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Galería nocturna

Título original: Night Gallery
  • Serie de TV
  • 1969–1973
  • TV-PG
  • 50min
CALIFICACIÓN DE IMDb
7.9/10
6.6 k
TU CALIFICACIÓN
POPULARIDAD
2,558
4,918
Rod Serling in Galería nocturna (1969)
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Supernatural FantasySupernatural HorrorDramaFantasyHorrorMysterySci-FiThriller

Rod Serling presenta cuentos de terror ilustrados en varios cuadros.Rod Serling presenta cuentos de terror ilustrados en varios cuadros.Rod Serling presenta cuentos de terror ilustrados en varios cuadros.

  • Creación
    • Rod Serling
  • Elenco
    • Rod Serling
    • Larry Watson
    • Joanna Pettet
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.9/10
    6.6 k
    TU CALIFICACIÓN
    POPULARIDAD
    2,558
    4,918
    • Creación
      • Rod Serling
    • Elenco
      • Rod Serling
      • Larry Watson
      • Joanna Pettet
    • 65Opiniones de los usuarios
    • 30Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Nominado a 2 premios Primetime Emmy
      • 2 premios ganados y 4 nominaciones en total

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    Editar
    Rod Serling
    Rod Serling
    • Self - Host
    • 1969–1973
    Larry Watson
    • First Deputy (segment "Green Fingers")…
    • 1970–1972
    Joanna Pettet
    Joanna Pettet
    • Claire Foster (segment: Keep in Touch - We'll Think of Something)…
    • 1970–1972
    Matt Pelto
    • 2nd Doctor (segment "The Little Black Bag")…
    • 1970–1972
    Gary Collins
    Gary Collins
    • Dr. Michael Rhodes
    • 1972
    Susan Strasberg
    Susan Strasberg
    • Ruth Asquith (segment "Midnight Never Ends")…
    • 1971–1973
    Geraldine Page
    Geraldine Page
    • Frances Turchin (segment "Stop Killing Me")…
    • 1972–1973
    John Astin
    John Astin
    • Jonathan (segment "Pamela's Voice")…
    • 1971–1972
    Michael Laird
    • 1st Goblin…
    • 1971–1972
    Alan Napier
    Alan Napier
    • Cousin Zachariah Ogilvy…
    • 1971–1972
    John J. Fox
    • Heckler (segment "Make Me Laugh")…
    • 1971
    John Barclay
    John Barclay
    • Another Man (segment "The Sins of the Fathers")…
    • 1971–1972
    Sandra Dee
    Sandra Dee
    • Alice Martin…
    • 1971–1972
    Jack Laird
    • Igor (segment "The Funeral")…
    • 1971–1972
    Jason Wingreen
    Jason Wingreen
    • 2nd Reporter (segment "The Nature of the Enemy")…
    • 1970–1972
    Ross Martin
    Ross Martin
    • Bradley Meredith…
    • 1971–1972
    Stuart Whitman
    Stuart Whitman
    • Capt. Hendrick Lindemann (segment "Lindemann's Catch")…
    • 1972
    William Windom
    William Windom
    • Professor Putman (segment "Little Girl Lost")…
    • 1971–1972
    • Creación
      • Rod Serling
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios65

    7.96.5K
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    Opiniones destacadas

    sawyertom

    PORTRAITS IN SHEER TERROR AND IRONY

    The Night Gallery was Rod Serling introducing tales of terror and irony much like he did for the Twilight Zone. While the TZ dealt more with Sci-Fi, Night Gallery dealt with the macabe. Damn, was it good and scary. The stories that stood out in my mind were the Tune In Dan's Cafe, Green Fingers and They're Aren't Anymore McBanes. Talk about scary. I remember watching the McBanes episode and it scared the daylights out of me and my mother who was watching it with me. The TUne in Dan's Cafe is very haunting. To me this is one of the best anthology shows ever, ranking up there with the Outer Limits(the original) Tales From the Darkside, One Step Beyond, and the great Twilight Zone. I love the fact that the Sci-Fi channel runs Twilight Zone episodes back to back in front of the older Outer Limits episodes. Now if only it would add the Night Gallery all would be perfect in the afternoon. The Night Gallery is classic horror anthologies at their best. Great acting, great stories, scary as hell. Pass the popcorn and get ready for some real chills. way to go Rod Serling another classic show.
    8midnitepantera

    I AM STILL FREAKED OUT BY 1971 EP THE DOLL! :O

    I grew up watching this as a really little kid in Brooklyn, my family loved this show and it's probably the reason I still suffer from Night Terrors to this DAY! I was 5 when I saw 1971 episode THE DOLL. (there are 2 different doll episodes, I think the other is from 73 and is called Doll of Death) Anyhoo, I was SO FREAKED out from watching that 71 The Doll episode that I still remember having horrible nightmares as a kid and I called the Episode The Doll with the Black Eyes. I couldn't sleep in a room with dolls, and I had a new strange raggedy ann type doll my aunt had just bought me, and she had Solid Black Eyes. I loved that doll, but could not sleep with it in my bed or anywhere in my room at night after this episode. I would make my Mom lock it up every night. Seriously!! I Never wanted to re-watch that episode growing up and even as an adult cannot sleep in any room with dolls. I finally re-watched this in 2004, I'm a grown woman and YES, it still CREEPED ME OUT!! It's like this episode gave me PTSD as a kid, and all those feelings of Terror came flooding back. I know, it sounds crazy, but it's TRUE! I haven't watched it since. LOL I'm creeped out just writing this and remembering how terrorized I felt as a child. Rod Serling was Great and I love him to this day, but his show Freaked me out and left my sleep disturbed to this day. But weird thing is I always Loved Horror Movies and can watch The Walking Dead alone at night with no problems, but Don't play the Doll with the Black Eyes for me, cause I don't think I will sleep for days. :o Great old school series with alot of creepy and disturbing episodes. ;D.
    laffinsal

    Fantastic Series

    One of the most underrated TV series of the 1970s, and of all time, is this terrific collection of sci-fi and horror stories, hosted by Rod Serling. Often (wrongly) compared to Serling's other series, "The Twilight Zone"...the overall mood, and purpose of this series is different. The "Zone" was a collection of morality tales, disguised as sci-fi stories. A fantastic show, without a doubt, but the "Gallery" was designed purely to shock and entertain...and it certainly succeeded in that area.

    So much great talent was on display in this series. The actors, writers, directors, and musicians were almost always top-notch. Though the decision to have multiple stories within each episode, did result in some mediocre results sometimes (especially with the campy vignettes), the quality of the better segments is what most remember best.

    Among some of the better segments:

    "They're Tearing Down Tim Riley's Bar", with William Windom (in an awesome performance) as a has-been salesman who's beckoned by the ghosts of his past.

    "The Doll", about a gruesome doll, sent to a British officer as revenge.

    "The Tune in Dan's Cafe", about a haunted jukebox that plays the same song always.

    "Green Fingers", with Elsa Lanchester as an elderly woman, harassed by a tycoon who wants her land, where she has an unusual knack for gardening.

    So many more great ones. Some folks get turned off by the dated 1970s look to this show (the costumes, sets, bright color, excessive use of zooms/close-ups). If you can get past that aspect, and rather appreciate the show's camp value, you're sure to enjoy this unique and highly original horror series. It's a classic in my book.
    jwalsh67

    I tune in whenever I can

    There is something that sets Night Gallery apart from all other sci-fi/thriller TV shows. An ethereal element of mystique lurks within every episode that provides for unique entertainment. Narrated by Rod Serling, Night Gallery explores the supernatural from the context of an abstract painting--a different painting each episode. When narrating his previous series, The Twilight Zone, Serling generally manifested an air of superiority to the plot--like he had it in the palm of his hand and could control it. In Night Gallery, however, he relinquishes such control and becomes more a PART of the madness; as if the gallery is controlling HIM (it is also refreshing to finally view him in color). Night Gallery episodes are NOT concluded with a Serling anecdotal summary; instead, a shocking punch is usually delivered that the viewer is left to unravel without assistance.

    The directing and editing are top notch. Scenes cascade in a swift and somewhat ambiguous fashion, and camera tricks are cleverly exploited to hold our attention--proving that today's computer graphics are not essential to exact viewer interest. Simple story lines are translated into convoluted journeys of intrigue with music and sound effects akin only to The Exorcist.

    Some memorable episodes include Sally Field playing a woman with multiple personalities (this was before she played Cybil, mind you); an ostracized young girl who befriends a seaweed monster; a diner jukebox that hauntingly plays only one song; a man who has an earwig planted in his ear that creeps through his brain (and lays eggs!); and a young Clint Howard (Ron's kid brother) playing a child prodigy who foresees mankind's treacherous fate.

    Of course, there are those little, campy vignettes thrown in for fun, most of which are mildly amusing. Overall, this is an exhibit you will not want to bypass!
    cchase

    Creepy chills and grisly gems on display for your perusal...

    Caught a few episodes of this once again, as part of a Memorial Day marathon on Encore's MYSTERY! Channel. In spite of the fact that it was mostly reviled by critics and not a few viewers, when it originally ran on NBC back in the early '70's, it now has garnered a cult following and I can definitely see why.

    GALLERY in its own way, did for horror anthologies what TWILIGHT ZONE did for science fiction and fantasy. It's not as good as ZONE was in most respects, and I don't think that Rod Serling intended it to be. Free of the pressure of topping himself, which was something damn near impossible to do, GALLERY could be wildly uneven in the way the stories were featured, as it has been mentioned before, in terms of both quantity and quality. One story could take up an entire hour, while a half-hour tale could be accompanied by much shorter vignettes, some of them no more than LOVE, AMERICAN STYLE-quality blackouts, albeit it with endings that feature mayhem rather than marriage, though just as hokey.

    A lot of the clothes, the special effects, the skewed photographic angles and lighting are positively outdated by today's standards, but that is a big part of the charm of revisiting a lot of the episodes, many which are all too familiar to the generation that grew up with GALLERY and its peer programs from this particular era.

    Even more fascinating, however, is the chance to see movie and TV veterans rubbing elbows and sharing scenes with many "newbies," a lot of whom are established stars today, and the chance to see them cutting their teeth on '70's material is an interesting and sometimes enlightening experience. For example, one episode I viewed featured Kim Hunter, Harry Morgan and a very young Randy Quaid; another starred an up-and-coming actor named Bill Bixby, with Carol Lynley, Ned Glass and Donna Douglas (yes, as in "Ellie Mae Clampett," but without most of her corn-pone accent.)

    Based on classic short stories by everyone from August Derleth and H.P. Lovecraft ("Pickman's Model"), to Charles Beaumont and Ray Bradbury, the adaptations varied in quality, but usually never suffered as much as the original stories. Even so, there were scripts, directing and acting that are still every bit as good as anything produced today, better even, since anthology shows such as this are in woefully short supply (though the revamped THE OUTER LIMITS is in reruns, and I've heard a new version of THE TWILIGHT ZONE is in the works.)

    Case in point, is one of the episodes I saw in the marathon, called THE WAITING ROOM. From an original Rod Serling story, directed by one of the resident GALLERY helmers, Jeannot Szwarc, this was a masterfully dark Old West tale with a twist, and a Who's-Who of a cast that would put any character actor buff or fan of Western potboilers into High Noon Heaven: Steve Forrest, Buddy Ebsen, Lex Barker, Albert Salmi, Jim Davis and Gilbert Roland. This tale brought to mind a movie TNT did not so long ago called PURGATORY, but where that film needed ninety minutes, this episode delivered a similar punch in thirty.

    Of course, there is the now-legendary work done in both the pilot movie and the series by some young, green, but talented kid with the unlikely last name of Spielberg, but if you should happen to catch this while channel-surfing, look beyond those prejudicial impressions, stop and give it a chance, especially if you haven't seen it in quite a while. There are plenty of misses that were made during GALLERY'S three-season run, but the hits, which can still leave trails of cranberry-sized goosebumps down the back of your spine, are definitely worth it. Don't believe me? Well, you'll know whether or not NIGHT GALLERY can still have an effect on you, if you still shudder when you read my closing sentence...

    "...and the FEMALE LAYS EGGS...."

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    Argumento

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    Editar
    • Trivia
      Artist Thomas J. Wright painted all of the paintings used to introduce each story.
    • Citas

      Rod Serling: For those of you who've never met me, you might call me the under-nourished Alfred Hitchcock.

    • Versiones alternativas
      Major changes were made to most episodes for syndication. The 60-minute episodes were edited down to 30 minute packages, with major edits to some of the 30-40 minute segments of the original shows. In cases of segments that were only 15-20 minutes in length, these were padded out by adding stock footage, newly shot scenes, and footage from Hollywood movies such as Naves misteriosas (1972) and Fahrenheit 451 (1966). Most musical cues were also replaced for syndication. In order to augment "Night Gallery"'s syndicated run, episodes of Sexto sentido (1972) were edited down to 30 minutes, had new introductions by Rod Serling tacked on, and were added to the syndicated run of "Night Gallery."
    • Conexiones
      Edited from Four-In-One (1970)

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    Preguntas Frecuentes18

    • How many seasons does Night Gallery have?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 8 de noviembre de 1969 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Night Gallery
    • Locaciones de filmación
      • Colonial Street, Backlot, Universal Studios - 100 Universal City Plaza, Universal City, California, Estados Unidos
    • Productora
      • Universal Television
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      50 minutos
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.33 : 1

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