Matar para vivir

Not-so-grieving widow Claire Marrable is horrified to hear that her supposedly wealthy husband has apparently left her penniless. But, being a practical (and resourceful) type, she hits on a scheme to keep her in the comfort to which she wishes to become accustomed. Relocating to the Arizona desert, she hires elderly housekeepers with no known relatives (but tidy nest eggs) and sends them to their rewards a bit sooner than they planned. And their remains become mulch for the widow's growing garden as each is buried under a quickly flourishing sapling. This later entry in the "horror hag" sweepstakes features absolutely wonderful performances from Geraldine Page, who has a high old time as the haughty, demented and thoroughly relentless Mrs. Marrable, and Ruth Gordon, as Alice Dimmock, her new housekeeper, who isn't quite what she seems to be. On the sidelines are Rosemary Forsyth, herself a (young) widow with a nephew, Robert Fuller as Miss Gordon's nephew, and Joan Huntington as the scheming wife of Page's nephew. With a cast made up of widows and nephews, how scary can "Aunt Alice" be? Not very. But it's a delicious black comedy which allows Page and Gordon the opportunity to give the performances of their lives. There's also a neat cameo from Mildred Dunnock ("Death Of A Salesman") as the luckless servant who precedes Miss Gordon. One of the best "Grand Guignol" films ever made!

Geraldine Page and a lively script lift this otherwise b-grade film to the status of cult classic. With her unique voice and mannered style of method acting, Page has never disappointed me in any of her many performances. And in this thriller, Theodore Apstein's clever screenplay gives the inimitable Page ample opportunity to portray a woman who, although inwardly venomous, amuses viewers in a stylized, aristocratic sort of way. In a major support role, feisty Ruth Gordon adds spunk. All of which adds up to 101 minutes of viewing fun, despite a grating, fingernails-on-the-blackboard music score, and dubious production values which, toward the film's end, have a black Lincoln turning yellow, then black, then yellow again, and back to black, in the span of 43 seconds. Charming.

I don't really care what the credits say about who directed this movie. The director may have directed everyone else, but Geraldine Page directed herself in this fabulous, campy movie of desperation. Every single tick, nuance and mannerism which you have enjoyed watching Geraldine do is in this movie. I have never seen a movie before where the lead actress so blatantly chews up the scenery. She is absolutely magnificent in this thriller sleeper. Where else can you see an actor act against children and animals and STEAL the scene. No where except here. She has a scene in a shed with a dog and SHE comes out on top. I'm sure the dog resigned from acting after this movie; far too much competition. You have got to see this movie if you are a fan of Geraldine's. Her performance is the ONLY thing that makes this movie work and she's up against the timeless Ruth Gordon and a couple of other pretty good actors. Enjoy.

An intriguing film with plenty of twists and turns , dealing with an aging widow : Geraldine Page who carries out dark and sinister activities with grave consequences . As a poor , eccentric widow develops an awful habit to inherit states from old women by stealing their savings . Meanwhile , an elderly woman : Ruth Gordon takes a job in hopes of solving a mystery . Whatever happened to Aunt Alice was more terrifying than what happened to Baby Jane ! . The only evidence is a growing number of trees by the drive ! . You'll know ..when the horror starts to grow ! .What makes her garden grow ...wouldn't you like to know !

This is a horrific tale with high body-count , violence , thrills , chills , plot twists and portentous interpretations . It packs an adequate cinematography by Joseph Biroc , as well as moving musical score by Gerarld Fried . Main and support cast are frankly top-notch . As Geraldine Page is terrific as the suspect widow who hires maids and hides a deadly secret which she will do anything to keep buried . She is excellently accompanied by the always great Ruth Gordon -of Harold and Maude fame- as Mrs Dimmock acting there just as odd , along with the beautiful Rosemary Forsyth , Robert Fuller and especial appearance by Mildred Dunnock . This film belongs to a sub-genre developed in the Sixties and Seventies , dealing with deranged widows or unsettling spinsters , middle-age women who often commit grisly killings , whose main representatives were Robert Aldrich with his big hit "What ever happened to Baby Jane ?" Stars Bette Davis , Joan Crawford, "Hush ...Hush Sweet Charlotte" stars Olivia De Havilland , Bette Davis and Curtis Harrington with "Whoever slew Auntiee Roo ?" Stars Shelley Winters , "What's the matter with Helen ?" Stars Debbie Reynolds , Shelley Winters , "The Killing Kind" with Ann Sothern and "Games" with Simone Signoret .

The motion picture well produced by Robert Aldrich was competently directed by Lee H Katzin and direction assistant Bernard Girard , providing a tense and competetent filmmaking . Rating : 7/10 notable . Well worth watching . Essential and fundamental seeing for the awesome interpretations of the magnificent actresses .

Although this movie looks a tad dated in certain respects - for instance a stupid subplot could have been eliminated and no one would have missed a thing - it works because of the brilliant playing of Ruth Gordon and - especially - Geraldine Page. I first watched this film at age the age nine when it was released theatrically: it was actually more enjoyable than the supposed "bigger" picture of the double feature! It is very obvious that Geraldine Page relished playing her role of Claire Marrable: she's totally awesome, so witchy and natural-like in her acting technique. Ms Marrable is a rather narcissistic woman who goes through an astonishing array of household help. Enter Ruth Gordon, a sly fox who comes to Marrable for a position in her lovely desert home. Once hired, the viewer is in for a tour-de-force game of cat-and-mouse. Played to the hilt, this little sleeper creeper is most enjoyable.