The Cheyenne Social Club

"The Cheyenne Social Club" is a delightful easy going comedy western produced and directed by screen legend Gene Kelly. Given the subject matter, Kelly manages to stick handle around the double entendres and present a comedy that is tastefully done and probably offended no one.

Two drifters, John O'Hanlan (James Stewart) and Harley Sullivan (Henry Fonda) are working cattle in Texas. One day O'Hanlan receives a letter informing him that he has inherited some property in Cheyenne, Wyoming. So he and Harley set out for Cheyenne.

When they arrive, they discover that the property that O'Hanlan has inherits is a bawdy house known as The Cheyenne Social Club. They meet the "Madame", Jennie (Shirley Jones) and the rest of the girls, Opal Ann (Sue Ann Langdon), Pauline (Elaine Divry), Carrie Virginia (Jackie Russell), Annie Jo (Jackie Joseph) and Sara Jean (Sharon DeBord).

O'Hanlan at first is hailed as a saviour by the townsfolk. He is given carte blanche at the local saloon by the Barkeep (Robert Middleton) and becomes the most popular man in town. Harley meanwhile has struck up a friendship with another saloon girl Alice (Jean Willes) after he stops her runaway horse.

O'Hanlan is uncomfortable with the kind of business he's in and announces that he is closing up the Social Club while he ponders his next move. Well, the townsfolk don't take too kindly to this and turn against him. In particular he runs afoul of bully Corey Bannister (Robert J. Wilke).

When Jennie is beat up by Bannister, O'Hanlan comes to her aid. With some unexpected help from Harley, he manages to gun down Bannister. The local Marshal (Arch Johnson) warns O'Hanlon that Bannister's relatives will surely come after him. Harley decides to return to Texas. On the trail he meets the Bannisters led by "Uncle" Charlie (Charles Tyner) who are heading to Cheyenne.

Only O'Hanlon is left to defend the Social Club and its girls. But then........................

Stewart and Fonda had been friends since the 1930s and play well off of each other. As a contrast, takes a look at "Firecreek" which they made two years earlier for two completely different performances. Both had done light comedy before so were able to play these roles convincingly. They even get to "sing" a song on the trail (good thing they didn't quit their day jobs).

The film is made even better with its fine supporting cast. In addition to those already mentioned there is Dabbs Greer as Lawyer Willowby, J.Pat O'Malley as a fast talking drummer and John Dehner, Jason Wingreen, Myron Healey and Hal Baylor in other roles.

Great entertainment.

This is a great comedy western without being stupid satire and is nothing like Blazing Saddles by Mel Brooks. I personally hate satire on a high level. This is a hilarious movie with a great cast of characters. I first saw this movie when I was very young. But to ensure before I rated that I didn't remember this movie as funny just because I was a kid. I recently viewed it again. I am 44 and thing it is hilarious. I enjoy mostly serious westerns but also love comedic westerns when they are done well. Other good movies are Maverick, Support Your Local Sheriff, Support Your Local Gunfighter and John Wayne's "McClintock". So if you don't like any westerns that have comedy then this will not be for you. Perhaps you just go more for gritty reality such as Tombstone, Wyatt Earp, Unforgiven or classics such as True Grit and The Outlaw Josey Wales. But if you enjoy a laugh without being stupid satire you will like this movie. I am assuming that is why the reviews that have been written were mostly negative.

Is "The Cheyenne Social Club" a comedy or action Western? Director Gene Kelly tries to combine the two with very uneven results. Cowboy James Stewart receives a letter telling him that he has inherited property from his late brother so he starts out for Cheyenne along with his buddy, Henry Fonda. It is only after he arrives that Stewart finds out the Cheyenne Social Club is not a boarding house or saloon as he supposed, but, well, something else. Director Kelly plays up the discomfort Stewart feels being the not so proud owner and his futile efforts to close the place down, but most of the jokes in that vein fall flat. That is not to say we can't find humor as, for example, Stewart changing his politics when he fancies himself as a businessman, or Fonda cracking nuts at inopportune moments. Fonda's speeches as the credits are rolling are hilarious. Stewart listens politely until he can't take any more and finally has to tell Fonda to shut up. The movie is at its best when these two old pros are interacting with one another.

No matter how many movies teamed Jimmy Stewart and Henry Fonda, it was not enough. Gene Kelly directs the pair here in a simple story of long-time friendship in the Old West, familiar ground, sure, but a story that always brings a smile to my face.

When John O'Hanlan (Stewart) discovers that his long lost brother has died, he's surprised to find that he has inherited a business. Enthusiastically he crosses the country from Texas to Cheyenne to become ‘a man of property', just what he's always wanted.

But the Cheyenne Social Club, his business, is a brothel. The premiere brothel in this boom town, sure, but that's not exactly what O'Hanlan had in mind. Thankfully his riding partner Harley Sullivan (Fonda) has tagged along, Harley may have his own point of view on most things, but he does smooth out many of the rough spots they encounter along the way.

Story is predictable, the climax is anti-climatic, but, who cares when you get to see these on-screen buddies in a buddy movie defined.

My lasting memory from seeing this film in a large screen theater in 1970 is the opening scene: Fonda and Stewart at work on a snowy range with other cowboys before Stewart gets notified of his inheritance.

I don't think the film made much money upon initial release, but when it was shown on US network television in the late seventies, it was the number one telecast for the week. Back in those pre multi cable days, I'm sure some grasping producer (Glenn Larson type) was contemplating a pilot for a few weeks.