En domingo no matarás

Weekend Murders is one of the more hard to find Giallo films, and I find that rather surprising as the English countryside setting as well as the mystery plot that spoofs Agatha Christie stories means that it's actually one of the more accessible films of the genre. Despite the fact that Weekend Murders is an Italian production, director Michele Lupo has done a great job of creating a distinctly British atmosphere, and this could easily have been a British film were it not for the poor dubbing. Michele Lupo has a great sense of humour and he succeeds several times in lampooning the tradition that the film is spoofing, and Weekend Murders is a very funny film throughout. We open on a golf course where a leisurely game is interrupted by the discovery of a hand sticking out of a sandpit. It soon becomes obvious that the butler didn't do it because, contrary to the norm, he is the first to go! We soon move on to the first real plot building scene, which takes form in a will reading to the members of a wealthy estate. Aside from getting a few laughs, we are also given the knowledge that the owner of the estate's favourite daughter is to inherit everything, much to the dismay of the rest of the house.

Most of the humour in the film comes from the seemingly inept local policeman played by Gastone Moschin. His character soon hooks up with the self proclaimed ace Scotland Yard Superintendent Grey (Lance Percival), and their double act forms the backbone of the movie. The two pair up well actually, and their exchanges work because the two characters are so different. Unfortunately, the rest of the support cast isn't so memorable; and while none of them put in particularly bad performances - there isn't a real standout either. The film also has a few plot problems, as the focus isn't always on the mystery and the exchanges between the members of the house are often redundant and not relevant to the central theme. The mystery itself is rather bare, and although clever at the conclusion - the plot is not the labyrinth that I have come to expect from Giallo's. After spoofing just about every mystery cliché in existence, it is fitting that the common revealing scene at the end is also lampooned by Lupo, and while the identity of the murderer is actually rather obvious; at least the reasons behind it make some sort of sense. Worth tracking down!

If anyone out there has this on DVD give it a close look from the start. Why? Well, my Dad is in it!!!!! The stately home scenes were part shot at Somerleyton Hall, not far from where we live. Anyway, when my Dad and his brother, simply riding by and puzzled by a crowd, stopped the car to see what all the commotion was about, a back-combed sycophant suddenly appeared, carrying a clipboard and asked if they could spare a few moments to fill a couple of subsidiary roles.

Hey presto, the old man became the young dark haired stretcher bearing ambulance man and his brother became a taxi driver (although his scene was cut). They were given exceptional 24 hour equity memberships (the actors union) and were dismissively paid about £10 each for their trouble - not bad for 1970!!! They were also told that the working title of the film was "Weekend Murders" but it might have some kind of Italian title upon release.

Their abiding memory was of Lance Percival (English comedian & actor on the fringe of the "carry on" team, popular 1960's/1970's) being locked in the portable toilet by one of the sound crew.

There you go - a bit of movie trivia for you.

"Weekend Murders" perfectly summarizes all the reasons why Italian gialli-movies made between 1970 and 1980 are my absolute favorite type of horror flicks! Surely this little flick steals ideas of several other classics, surely it's incredibly absurd and far- fetched, and surely it isn't that well-made… But, come on, you just have to discover how much fun and exhilaration this crazy little whodunit thriller provides! "Weekend Murders" is basically a spoof of an Agatha Christie story, particularly "Ten Little Indians/And Then There Were None", and thus definitely not your standard type of giallo, however the highly imaginative murder methods and bizarrely eccentric characters are maintained. And then there's something else that usually never features in gialli, namely lots and lots of humor! Director Michele Lupo – mostly known for his numerous Terence Hill & Bud Spencer action/comedy vehicles – marvelously succeeds in narrating the tale of jealousy, family hatred and murder in a very light-headed fashion, with special thanks to a handful of delightfully funny dialogs and a cast full of respectable names with (hidden) comedy talents. Gastone Moschin, for example, whom I only knew from the raw and violent crime thriller "Milano Calibro .9", here demonstrates his comedy skills together with the textbook British Lance Percival. Speaking of textbook British, "Weekend Murders" is probably the only Italian film that successfully manages to look authentically British (aside from the dubbing) with gloomy land houses, stereotypically well-mannered characters and oppressed humor. The film creatively opens somewhere halfway in the plot, in fact. When a lifeless body is discovered in the sandpit of a golf course, local police sergeant Aloisius Thorpe reminds his Scotland Yard colleague that this is already the third vicious murder in three days. So we go back in time and get acquainted with the remaining members of the Carter family and their partners. They have gathered in the old family home for the reading of the will of their deceased patriarch. Like often the case with inheritances and greedy relatives, most of them aren't too happy with the outcome. Soon after the first murder takes place and this indirectly leads to what I personally find the most hilarious part of the movie. For you see, the first victim is Peter butler, so one of the characters makes the incredibly dry and witty remark: "Well, at least this time nobody can say that the butler did it". Anyways, more murders follow, but Sergeant Thorpe certainly isn't as dim-witted as he looks and impressively gets closer and closer to capturing the killer. For my liking, the body count easily could (and should) have been a bit higher, but I was pleasantly surprised by the ingenious unfolding of the mystery and by the revelation of the killer's identity + modus operandi. If all this isn't persuasive enough just yet, "Weekend Murders" also has an awesome score, with a fantastic reworking of the catchy classical music by Pyotr Tchaikovsky, and stars a few couple of really ravishing actresses (Ida Gallo, Anna Mofo, Beryl Cunningham, Orchidea de Santis). It exists on DVD, what are you waiting for?

This is a take off of the agatha christie type films done in the italian style and set in a statley home in britian.It is great fun and should be seen.Great use of classical music,zoom shots,red herrings and a little bit of the naughty..i mean a little bit,it was early 70s. great apperance by ballard barclay,the major in fawlty towers.It will not set the world on fire but you could do worse. Out of ten,say seven

Agatha Christie mysteries and Italian gialli may have some things in common, but they're also very different. First off, gialli are really "mass-murder mysteries", whereas only a few Agatha Christie mysteries really fit that description(the most famous being her seminal "Ten Little Indians"). Moreover, Agatha Christie mysteries are very mannered and British while Italian gialli are very over-the-top and usually chock-full of lurid sex and violence. This movie is impressive, therefore, because it manages to successfully combine the two styles (much like Mario Bava's "Five Dolls for an August Moon"). It has a typical Agatha Christie set-up with various grasping relatives gathered at a remote country estate to hear a will, but like a giallo, it's also full of ridiculously shifty characters, sexual perversity, OTT crash-zooms, and overly dramatic music.

Perhaps, even more impressive, it's one of the few gialli to successfully incorporate (completely intentional) black comedy. It really plays with the conventions of the mystery genre--the first person killed is the butler (so he didn't do it), and the Scotland Yard detective (Lance Percival) turns out to be an inept bumbler while the thick-looking local bobby (Gaston Moschin) turns out to be quite clever. Being a giallo though, it also has certain stock "giallo-esque" characters like an impotent, virginal mama's boy (Chris Chittel) who likes fake bloody suicides and a black woman(Beryl Cunningham)who is married to one of the family members and (naturally) is the most sexually predatory of the characters--with the possible exception of the saucy maid (Orchidea DeSantis).

This has a great cast including Eveline Stewart, Giacomo Rossi-Stuart, and American Peter Baldwin who were in any number of 60's and 70's Italian films. Gaston Moschin (who is GREAT here) was usually in Italian crime thrillers, but also had an important part in the "The Godfather 2". The sexy Beryl Cunningham was in "Crimes of the Black Cat", and the even sexier Orchidea DeSantis played all kinds of sexy roles in all kinds of sexy Italian movies. Even the English actors are familiar--Lance Percival was a big comedy actor in Britain at the time and Christopher Chittel was in another movie very much like this called "Erotic Inferno", except that it was a softcore porn movie with Mary Millington! (VERY few actors have ever appeared in both Italian giallo thrillers AND Mary Millington sex comedies). This has just received a superior release by Code Red. I would definitely check it out.