Galería nocturna

Caught a few episodes of this once again, as part of a Memorial Day marathon on Encore's MYSTERY! Channel. In spite of the fact that it was mostly reviled by critics and not a few viewers, when it originally ran on NBC back in the early '70's, it now has garnered a cult following and I can definitely see why.

GALLERY in its own way, did for horror anthologies what TWILIGHT ZONE did for science fiction and fantasy. It's not as good as ZONE was in most respects, and I don't think that Rod Serling intended it to be. Free of the pressure of topping himself, which was something damn near impossible to do, GALLERY could be wildly uneven in the way the stories were featured, as it has been mentioned before, in terms of both quantity and quality. One story could take up an entire hour, while a half-hour tale could be accompanied by much shorter vignettes, some of them no more than LOVE, AMERICAN STYLE-quality blackouts, albeit it with endings that feature mayhem rather than marriage, though just as hokey.

A lot of the clothes, the special effects, the skewed photographic angles and lighting are positively outdated by today's standards, but that is a big part of the charm of revisiting a lot of the episodes, many which are all too familiar to the generation that grew up with GALLERY and its peer programs from this particular era.

Even more fascinating, however, is the chance to see movie and TV veterans rubbing elbows and sharing scenes with many "newbies," a lot of whom are established stars today, and the chance to see them cutting their teeth on '70's material is an interesting and sometimes enlightening experience. For example, one episode I viewed featured Kim Hunter, Harry Morgan and a very young Randy Quaid; another starred an up-and-coming actor named Bill Bixby, with Carol Lynley, Ned Glass and Donna Douglas (yes, as in "Ellie Mae Clampett," but without most of her corn-pone accent.)

Based on classic short stories by everyone from August Derleth and H.P. Lovecraft ("Pickman's Model"), to Charles Beaumont and Ray Bradbury, the adaptations varied in quality, but usually never suffered as much as the original stories. Even so, there were scripts, directing and acting that are still every bit as good as anything produced today, better even, since anthology shows such as this are in woefully short supply (though the revamped THE OUTER LIMITS is in reruns, and I've heard a new version of THE TWILIGHT ZONE is in the works.)

Case in point, is one of the episodes I saw in the marathon, called THE WAITING ROOM. From an original Rod Serling story, directed by one of the resident GALLERY helmers, Jeannot Szwarc, this was a masterfully dark Old West tale with a twist, and a Who's-Who of a cast that would put any character actor buff or fan of Western potboilers into High Noon Heaven: Steve Forrest, Buddy Ebsen, Lex Barker, Albert Salmi, Jim Davis and Gilbert Roland. This tale brought to mind a movie TNT did not so long ago called PURGATORY, but where that film needed ninety minutes, this episode delivered a similar punch in thirty.

Of course, there is the now-legendary work done in both the pilot movie and the series by some young, green, but talented kid with the unlikely last name of Spielberg, but if you should happen to catch this while channel-surfing, look beyond those prejudicial impressions, stop and give it a chance, especially if you haven't seen it in quite a while. There are plenty of misses that were made during GALLERY'S three-season run, but the hits, which can still leave trails of cranberry-sized goosebumps down the back of your spine, are definitely worth it. Don't believe me? Well, you'll know whether or not NIGHT GALLERY can still have an effect on you, if you still shudder when you read my closing sentence...

"...and the FEMALE LAYS EGGS...."

Often lost in the shadow of Rod Serling's first series, "The Twilight Zone," "Night Gallery" was a fascinating experiment in the anthology format. Instead of one story per episode, the hour was splintered into two, three, or four different stories of varying length. Some were quite brief, lasting no more than a minute; others lasted over 40 minutes. The quality often varied, too. A few of the little vignettes were quite bad. Some stories were quite good. And on more than a few occasions, this little mini-film festival on Wednesday nights produced segments that were as good as anything else on TV at the time. Classic episodes included "They're Tearing Down Tim Riley's Bar," "Pickman's Model" (both nominated for Emmys), "The Caterpillar," "Class of '99," "Green Fingers," "The Messiah on Mott Street," "The Sins of the Fathers," "The Doll," "Cool Air," "Silent Snow, Secret Snow," "A Question of Fear," "The Little Black Bag," and "The Dead Man." Because one of these classics could often be followed or preceded by a story of lesser quality, the series got a reputation for being wildly uneven. It was universally lambasted during its network run by near-sighted critics who were thrown off by its inconsistency, and missed the quality elements: intelligent, stylish writing by Serling and others, top-notch production values (particularly in cinematography and music), and innovative directorial touches. For its syndication run, the series segments were butchered to fit into a half-hour time slot, some losing half their length in the editing, and is a travesty, a mere shadow of its former self. Episodes of a boring ESP potboiler, "The Sixth Sense," were annexed into the syndie package with terrible results. Stick to the uncut version.

I vaguely remember watching this show when I was a small child when it was a regular series. I watched it in syndication when I was an adolescent and have watched it as an adult on the Sci-Fi channel, so I guess that you could say I have had a chance to view Night Gallery from three very different perspectives. Rod Serling was a true genius who was often called television's "first angry man". What I mean is that he wrote scripts for tv that dealt with real social issues and were not meant as fluff entertainment. He wanted to send out a message with the stories that he wrote. Serling wrote such classic screenplays as Requium For A Heavywieght and Patterns. He probably would not have liked it that he was best remembered for The Twilight Zone! Night Gallery was the last series he hosted before his untimely death in 1975. Each episode had about three or four stories. Of course they didn't hit the target with all of them, but they still had a good batting average! Some of the episodes were disturbing and terrifying and some were just meant to be merely humerous. I remember one with Leslie Nielsen as the Phantom of the Opera (keep in mind this was before the Naked Gun and Police Squad when he was a dramatic actor). The girl unmasked him and he unmasked her and found she was as deformed as he was! They had another episode that I clearly remember about a time traveler who was a survivor of the Titanic who was picked up by the Lusitania who was then rescued by the Andrea Doria! The one that I remember the most, the one that chilled me was the one about a boy who could see the future and then described a horrifying vision where the sun would explode (a nova) and would incinerate the earth! The fun part of this show was the high quality of the guest stars that they had everyone from Burgess Meredith to Ozzie and Harriet Nelson to Leonard Nimoy. Gary Collins was Night Gallery's most frequent guest star, he played a parapsychologist named Doctor Rhode's who investigated all kinds of odd cases and his character was so popular that he even got his own series. I always enjoyed every episode that Mister Collins was in. People don't realize this, but the original Night Gallery movie in 1969, the series pilot was one of the first television movies ever made! In fact, one of the directors who did one of the stories was a young man named Steven Spielburg! The story I most remember from the pilot was one with Richard Kiley as a Nazi War Criminal who meets a truly just and horrifying end. A man who put too many Christs on crosses for any God to give him forgiveness! Rod Serling fought in World War II as a paratrooper and was severely wounded. His wife said in an interview that he never stopped having nightmares about the war and many of the stories he wrote for the Twilight Zone and Night Gallery deal with the horrors of war. Rod Serling was a true genius who wrote stories that entertained us and made us think at the same time.

For those who enjoy psychological thrillers and who have never seen "Night Gallery" - find them and watch them. This show was on television when I was only six, yet I can still remember how utterly spooky, horrifying and terrorizing some of the vignettes were. Granted, not all of them were great (some were a bit silly), but there were ones that I would still find chilling today. Some gems include Joan Crawford and Tom Bosley in one story about eyes, Roddy McDowall as a spoiled heir to a large fortune, and Agnes Moorehead, Rachel Roberts and Grayson Hall with the shadows on the wall. I could go on and on...you can also find information about the series at www.nightgallery.net. And -- some of the paintings done for the vignettes are downright creepy! All in all a great series, and it's a shame it didn't last longer.

Everyone knows the genius of Rod Serling's science fiction, suspense series, THE TWILIGHT ZONE. NIGHT GALLERY was a different sort of series, bringing horror to the small screen. Stories by the likes of H.P. Lovecraft, Richard Matheson, and Robert Bloch were presented weekly, in a macabre art museum setting. Serling himself was the "curator" / host. Each episode was like a mini-feature film. There was great care and quality involved.

The reason this show never reached the same stellar status that TTZ did is easy to discern. While the first season is filled with many classic episodes featuring supernatural, sometimes surreal tales, studio meddling and economic pressures doomed the later seasons to a more conventional TV hell.

The network -obviously- was only concerned with better ratings / profit, so, it demanded shorter segments, more "accessible" stories, and, of course, comedy. Serling, being the eternal iconoclast, hated this nonsense, but had no real choice. If it had all been done his way, without the tampering, NIGHT GALLERY would have been a horror masterpiece. As it stands, it has the first season of brilliance, followed by a second decent season, and a third that is hit and miss. Still, this show was unique, and even its worst episodes were better than most of the rubbish on TV...