A tanú
- 1969
- 1h 45min
CALIFICACIÓN DE IMDb
8.6/10
8.2 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA poor Hungarian dyke-keeper is caught in the politics of illegally slaughtering his pig by a corrupt and deceitful system of government.A poor Hungarian dyke-keeper is caught in the politics of illegally slaughtering his pig by a corrupt and deceitful system of government.A poor Hungarian dyke-keeper is caught in the politics of illegally slaughtering his pig by a corrupt and deceitful system of government.
- Dirección
- Guionistas
- Elenco
Lajos Öze
- Virág Árpád
- (as Õze Lajos)
Georgette Mertzhradt
- Potocsni elvtársnõ (beszédtanár; szerep-betanító)
- (as Georgette Mertzradt)
Róbert Rátonyi
- Operettszínész
- (as Róbert Ráthonyi)
Károly Bicskey
- Gulyás Elemér
- (as Károly Bicskei)
György Kézdy
- Virág testõre
- (as György Kézdi)
Lajos Mezey
- Író
- (as Lajos Mezei)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
That Bacso Peter's devastating satire was banned by the Hungarian authorities for almost a decade will come as no surprise to anyone lucky enough to see this film. You might be left wondering, however, why or how it was eventually granted clearance while communism still held sway in the country. Perhaps it was the pure, blatant cheekiness of the movie? Or perhaps the government of the time realised there was something to be said for the ability to laugh at oneself? Whatever the reasoning, The Witness stands up as more than a curiosity piece from another era. It's still remarkably fresh, and continues to have much to tell us on the subject of authoritarian bureaucracy. Parts of this film, such as the sequence with the 'Magyar Narancs' (Hungarian Orange) have passed into the countries mass consciousness, and with good reason. In fact, I suspect that as good as this film is you really have to be Hungarian to truly appreciate its subtleties and joys. For the rest of us, however, there are still hilarious moments such as the sausage factory in the basement or Pelikan accidentally being given papers with the pre-determined outcome of a court case. This is a unique, beautiful and powerful political satire and a true Hungarian cinematic treasure.
10IlMatto
This movie did what the other Hungarians couldn't: Really enjoyable and makes the Hungarian '50-s era understandable even for foreigners who have never lived under communist regime. No need to say more.
Well, OK. Just because of the commenting rules.
This movie is full of unforgettable characters. Comrade Virág and the old logopedist lady are my favorites. This aspect is one of the many strong points of the Tanú. And so on, the play of the actors, the sentences and termini technici which became part of the national culture, the great atmosphere, the unique sense of humor made this movie a masterpiece. After more then 20 times of watching, it still can't become boring.
Well, OK. Just because of the commenting rules.
This movie is full of unforgettable characters. Comrade Virág and the old logopedist lady are my favorites. This aspect is one of the many strong points of the Tanú. And so on, the play of the actors, the sentences and termini technici which became part of the national culture, the great atmosphere, the unique sense of humor made this movie a masterpiece. After more then 20 times of watching, it still can't become boring.
As being a Hungarian myself, I might have a soft spot for this film, but I find it extremely funny anyway.
However, I feel I should add some background to those who never lived in a totalitarian personality cult. An era where the best was to keep your mouth shut even among your best friends, for you could not be sure who will report on you. In an era where a big black car might have stopped at your house in the middle of the night to take you and never let you go again. In an era where when deciding about executives, it was your loyalty that mattered not your skill or know-how. Where everyone stated the lemon to be an orange, if it was the dictum of the leaders. Where not clapping hard enough when "our leader" Rakosi addressed the crowd was enough for imprisonment.
All the events described in this film might seem absurd - but I have to say they easily could have and did happen during the '50s in the East of Europe.
Although the regime softened a bit, in 1969 making this film was still not the safest thing to. Not surprisingly it wasn't aired for almost a decade. But since then, it became a cult film by any means. Lines like "Well, comrade Pelikan, life is not all beer and skittles.." are known and quoted by everyone. Yes, laughing at them is mortal to any dictatures...
However, I feel I should add some background to those who never lived in a totalitarian personality cult. An era where the best was to keep your mouth shut even among your best friends, for you could not be sure who will report on you. In an era where a big black car might have stopped at your house in the middle of the night to take you and never let you go again. In an era where when deciding about executives, it was your loyalty that mattered not your skill or know-how. Where everyone stated the lemon to be an orange, if it was the dictum of the leaders. Where not clapping hard enough when "our leader" Rakosi addressed the crowd was enough for imprisonment.
All the events described in this film might seem absurd - but I have to say they easily could have and did happen during the '50s in the East of Europe.
Although the regime softened a bit, in 1969 making this film was still not the safest thing to. Not surprisingly it wasn't aired for almost a decade. But since then, it became a cult film by any means. Lines like "Well, comrade Pelikan, life is not all beer and skittles.." are known and quoted by everyone. Yes, laughing at them is mortal to any dictatures...
One of my favorite movies, unfortunately nothing has changed since the 60's, the only difference is that now we call it modern democracy.
I rank this with "Dr. Strangelove" as one of the funniest political satires I have ever seen. I saw it about 18 years ago at the Mill Valley Film Festival in Marin County, California. I am not Hungarian and have never lived under communism, yet I laughed out of recognition at Peter Bocso's critique of a system so involved with policing itself against imaginary reactionaries that it stops taking care of practical business. The hero is an everyman in charge of flood control at a dam. He is taken to the capital to be a witness in a show trial. Meanwhile, who is minding the dam? While he waits for the court to call on him, the star witness is given a series of do-nothing jobs for which he would not be qualified even if they weren't bogus. The funniest involves supervising the development of the first Hungarian orange (Magyar naranz?) which actually turns out to be a lemon. Is it politically incorrect to call a lemon "a lemon"?
¿Sabías que…?
- TriviaSeveral quotes from the movie, especially the ones "the international situation is intensifying" and "life is not a whipped-cream cake" have become part of everyday speech in Hungary.
- Citas
Virág Árpád: Life is not a whipped-cream cake, Pelikán.
- Versiones alternativasUncensored version: In a longer scene, you can see how in the prison they talk about the thousand years of existence of the Catholic Church and the few years of socialism in comparison. In this version, they don't smoke in prison. Comrade Pelikán visits Zoltán Dániel in prison, where he has already been completely broken. As a result, Pelikán decides to testify. When the guard takes Pelikan to the place of execution, upon their arrival, in the uncensored version, the camera also shows the gallows ready for execution. At the end of the prison scene, the guard tells Pelikán: Get out of here, because I'm going to rage!. Instead of "I get angry", he originally said: "I shoot you in the ass", but due to censorship, it had to be dubbed over, but you can read the original, more stylistic text from his mouth. In the uncensored version, it can be heard with the original text. The last scene, in which Comrade Pelikán and Virág meet on the tram, was completely cut out (because it had to be inserted later, for ideological reasons, due to the positive ending). Therefore, the film ends with Pelican wandering around the big city uncertainly. He stops next to a young man reading a newspaper and asks what day it is, then what month it is. He tells him, but Pelikán even inquires about Duna's position, and the young man asks if Pelikán should also be his bride. In this version, the Marx quote is at the beginning of the film between the cast list and the Attila József quote.
- ConexionesFollowed by Megint tanú (1995)
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