Los endemoniados

The writings of the great H.P. Lovecraft have lead to some truly great films, but unfortunately his stories aren't always enough to carry a film through, and despite the fact that this film features all the elements of a successful Lovecraft adaptation - The Dunwich Horror is a sadly lacklustre movie. It has to be said that the film does look very nice - for a low rent early seventies production, the cinematography is surprisingly crisp and the locations look good - but this isn't matched by the story, which is always intriguing but director Daniel Haller lets the suspense build and build and then makes the cardinal blunder of not giving his audience a worthwhile payoff at the end. The plot revolves around one of Lovecraft's most famous creations - the Necronomicon, a book which can supposedly summon alien Gods to Earth. Wilbur Whateley wants this book so that he can complete some ancient rite, and in order to do so he needs the services of Nancy Wagner - a young University student that offered him a lift home when he unfortunately missed his bus.

The film is packed with provocative imagery (for the time), and includes a nude scene for Sandra Dee and a whole host of trippy psychedelic scenes. However, while he was doing all this stuff, the director forgot that he was actually filming a horror film - and because of that, there's barely any horror on display at all and the closest we really get to anything horrifying is a vibrating door with a bolt on it. Naturally, it's not long before all this starts to get more than a little bit boring as you can only watch a bunch of meaningless characters swan around for so long. However, the way that the director builds suspense is sometimes intriguing, and I have to admit that I did want to know what was going on - the fact that the ending is so pithy pretty much cancels that out, however. There is a good sequence mid-way through in which we find about the birth of the main character and some other scenes are interesting (like the fight between our warlock and a library security guard...), but overall there really isn't much to recommend this film for and I don't doubt that my fellow Lovecraft aficionados will be disappointed.

A kind of disappointing foray into the realm of Lovecraft. Dee looks like she's lost in a library, not in a twisted necromantic nightmare. Stockwell is fun at times and he's a good actor but Haller lets him play too broad to be convincing. the legendary "topless Sandra Dee" scene lasts all of 2 seconds, and I thought it looked like it could just as easily have been anybody's (well, almost anybody's, but possibly not even Sandra Dee's!), because the camera dollied behind Dee's head and got dark on her just before showing it, so a switch and edit could easily have been accomplished. That means, if it IS a true totless shot, the cameraman and Haller should be ashamed for making it look fake.

Surely, Roger Corman should have exercised a stronger hand over this one (or somebody should have). Still, it's fun and kind of different. Will not particularly please H.P. Lovecraft fans.

Sandra Dee (the original GIDGET to you beach bunny fans) is Nancy Wagner, a virginal blonde student at Miskatonic University who meets Wilbur (Dean Stockwell), the grandson of a warlock who was lynched years earlier.

Wilbur shows interest in the Necronomicon and in Nancy, because he needs both to open a gateway for demons called "The Old Ones" to enter our world. He invites her back to his secluded home in Dunwich, where he keeps her drugged, plots to sacrifice her on a seaside altar and fights with his senile, ranting grandfather (Sam Jaffe). A strange-looking, barely-seen, multi-headed flying monster that sees things in negative (and looks kind of like GHIDRAH!), is kept locked in the attic, but escapes for the silly finale.

It's amusing to see the once-wholesome Sandra Dee saying sex is "great" and simulating orgasm while being groped on an altar, but she should also get credit for delivering a decent performance. Ditto Ed Begley in his last role as a heroic professor. Stockwell is so soft-spoken and weird it's hard to gouge just how good (or bad) his performance really is.

Compared to most recent H.P. Lovecraft adaptations, this isn't half bad and it all looks very cool and colorful. Roger Corman was the executive producer. Director Haller also made DIE, MONSTER, DIE, which was based on Lovecraft's "The Colour Out of Space."

Interesting film about a young college coed who becomes involved with a young man who has connections that extend well into the underworld and who only needs the right book to unleash them. Sandra Dee in a surprisingly sexy role as the young student and Les Baxter's very nice soundtrack just about save an effort where the actual film doesn't do justice to its title. Nonetheless the production design creates creepy atmosphere especially in the seaside alter where Dee is nearly undressed while Stockwell prepares her for the arrival of Satan himself. And there is a certain amount of imagination involved in the film that combines a nice mixture of classic horror themes with hip sensibilities.

If I had watched this with a bunch of friends, we would have laughed and thought it was awful. But when watched alone at night, without a critical attitude, it is creepy and effective as only an old, cheap horror movie can be. Dean Stockwell and Sandra Dee give low key, almost distracted performances that, intentionally or not, contribute to the eerie tone, and presentation of Dean Stockwell's unearthly twin was very atmospheric and evocative - a good example of how to play on the viewers' imagination (a lost art in most of today's horror movies). The movie has a titillating sexuality (which seems very 1970 but quite un-Lovecraftian but it has been a long time since I've read his stuff) with a few quick almost subliminal nude shots.

Part of my enjoyment of the film was nostalgia - it reminded me of tv shows and movies I enjoyed as a kid in the early 70s. Dunwich Horror is very similar in style to the Night Gallery tv series (which was rarely successful, but I still enjoy watching it if I get a chance).

So - not a great movie, but good if you like this sort of thing and are in the right frame of mind. The DVD looked pretty good, especially the color.