That Cold Day in the Park

Sandy Dennis plays a lonely woman who sees a young man sitting on a park bench in the rain and invites him in to dry off. He does not speak and she feeds him and buys him new clothes to wear. Dennis is perfect as the troubled lady with severe mental issues. She lives in a world of intense sexual repression, which is never fully explained. The boy turns out to be involved with the 1960's drug and free love culture. The finale is heart breaking and Robert Altman went on to a successful directorial career. Dennis won a Supporting Actress Oscar for her role in "Who's Afraid of Virginia Woolf" and she should have one another for this film.

A rich but lonely woman, Frances Austen (Sandy Dennis), one day invites a boy (Michael Burns) from a nearby park to her apartment and offers to let him live there.

The film was shot in Vancouver for the purpose of getting the rain, which seems odd. Many, many films today are shot in Vancouver, though the weather is not typically a factor. Was this common practice in 1969 or were they pioneering? Although based on a novel, director Robert Altman offered some ideas for the film, and he confessed that some were "awful". Luckily, those ideas were scrapped by star Sandy Dennis and never made it into the film. (Could she be said to be a co-writer? Not quite, but clearly a valuable resource.) Interestingly, the producer was Donald Factor, a member of the well-known Max Factor cosmetics family. His only other part of film history was producing "Universal Soldier" (1971), which starred nobody and was seen by nobody.

To me, a film like this is too difficult to rate.

The 113-minutes amounts to a slow moving, yet fascinating, study in perverse character. Frances (Dennis) is a rich girl living a lonely repressed life in a ritzy Vancouver apartment. Then one rainy day she spots a young man (Burns) sitting alone in a park across from her rooms. Clearly, he's soaked and suffering, unprotected from the rain, while gazing across at him from her comfy apartment, she's suffering from a cloistered life amongst a suffocating elite. Sensing a bond, she takes him in and comforts him though strangely he never says a word to her. Nonetheless, it seems he's a handsome mute presence that breaks her internal solitude. But how can she keep him there since she's too repressed to express emotion other than acting kindly. At the same time, underneath it all, she secretly yearns for sex, yet in her repressed state can't manage the emotional lead-up. Thus, caught between a rock and a hard place, she locks him in the apartment, while plotting to overcome her frozen lead-up to intimacy.

All in all, Dennis manages a single inscrutable expression throughout, a genuine novelty but true to her character's mental state. Of course, we wonder what's going on with Frances, and at the same time, we wonder about Burns's strangely mute boy. It's this curiosity, I believe, that carries viewers over the flatter spots that stretch out the run-time. I hate to say so but it seems director Altman over-indulges a penchant for dressing and undressing his characters as well as other bits of marginal business. But then, to the delight of most audiences, it is 1968 and decades of censorship are breaking down. In short, the forbidden is no longer forbidden, and Altman joins the crowd, perhaps to a fault.

Too bad the narrative's otherwise pointless moments disrupt rather than intensify the underlying character puzzle. All in all, the result amounts to an over-stretched thriller. But one that still manages to fascinate thanks to an odd premise embodied by the quirky Sandy Dennis.

'That Cold Day In The Park' is an extremely underrated psycho-thriller directed by a pre-fame Robert Altman. Sandy Dennis (who Altman would eventually reunite with on 'Come Back To The Five And Dime, Jimmy Dean, Jimmy Dean' in the early 80s) plays Frances Austen, a repressed thirty-something woman who is trapped in a boring bourgeois life after the death of her mother. She becomes fascinated by the sight of a young man (Michael Burns) who sits in the park getting soaked in the rain. After her guests leave she invites him into her home to get warmed up, and after discovering that he is mute an odd relationship develops between them. We soon find out that he he has the power of speech, but she is none the wiser, and his silence allows her to open up a little. After that things get well, complicated. I don't want to spoil what follows but it's fascinating to watch the events unfold, and Dennis' performance is terrific. Sadly she passed away in the early 1990s, Sean Penn's terrific 'The Indian Runner' being her last movie. I know nothing about Michael Burns, but he is also very good, and the supporting cast includes small but important roles from Altman regular Michael Murphy and cult actress Luana Anders ('Dementia 13', 'Easy Rider', 'Greaser's Palace'). 'That Cold Day In The Park' has been neglected for far too long. It's an excellent movie which I highly recommend.

A rich but lonely spinster, Fraces Austen (Sandy Dennis) invites a stranger, young man (Michael Burns) to her home and lets him live with her.

This movie sounds intriguing because the plot and the promotional materials suggest the subject matter of sex even more so involving an older woman, but if viewed through today's standard, this would likely confuse and could potentially garner the worst rating from its audience. And that is because this movie is totally something different. I say this pertaining to how the story was executed. More recent films tend to spoon-feed moviegoers to avoid alienating them from the story of the movie, but at the expense of losing the audience's active participation. I have realized that the movie holds up because it does not follow that trend. It offers so much more beneath the surface for the thoughtful and patient viewer. This is certainly a film that would get better upon repeated viewings. The performance of Sandy Dennis alone is a testament to that. With her almost blank facial expression, her performance adds to the emotional depth of the character. She is perfect for it. The direction of then newcomer Robert Altman (who would later direct classic films such as Nashville and M.A.S.H.) is rightfully subtle. He was able to both reveal and conceal elements for the benefit of the material.

If you are looking for a movie with straight forward storytelling and a clear quick payoff to enjoy and relax to, this might exhaust and bore you to tears. But if you are interested with unconventional narratives that will make you more an active watcher and immerse you in the subject of psychology or simply in how people in the same position think and behave, this will pass as entertaining to you or even more than that. You will surely be rewarded one way or another.