[go: up one dir, main page]

    Calendario de lanzamientosTop 250 películasPelículas más popularesBuscar películas por géneroTaquilla superiorHorarios y entradasNoticias sobre películasPelículas de la India destacadas
    Programas de televisión y streamingLas 250 mejores seriesSeries más popularesBuscar series por géneroNoticias de TV
    Qué verÚltimos trailersTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalPremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
  • Preguntas Frecuentes
IMDbPro

Crímenes del futuro

Título original: Crimes of the Future
  • 1970
  • C
  • 1h 3min
CALIFICACIÓN DE IMDb
4.7/10
3.4 k
TU CALIFICACIÓN
Crímenes del futuro (1970)
Ciencia FicciónComediaSátira

Detalla las andanzas de Trípode que busca a su mentor, el dermatólogo loco Antoine Rouge. Rouge ha desaparecido tras una catastrófica plaga derivada de productos cosméticos, que ha matado a ... Leer todoDetalla las andanzas de Trípode que busca a su mentor, el dermatólogo loco Antoine Rouge. Rouge ha desaparecido tras una catastrófica plaga derivada de productos cosméticos, que ha matado a toda la población de mujeres sexualmente maduras.Detalla las andanzas de Trípode que busca a su mentor, el dermatólogo loco Antoine Rouge. Rouge ha desaparecido tras una catastrófica plaga derivada de productos cosméticos, que ha matado a toda la población de mujeres sexualmente maduras.

  • Dirección
    • David Cronenberg
  • Guionista
    • David Cronenberg
  • Elenco
    • Ronald Mlodzik
    • Jon Lidolt
    • Tania Zolty
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    4.7/10
    3.4 k
    TU CALIFICACIÓN
    • Dirección
      • David Cronenberg
    • Guionista
      • David Cronenberg
    • Elenco
      • Ronald Mlodzik
      • Jon Lidolt
      • Tania Zolty
    • 25Opiniones de los usuarios
    • 38Opiniones de los críticos
    • 58Metascore
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos44

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 38
    Ver el cartel

    Elenco principal23

    Editar
    Ronald Mlodzik
    Ronald Mlodzik
    • Adrian Tripod
    Jon Lidolt
    Tania Zolty
    Paul Mulholland
    Jack Messinger
    Iain Ewing
    William Haslam
    Raymond Woodley
      Stefan Czernecki
      Rafe Macpherson
      Willem Poolman
      Don Owen
      Udo Kasemets
      Bruce Martin
      Brian Linehan
      Leland Richard
      Stephen Zeifman
      Norman Snider
      • Dirección
        • David Cronenberg
      • Guionista
        • David Cronenberg
      • Todo el elenco y el equipo
      • Producción, taquilla y más en IMDbPro

      Opiniones de usuarios25

      4.73.4K
      1
      2
      3
      4
      5
      6
      7
      8
      9
      10

      Opiniones destacadas

      3p-stepien

      Synopsis better than its bite

      In a future imperfect all females have perished due to a deadly chemical outbreak, leaving the male population to fend for themselves. Among them Aaron Tripod (Ronald Mlodzik), a researcher coping in the new world now devoid of a moral compass. During his studies he encounters a patient, which emits mysterious excretions tasting of chocolate. Once the subject inexplicably disappears Aaron employs himself in another clinic, which serves as a compound for individuals with similar bodily substances. There he encounters the changing functions of the new man and its new flesh. All with true Cronenberg-esque style...

      Similar in execution as "Stereo", with an upgrade from black and white into full colour, but still experimentally coping without sound, instead inputing odd disjointed sounds and a voice-over to convey the slightly misogynistic story. Rife with motifs featuring in Cronenberg's earlier works, like "Shivers", "The Brood" or "Scanners", this artsy feature remains an intriguing expansion of Cronenberg's cinematographic world-view. Despite a larger budget than "Stereo" and undeniably better technical resolution with some excellent framing of shots, "Crimes of the Future" is comparatively a step further into detrimental watching, making novelties like fast forward necessary to survive the viewing.

      Nonetheless the overall experience remains an excruciating watch as a product of a student filmmaker, overawed by his own brilliance, but unaware that his supposedly nouvelle experiment in filmmaking is mostly unwatchable drivel. As such the style is almost unbearably self-defeating, making the story drown under the pretentious exposition and ultimate lack of direction. The script may sound cerebral (however truthfully strongly undercut by an intellectual overreach), but that does not excuse a total detachment from the viewing audience. Ultimately Cronenberg's venture feels overly childish in his introvert drive for novelty. Several scenes do manage to build a vague anxiety with it cold and distant atmosphere, especially the layered denouement involving a bout of paedophilia.

      Best viewed for Cronenberg fanatics with a strong inclination towards understanding his perspective on film and exploring his growth as a filmmaker. Remaining subjects best resolve to focusing on his later works.
      Michael_Elliott

      Well Made But It Just Didn't Do Much for Me

      Crimes of the Future (1970)

      ** (out of 4)

      Normally I'd use this portion of my review to describe the "plot" of the film but I must admit that I have no idea what the plot of this film is. Basically it takes place at a disease clinic where several people are staying and we're introduced to a doctor and a mysterious disease that has killed off sexually active women.

      CRIMES OF THE FUTURE was the second feature film from director David Cronenberg and it's a lot like his first STEREO. Both films are very experimental and I'm going to guess that you could show both of them to a hundred different people and you'd probably get a hundred different explanations of the plot. Heck, you'd also probably get quite a few walk-outs because neither film is what you'd call normal or for the mainstream.

      I honestly felt the same for both pictures. I honestly respect both of them a lot more than I was actually entertained by them. I thought Cronenberg did a good job with the direction and there's no doubt that you're watching a film from someone with a vision. I also thought the performances were nice. There was a bizarre atmosphere to the film as well, which is something else I liked. With that said, did I enjoy watching the film? No, I didn't. Would I ever watch it again? No, I wouldn't.
      7fred-83

      hypnotic

      This is an unusual filmic experience, hypnotic, trance-like, not totally rewarding but still fascinating. On the soundtrack you can only hear the narrator, strange noises (sounds of sea-creatures) and for some stretches, total silence. Signs of Cronenbergs weird imagination is present throughout the narrative. I especially liked the quite extraordinary concept of "creative cancer".The sterile, modernistic architecture lends the movie a strangely desolate, surreal tone and sets, at least my, imagination in motion. It´s like stepping into another reality, something Cronenberg has continued to achieve in the best of his subsequent movies. It´s an experimental film, but it succeeds in drawing the viewer into the picture, not solely with its narrative, but with its images and composition. In fact, it´s not unlike what Kubrick did, in much larger scope of course, with 2001. Recommended for Cronenberg fans, and those of you who aren´t afraid of something different.
      8Captain_Couth

      Another early film from David Cronenberg.

      Crimes of the Future (1970) was made a year after Stereo and with a larger budget, Cronenberg came out with an even more bizarre film based around sex and human nature. In this film he takes his cold, clinical and dark view of the world a step further. A world filled with emotionless people who are devoid of individual thought and repressed beyond imagination. A doctor uses this to his advantage whilst sexually experimenting amongst patients within a mental hospital.

      This film is kind of hard to describe without giving away to much. But I found it to be comparable (somewhat) to THX 1138. In many ways you can compare the two. Cronenberg shot this faux documentary style accompanied by narration. The film reminded me of those videos that psychiatrists use when documenting extraordinary cases of psychosis and what not. Maybe that's what he trying to accomplish (if he was he succeeded). However some of the scenes in this movie are not for all viewers (those easily offended will be turned off by the subject matter).

      All in all it's a more polished film than Stereo and his film-making had matured. Cronenberg also experiments more with sound and editing. The technique he uses gives the viewers the impression that they're under a state of semi-hypnosis (I don't know if they'll appreciate that or not). A interesting experimental film.

      For fans only. Recommended.
      5lost-in-limbo

      The ticking mind of Cronenberg.

      Aaron Tripod is studying a patient at a clinic that can emit a chocolate like substance from his body, which people become compelled to eat. This occurred after nearly all the woman on earth died from a poisonous cosmetic. After the patient disappears Aaron moves onto another clinic where there are more people of that type being used by doctor for his own purposes and there's a secret lurking in the facility that can change the fate of this outcome.

      Just like the film before this: "Stereo", Cronenberg comes up with another experimental, art-film that combines his interest in literature and science. Especially that of the human body and sexual chemistry, where science tries to manipulate the genetic makeup somehow. On this particular film the style and story's context are very similar to "Stereo" with most of the cast and crew returning for this project. I actually found this one to be slightly better and one incredibly bizarre trip compared to his previous film. But for this experience you have to be in the right frame of mind that's for sure, as this one too goes for an hour, but there are many padded scenes with many slow stretches. But for me it didn't seem to drag that much. Again there's no dialogues, but there are some odd sound effects worked into the picture that sound like something out of nature (bird cries, ocean waves and even a sound like someone is blowing bubbles). This gave the film such a real anxiety, but at times it did get a bit overbearing. Also you got a fitting narration that's gives out an mildly stimulating outlook and provides at times a coherent plot device. This could be because a plethora of characters spring out and then suddenly disappear which makes the story rather uneven, as it changes course quite a bit. The static voice over is not as frequent here, but it's the actions and faces that mostly tell the story. Now the look of the film is where Cronenberg was at his best here and the budget was a tad higher for this outing, since now this one was shot in colour and production was of high quality with what he had to work with. Great use of composition and lighting, while the strong shapes in the background features added a huge imprint. Plus there was always little things going in the foreground that you catch a glimpse of. The film sustains a bare atmosphere, which has a emotionless, post-apocalyptic feel where everything is beyond redemption. The offbeat environment is filled with many surprises and the hypnotic images just flood the screen. The haunting conclusion stages one that's hard to forget. The camera-work here gives the film a third perspective and builds on the groundwork very well. Ronald Mlodzik's performance as Aaron Tripod is rather good and his expresses his actions in a clear and concise way. Cronenberg has come up with an far more accomplished effort on this occasion.

      This excursion I found strangely fascinating as you can easily see this as a stepping stool for Cronenberg to iron out those creases for future projects. He's obsession on the evolutionary process where sex and disease is controlled by science makes his work so unique. Again just like what I said on "Stereo", if you're looking for some entertainment, look elsewhere. But if you want to see the where the clinical influence and cold style for his most assessable work came from, there's no better place to start than here.

      Más como esto

      Stereo
      5.1
      Stereo
      Fast Company
      5.4
      Fast Company
      Los parásitos asesinos: escalofrío mortal
      6.3
      Los parásitos asesinos: escalofrío mortal
      Rabia
      6.3
      Rabia
      M. Butterfly
      6.7
      M. Butterfly
      El almuerzo desnudo
      6.9
      El almuerzo desnudo
      Los engendros del diablo
      6.8
      Los engendros del diablo
      Crimes of the Future
      5.8
      Crimes of the Future
      Telépatas, mentes destructoras
      6.7
      Telépatas, mentes destructoras
      Transfer
      4.4
      Transfer
      Spider
      6.7
      Spider
      Short6
      5.6
      Short6

      Argumento

      Editar

      ¿Sabías que…?

      Editar
      • Trivia
        The film was shot without any sound recording because the 35mm camera made too much noise. The first-person voice-over and a few strange sound effects were added later.
      • Citas

        Adrian Tripod: When Antoine Rouge disappeared, soon after he had himself contracted the disease which bears his name, we believe that he had preferred to die alone, in an exile only partially self-willed. Still, he on one occasion remarked that Rouge's malady could not possibly be fatal to Rouge, though it had already killed hundreds of thousands of women. And it is true that his death was confirmed only by certain authorities who had long wished for his death. Yet the Rouge, as my mentor and I were preternaturally close, and I feel sure that he no longer exists...

      • Conexiones
        Featured in On Screen!: Shivers (2008)

      Selecciones populares

      Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
      Iniciar sesión

      Preguntas Frecuentes14

      • How long is Crimes of the Future?Con tecnología de Alexa

      Detalles

      Editar
      • Fecha de lanzamiento
        • 10 de agosto de 1984 (Estados Unidos)
      • País de origen
        • Canadá
      • Idioma
        • Inglés
      • También se conoce como
        • Crimes of the Future
      • Locaciones de filmación
        • Massey College, University of Toronto, Toronto, Ontario, Canadá(interiors and exteriors at the beginning)
      • Productora
        • Emergent Films Ltd.
      • Ver más créditos de la compañía en IMDbPro

      Taquilla

      Editar
      • Presupuesto
        • USD 20,000 (estimado)
      Ver la información detallada de la taquilla en IMDbPro

      Especificaciones técnicas

      Editar
      • Tiempo de ejecución
        1 hora 3 minutos
      • Mezcla de sonido
        • Mono
      • Relación de aspecto
        • 1.66 : 1

      Contribuir a esta página

      Sugiere una edición o agrega el contenido que falta
      • Obtén más información acerca de cómo contribuir
      Editar página

      Más para explorar

      Visto recientemente

      Habilita las cookies del navegador para usar esta función. Más información.
      Obtener la aplicación de IMDb
      Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
      Sigue a IMDb en las redes sociales
      Obtener la aplicación de IMDb
      Para Android e iOS
      Obtener la aplicación de IMDb
      • Ayuda
      • Índice del sitio
      • IMDbPro
      • Box Office Mojo
      • Licencia de datos de IMDb
      • Sala de prensa
      • Publicidad
      • Trabaja con nosotros
      • Condiciones de uso
      • Política de privacidad
      • Your Ads Privacy Choices
      IMDb, una compañía de Amazon

      © 1990-2025 by IMDb.com, Inc.