CALIFICACIÓN DE IMDb
6.8/10
5.4 k
TU CALIFICACIÓN
Durante la década de 1930, en Marsella, Francia, dos delincuentes trabajan para los jefes del crimen local hasta que deciden emprender su propio negocio.Durante la década de 1930, en Marsella, Francia, dos delincuentes trabajan para los jefes del crimen local hasta que deciden emprender su propio negocio.Durante la década de 1930, en Marsella, Francia, dos delincuentes trabajan para los jefes del crimen local hasta que deciden emprender su propio negocio.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 nominaciones en total
Opiniones destacadas
Very good movie. I watched the original French version without English subtitles and although I struggled a bit with the language it was easy to follow even though my French is not fluent. What really surprised me is that the ratings for Borsalino so far have not been higher - as far as French gangster movies go I would consider it within my top 5. It is pacey with lots of action and unlike some French movies,I was never bored once watching it. The combination of Jean Paul Belmondo and Alain Delon as Capella and Siffredi worked very well and Michel Bouquet's performance as Rinaldi was also very good. My only criticism of Borasalino was that there were too many female characters linked with Capella and Siffredi and we never really learnt more about them as the story progressed. Otherwise a movie I would recommend.
Jacques Deray, who directed gangster genre movies almost exclusively, has achieved his most popular success (in America) with this movie. It was a stroke to combine the two leading men in roles which were cut out for each of them. Credit for this must go (in part, at least) to Alain Delon, who produced the movie. The very catchy, and hummable music for this movie was by the prolific composer, Claude Bolling, who collaborated with Deray on other films.
My only carping criticism is the length of the movie. I feel that about 15 minutes could have been trimmed in order to keep it moving.
My only carping criticism is the length of the movie. I feel that about 15 minutes could have been trimmed in order to keep it moving.
This may not be the best of Jacques Deray's nine collaborations with Alain Delon but it is certainly the most commercially successful. Delon maintained that Deray was the director with whom he had the greatest affinity which is praise indeed considering his sterling work for such luminaries as Visconti, Melville, Verneuil and Clément!
Based upon Scammano's novel 'Bandits at Marseilles' about real life gangsters Carbone and Spirito whose names have naturally been changed, this is essentially a vehicle for Delon and Jean-Paul Belmondo who are both at the height of their popularity and in their physical prime. The pairing proved to be a masterstroke as both actors possess charisma in spades whilst Delon's measured coolness is balanced by Belmondo's easy-going amiability.
Set in 1930's Marseilles this has excellent period detail, a catchy if somewhat repetitious theme by Claude Bolling, female interest in the shape of elegant Francoise Christophe, mysterious Corinne Marchand and delectable Catherine Rouvel and as a bonus we have the always good value Michel Bouquet as a shady lawyer.
Plenty of mucho-macho posturing of course and corpses galore with a shootout set in an abattoir that will have assorted veggies and vegans foaming at the mouth. The imaginative ways in which various low-lifes are bumped off anticipate 'The Godfather' although Deray's film lacks the psychological depth of Coppola's masterpiece. Deray was also said to be influenced by Melville but lacks that director's Existentialist feel. What is certain is that Deray made his mark in the thriller genre which he considered to be 'spectacle of the higher order.'
Based upon Scammano's novel 'Bandits at Marseilles' about real life gangsters Carbone and Spirito whose names have naturally been changed, this is essentially a vehicle for Delon and Jean-Paul Belmondo who are both at the height of their popularity and in their physical prime. The pairing proved to be a masterstroke as both actors possess charisma in spades whilst Delon's measured coolness is balanced by Belmondo's easy-going amiability.
Set in 1930's Marseilles this has excellent period detail, a catchy if somewhat repetitious theme by Claude Bolling, female interest in the shape of elegant Francoise Christophe, mysterious Corinne Marchand and delectable Catherine Rouvel and as a bonus we have the always good value Michel Bouquet as a shady lawyer.
Plenty of mucho-macho posturing of course and corpses galore with a shootout set in an abattoir that will have assorted veggies and vegans foaming at the mouth. The imaginative ways in which various low-lifes are bumped off anticipate 'The Godfather' although Deray's film lacks the psychological depth of Coppola's masterpiece. Deray was also said to be influenced by Melville but lacks that director's Existentialist feel. What is certain is that Deray made his mark in the thriller genre which he considered to be 'spectacle of the higher order.'
"Borsalino" is one of the all-time fun French gangster films. I saw it in a cinema in Paris when I studied there eons ago, but just try to find the DVD or videotape! I guess they're trying to increase its rarity value by foisting a much inferior film, Borsalino & Company, on Delon and Belmondo fans. Well, this is the genuine article, more Marseille than the real city, perhaps 70 years or so ago, so just enjoy the great dialogue and scenarios IF YOU EVER MANAGE TO GET YOUR HANDS ON THIS TAPE OR (BETTER) DVD, NOT DUBBED but with subtitles s'il vous plaît. The soundtrack by Claude Bolling (sporadically available on CD) is the perfect accompaniment, and the combination of the French cinema's two most popular young actors made this an all time favorite in France. In the final analysis, style certainly triumphs over substance, and you'll never forget you are seeing Delon and Belmondo. This film has stuck in my mind all these years, and I think you'll be just as impressed as I was... bonne chance!
At that time,Jean-Paul Belmondo and Alain Delon who had been top of status as an actor in France. They seemed to enjoy performing light touch gang star movie. Jean Paul and Alain argued who's name should be up or down. I thought it doesn't matter for them. About 28 later they co-worked with "Half A Chance(1998)",they fight fighting over the same woman and became partner...it reminded me of this movie. Also fashion coordinate and soundtrack were great.
¿Sabías que…?
- TriviaThe film was based on real life gangsters Paul Carbone and François Spirito. Alain Delon found the story in a book he was reading about French gangsters from 1900 to 1970. He produced the film looking for a vehicle for him to co-star with Jean-Paul Belmondo.
- ErroresWhen François Capella (Belmondo) goes to the beach with Roch Siffredi (Delon), François wears his black swimsuit the wrong way around. His nipples are visible. The back is his front, and in some shots where he comes back with Ginette he has the swimsuit on the right side. In some shots he has the swimsuit on the wrong way again, which repeats.
- Citas
Martial Roger, le comptable: In love as in business, some things remain unwritten.
- ConexionesFeatured in Tango Bar (triángulo de amor) (1987)
- Bandas sonorasPrends-Moi Matelot
Music by Claude Bolling
Lyrics by Jacques Deray and Jean-Claude Carrière
Performed by Odette Piquet
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- How long is Borsalino?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Die Losleger
- Locaciones de filmación
- Marsella, Bocas del Ródano, Francia(Exterior)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 1,090,000
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By what name was Borsalino (1970) officially released in India in English?
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