankenstein devuelve la vida a Drácula usando a su monstruo. Drácula y una vampira aterrorizan al pueblo. Seward es atacado por el monstruo de Frankenstein.

  • Dirección
    • Jesús Franco
  • Guionistas
    • Jesús Franco
    • Mary Shelley
    • Bram Stoker
  • Elenco
    • Dennis Price
    • Howard Vernon
    • Paca Gabaldón
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    4.2/10
    961
    TU CALIFICACIÓN
    • Dirección
      • Jesús Franco
    • Guionistas
      • Jesús Franco
      • Mary Shelley
      • Bram Stoker
    • Elenco
      • Dennis Price
      • Howard Vernon
      • Paca Gabaldón
    • 24Opiniones de los usuarios
    • 48Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos95

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    Elenco principal14

    Editar
    Dennis Price
    Dennis Price
    • Dr. Frankenstein
    Howard Vernon
    Howard Vernon
    • Drácula
    Paca Gabaldón
    Paca Gabaldón
    • María
    • (as Mary Francis)
    Alberto Dalbés
    Alberto Dalbés
    • Dr. Jonathan Seward
    • (as Alberto Dalbes)
    Carmen Yazalde
    Carmen Yazalde
    • Chica Vampira
    • (as Britt Nichols)
    Geneviève Robert
    • Amira - la Gitana
    • (as Genevieve Deloir)
    Anne Libert
    Anne Libert
    • Primera Víctima de Drácula
    Luis Barboo
    Luis Barboo
    • Morpho
    • (as Luis Bar Boo)
    Brandy
    • El Hombre Lobo
    Fernando Bilbao
    Fernando Bilbao
    • El Monstruo
    Josyane Gibert
    • Estela - la Cantante de Cabaret
    • (as Josiane Gibert)
    Antônio do Cabo
      Eduarda Pimenta
      • Wife - Last Victim Besides Her Husband
      • (sin créditos)
      Daniel White
      • Danny - Innkeeper
      • (sin créditos)
      • Dirección
        • Jesús Franco
      • Guionistas
        • Jesús Franco
        • Mary Shelley
        • Bram Stoker
      • Todo el elenco y el equipo
      • Producción, taquilla y más en IMDbPro

      Opiniones de usuarios24

      4.2961
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      Opiniones destacadas

      2Coventry

      Three classic horror fables ruined at once! Bravo, Senõr Franco

      I guess your name simply has to be Jess Franco if you shamelessly steal the sagas of no less than three immortal horror icons (Count Dracula, Frankenstein's Monster and the Wolf Man) and still manage to make a dreadfully boring and incoherent piece of cinematic garbage out of it. How does one man pull it all off? I caught myself staring at the TV screen for several whole minutes before all of a sudden realizing there's actually nothing happening at all. There's something remotely resembling to a storyline, but you'll have to cut and edit the pieces together yourself, as good old Jess clearly didn't bother about continuity, periodic accuracy, tension building or even just plain common sense. The most astonishing thing, however, is that during the opening sequences, our director almost tricked me into believing "Dracula: Prisoner of Frankenstein" could actually become a worthwhile effort! The movie opens with atmospheric images of ominous dark castles and creepily isolated landscapes, guided by an unsettling Bruno Nicolai score. It suspiciously looks as if Franco carefully watched and studied the contemporary Hammer highlights (including the entire Dracula and Frankenstein franchises) and took notes on what scenery to use and how to create a setting. Unfortunately he quickly turns into his incompetent self again shortly after the opening credits and comes up with a totally ludicrous plot. The nauseatingly pale body of Count Dracula lies died in his coffin (perhaps that is because all the vampire attacks take place in broad daylight, duh!) when no less than Dr. Frankenstein invades the castle turf. The power mad doctor – NOT Baron this time – instructs his homemade monster to abduct a strip dancer and subsequently uses her blood to resurrect a bat. I think the bat is meant to represent Count Dracula or at least some vampire, as it is Frankenstein's intention to raise an army of vampires under his command and then overtake the earth. After this series of retarded plot twists, I just lost all further interest, so don't even ask me at what point the Wolf Man joined in. This is just an incredibly retarded movie and I honestly can't fathom that nobody who was involved in this production seemed to notice so as well. Wasn't there any of producers, cast or crew members courageous enough to step up and say something like: "Sorry Jess, no offense but … this is absolute rubbish we're filming here!" No? Anyone? Although it's probably a good thing, there are hardly any lines or dialogs in this movie. It takes nearly twenty minutes before anyone speaks and the characters that do open their mouths only talk nonsense. The sleaze factor is disappointing, the amount of gore and bloodshed is weak and the make-up effects are embarrassing. The Frankenstein creature looks like a cheap mannequin doll from a bankrupt Halloween store, the Wolf Man is just some Spanish bloke with a severe body hair problem and Dracula …well… Howard Vernon looks pathetic in his umpteenth collaboration with director Jess Franco. Personally I think Vernon owed Jess Franco a lifetime of favors for borrowing money once, or something, and therefore was forced to star in each and every dud the director ever made.
      markreederflesh

      this film is excellent! every fan of this genre should own it

      if you - like me - love trashy horror movies, then i can safely say, this film is excellent! every fan of this genre should own it (even if its in a unfathomable language - it all adds to the effect). the first time i saw this film i cried with laughter from beginning to end. fabulous! its a total masterpiece of its genre, yet sadly its practically unknown. as with all of jess francos brilliant films, it is unintentionally funny and highly entertaining. it delivers all the usual franco trademarks: sex, blood, death, nudity, more blood, tits, violence and great overacting. for sure, mr Tarantino would have loved to have made this film. he certainly couldn't have made it anymore over the top. i love the way the overdubbed clip-clops of the horses, sound exactly like someone clicking two pieces of metal together (or they obviously went to great lengths to recorded two-legged horses). visually, it has some really creative camera-work too, indeed, its like watching a movie after eating one of my reeders digestive biscuits! franco guaranteed everyone would be happy. any film that contains Dracula, frankenstein AND wolfman all in one movie, certainly wanted to make sure no fan would be left to freeze in the crypt. its entertaining in every way, even the original poster artwork is so wonderful it could almost be mistaken for a modern replica. if this film is available - anywhere, buy it. i guarantee you will not be disappointed. whatever, i loved it.
      4BA_Harrison

      And a wolfman for good measure.

      A creepy castle; rubber bats on string; hot women; stock sound effects*; crash zooms; out of focus shots; extreme close-ups of eyes. Be warned... with Dracula, Prisoner of Frankenstein, we're not just in vampire territory - we're in Jess Franco territory as well, which is not for the faint-hearted. Those who venture forth will face a nonsensical story, erratic pacing, and a general feeling that no-one involved really knew what was going on.

      The film begins as Doctor Jonathan Seward (Alberto Dalbés) tracks down Dracula (Howard Vernon, employing the one expression throughout the entire film) and despatches the vampire using a teeny tiny travel hammer and stake, small enough to fit neatly in one's hand luggage. Dracula transforms into a little dead bat, but is rescued by Doctor Frankenstein (Dennis Price), who, assisted by scarred mute Morpho (Luis Barboo) and his loyal monster (Fernando Bilbao, sporting truly awful make-up), is able to revive the flying mammal by soaking it in the blood of a sexy bar singer (Josyane Gibert).

      With Dracula in his power, Frankenstein sets about assembling an army of obedient vampires, including Doctor Seward's voluptuous patient Maria (Paca Gabaldón). Seward attempts to stop the megalomaniacal scientist and his unholy army with a little help from a band of gypsies, a jealous female vampire (Carmen Yazalde) and, in the film's chaotic finalé, a wolfman (Brandy, whose monster make-up is even worse than Bilbao's).

      Dracula, Prisoner of Frankenstein sees Franco at his laziest, the director chucking in everything but the kitchen sink with little regard for logic. Of course, this totally haphazard approach and the sheer silliness of proceedings will no doubt hold some appeal for fans of schlock Euro-horror and avid Franco fans, but those unaccustomed to the Spanish director's 'style' will more than likely struggle with the general slipshod nature of the movie.

      4/10. Very little in the way of gore and nekkidness - just a little blood and some 'cheesecake' (the lack of nudity is especially surprising given it's a Franco flick).

      *We never actually see that bloody peacock!!!
      ultra_tippergore

      Grade Z fun

      Jesús Franco (aka uncle Jess) decided here to put every possible movie monster together(Drácula, Frankenstein and the werewolf) and "Dracula vs Frankenstein" was spawned. Dr. Frankenstein creates an obedient monster with his illegal activities. Then, Count Dracula (Howard Vernon) also joins Frankenstein army. This is maybe one of the oldest Dracula ever, he is so old that is a joke. The old Dracula and the evil monster begins their reign of horror in the town, fortunately for the people, the werewolf is there to help the town against Dracula and the monster (yes, this movie is a complete non-sense). Apart from the non-sense of everything here, we have a good staff of young and beautiful chicks. OK, Dracula Vs Frankenstein is more an unintentionally comedy than a horror movie, not even a 5 year old girl can be scared by this one, its even cheesier than any Ed Wood movie, but it is funny. Its one of those "so bad its good" movies, pure grade Z fun. Unfortunately, we have no gore or sex in this Franco movie, but still is recommended.
      2planktonrules

      The Madame Toussaud's wax figures have more action and life than these dullards!

      The problem with "Drácula Contra Frankenstein" is not its cheesiness--though the film is truly the Velveta of horror films. The low production values and silly props can be forgiven. But what cannot be forgiven, especially in a film of this genre, is the amazing dullness of this film. If you were to go to the nearest branch of Madame Toussand's wax museum to cast a film, you couldn't get any less life-life and uninteresting people than the idiots who play monsters in this film. First, the Frankenstein looks like he was created by a group of 4th graders--complete with scars that are obviously drawn onto it face and skin that looks like green bonito shavings (fans of Japanese cuisine, this comment's for you). Second, Dracula could have almost as easily been played by a mannequin, as much of the film he stares into space like Captain Christopher Pike's head in Star Trek's "Menagerie". Most of his "action" is confined to widening his eyes--a bit. What makes it even more ridiculous are the bats that the vampires supposedly turn into, as they are the worst and most unrealistic bats you'll ever see (this includes in Ed Wood films and Three Stooges shorts as well as the little plastic ones you buy around Halloween).

      For about the first 50 minutes or so, not a whole lot happens in the film. No, wait,...after 50 minutes STILL nothing happens in the film....nothing. There is almost no dialog (perhaps to supposedly make it easier to dub for international release)--with very, very long stretches with nothing being said or a bit of over-dubbed speech only. The "dialog" in many places consists of heavy grunting and a hilarious scene where a woman writhes about screaming like she's passing a kidney stone--a kidney stone the size of a basketball! Towards the end, there is more dialog but actual conversations between characters are almost completely absent. In some cases, the face was filmed from the nose up--so you couldn't see the mouth moving (again, to make over-dubbing easier). The net effect of all this is appallingly dull.

      The plot, when it is at all apparent, involves Dr. Frankenstein reviving Dracula to be his slave (ooh, that won't end well) as well as the evil scientist reviving his green cheese-like monster. Dracula makes some female vampires and eventually a wolf-man shows up...though I have no idea why. It was as if the lack of coherent plot and dialog could somehow be compensated for by tossing in more and more monsters. Heck, I was almost expecting the Creature from the Black Lagoon or Godzilla to eventually make an appearance!! And they might have, had director Franco thought of it! The only thing going for this terrible film are the locales. Because it was filmed in Europe, the settings can't help but look pretty good. That alone is the only reason I gave this movie a score as high as 2--otherwise, it's even more dull and stupid than an Al Adamson horror film.

      In a final note, you PETA-types out there may want to skip this one. Aside from the cheap fake bats, there are a some real ones that are mistreated rather badly. One was either drowned or near-drowned in blood in a jar and another one is held by his wingtips and made to flutter wildly (as best it could). I must say it was the first film I ever saw that made me feel sorry for the poor creatures.

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      Argumento

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      ¿Sabías que…?

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      • Trivia
        Dr. Seward's sanatorium is filmed at Museu Condes de Castro Guimarães, in Cascais (Sintra, Portugal) a place where the director would come for a number of his movies, namely the lavishly photographed Las cartas de amor de una monja portuguesa (1977). The same location was later used for filming a vampire soap opera Lua Vermelha (2010).
      • Versiones alternativas
        The original German VHS rental release on Mike Hunter Video is cut by some 70 seconds.
      • Conexiones
        Featured in Cinemassacre's Monster Madness: Dracula vs. Frankenstein (2010)

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      Preguntas Frecuentes

      • How long is Dracula, Prisoner of Frankenstein?
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      Detalles

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      • Fecha de lanzamiento
        • 17 de octubre de 1972 (Francia)
      • Países de origen
        • España
        • Francia
        • Liechtenstein
        • Portugal
      • Idioma
        • Español
      • También se conoce como
        • Dracula, Prisoner of Frankenstein
      • Locaciones de filmación
        • Alicante, Comunidad Valenciana, España
      • Productoras
        • Fénix Cooperativa Cinematográfica
        • Comptoir Français du Film Production (CFFP)
        • Interfilme
      • Ver más créditos de la compañía en IMDbPro

      Taquilla

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      • Total a nivel mundial
        • USD 288,634
      Ver la información detallada de la taquilla en IMDbPro

      Especificaciones técnicas

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      • Tiempo de ejecución
        1 hora 25 minutos
      • Mezcla de sonido
        • Mono
      • Relación de aspecto
        • 2.35 : 1

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