La pandilla salvaje

1913, nine men who came too late and stayed too long . This is the story about some men making their last stand . At the beginning , the wild bunch holds up a bank of Texas , but it goes wrong . The misfit group is formed by Dutch (Ernest Borgnine) , the Gorch brothers (Ben Johnson, Warren Oates) , Angel (Jaime Sanchez) , Sykes (Edmond O'Brien) and commanded by Pike (William Holden) . After that , they go to Mexican territory , being pursued by Thorton (Robert Ryan) and his ragtag band (Peckinpah's usual : Strother Martin and L. Q. Jones) . At the ending the Wild Bunch makes their last stand against a cruel Mexican general (Emilio Fernandez).

This excellent Western packs lots of action , shootouts, and explosive violence . Taut excitement throughout , beautifully photographed and spectacular bloodletting filmed in slow moving . Rich in texture and including intelligent screenplay full of incredibly lyrics scenes by Peckinpah and Roy Sickner , also producer . Vibrant as well as brilliant all-star-cast displays exceptional performances . Holden and Ryan are perfect as the older gunfighters with their own ethic codes . Furthermore , good secondaries as Bo Hopkins , Albert Dekker , L.Q Jones and Strother Martin gives one of the best performances . Colorful cinematography filmed in Mexico by Lucien Ballard in Technicolor and Panavision . Spectacular and sensitive musical score by Jerry Fielding , including Mexican popular song titled 'Golondrina' that is emotively sung when the bunch comes out of the Mexican village . The motion picture was stunningly directed by Sam Peckinpah , creating a true classic . Restored and reissued various times with diverse running . The Wild Bunch is a real must see for fans of the genre .

Probably one of the most controversial films ever made, the Wild Bunch was equally hated and admired upon it's release over 30 years ago. Even today, as proof of it's staying power, it is still widely debated if Sam Peckinpah made a masterpiece or a monstrosity. Personally, I'm of the firm belief that Peckinpah contributed one of the finest American films of the last century.

The chemistry that Peckinpah was able to put on celluloid for this film is brilliant. William Holden and Ernest Borgnine as the leaders of the Bunch, play their roles with conviction and tenacity. Robert Ryan, once an outlaw with Holden, and now forced to hunt him down, portrays the tortured individual caught between an old friendship and the threat of incarceration in a vicious prison. Ben Johnson and Warren Oates are solidly believable as real life brothers as they depict their roles as Tector and Lyle Gorch, and finally Jaime Sanchez rounds out the gang as the fiercely patriotic Mexican, Angel.

Also a Peckinpah movie wouldn't be complete without L.Q. Jones and Strother Martin portraying the cowardly, scheming, body robbing bounty hunters eager for the money on the heads of the Wild Bunch.

This is a film that you can re-visit time and time again and relish the depth of the characters and feel their desperation as the west that they once knew has now become a distant memory.

Apart from the great casting, the tight scripting , exciting stuntwork, wonderful cinematography, gripping dialogue, and first class editing of the gunfights, this movie will be continually looked upon as one of the most important films of American cinema.

See it, enjoy it and experience great movie making!!

An incredible performance by Bill Holden is the high point of this sensational, landmark film. Holden made a whole career out of laid-back, easy-going, what-the-hell sort of characters but here, at his zenith, he departs from type and plays a character so mean and so embittered that in some ways he even out-Bronsons Bronson himself.

The Wild Bunch is a group of disillusioned outlaws who are out of time and they know it. When Sykes says that they've got one of those things (a car) up north that can fly, they gloomily accept that this new-fangled 20th Century is not for them.

It is a movie all about values and about a man's loyalty to his companions. Holden brilliantly declares that if you cannot stand by a man who rides with you, you are like some kind of animal. In the end, that is all these hunted men have: their loyalty to each other.

And so they band together for one last walk to try and rescue their doomed Mexican comrade. The bloodbath that follows is an eloquent summary of their lives. They who live by the gun.....

Superb performances by Holden in particular and also by O'Brien, Ryan, Borgnine, Oates and Johnson. Peckinpah's finest hour. Definitely ten out of ten.

I got this movie on DVD at the suggestion of my brother. I admit to knowing nothing about it's director and a complete lack of familiarity with most of it's actors or the mythology behind it's production (I was born years after it was made). I can, however, safely say this: this is one of the greatest movies ever made. Every aspect of the film is flawless, from the acting to the cinematography to the script.

This is also the most truly macho of all macho movies. It's not cartoonish machismo, rather it's the kind of machismo you see in drywall hangers: no-nonsense comments like "We're after men" and "Let's go" predominate, the men don't swagger around and violence is approached (fairly) honestly. The reserved dialogue and physicality reminds me of "Seven Samaurai" (to which this film owes a great deal). To me, that is the highest praise that I can give a movie.

The photography is amazing: the desert looks sweltering and parched, the close-ups of actor's faces outdoes Sergio Leone and the action is probably the best ever filmed. Scorcese and Tarantino obviously owe a lot to Peckinpaw. The scene during the opening credits of "Reservoir Dogs" is a direct lift from this movie, just to cite one of countless examples.

The acting is on par with the direction. Robert Ryan steals the show and, c'mon, who doesn't love Ernest?

Some would poo-poo the films treatment of women, and I am not going to get involved in that debate. Just go see it because, like the best movies, it immerses you in a time and place. Smell the sage!

Outlaws led by Pike Bishop on the Mexican/U.S. frontier face not only the passing of time, but bounty hunters (led by former partner of Pike, Deke Thornton) and the Mexican army as well.

In 1969 Sam Peckinpah picked up the torch that Arthur Penn lit with 1967's "Bonnie & Clyde", and literally poured gasoline on it to impact on cinema to the point that the shock wave is still being felt today. The death of the "Motion Picture Production Code" in 1967 ushered in a new era for cinema goers, it was a time for brave and intelligent directors to step up to the plate to deliver stark and emotive thunder, and with "The Wild Bunch", director Sam Peckinpah achieved this by the shed load.

The Wild Bunch doesn't set out to be liked, it is a harsh eye opening perception of the Western genre, this is the other side of the coin to the millions of Westerns that whoop and holler as the hero gets the girl and rides off into the sunset. Peckinpah's piece is thematically harsh and sad for the protagonists, for these are men out of their time, this is a despicable group of men, driven by greed and cynicism, they think of nothing to selling arms to a vile amoral army across the border.

The film opens with a glorious credit sequence as we witness "The Bunch" riding into town, the picture freeze frames in black & white for each credit offering, from here on in we know that we are to witness something different, and yes, something very special. The film is book-ended by ferocious bloody carnage, and sandwiched in the middle is an equally brilliant train robbery and a slow-mo bridge destruction of high quality. Yet the impact of these sequences are only enhanced because the quality of the writing is so good (Walon Green and Roy N. Sickner alongside Peckinpah).

There's no pointless discussions or scene filling explanations of the obvious. Each passage, in each segment, is thought through to gain credibility for the shattering and bloody climax. There is of course one massive and intriguing question that hangs over the film - just how did Peckinpah make such low moral men appear as heroes, as the "four outlaws of the apocalypse" stroll into town, their fate to them already known?. Well I'm not here to tell you that because you need to witness the film in its entirety for yourself. But it's merely one cheeky point of note in a truly majestic piece of work. A film that even today stands up as one of the greatest American films ever made. 10/10