Santo el enmascarado de plata y Blue Demon contra los monstruos

I have been meaning to give an El Santo movie a watch for a long time and now that I have finally done so I'm regretting not having done it sooner, this movie was awesome.

Any true lover of professional wrestling knows some history of Lucha Libre (Mexican wrestling) and the super-stardom some wrestlers had that transcended the business into the real of film. El Santo and The Blue Demon were two of it's biggest stars.

These Luchadors were superheroes in their own right and in tradition of American superhero things like the Batman TV series this movie was as cheesy as hell, but the right kind of cheesy.

Any wrestling fan, or even fans of B movies or cheesy superhero stuff, should watch this and the many other titles to these guys names. For the rest of you, you have no idea what you are missing.

Into the world of Mexican wrestler movies we go. In this one a mad scientist, seeking revenge on his brother and sister-in-law, is resurrected from the dead by Waldo, his faithful servant who also happens to be a hunchback dwarf. Using his gang of zombie minions, he enlists the services of a wolfman, Frankenstein, a male and female vampire, a mummy and a cyclops. But that's not all because there are wrestlers as well - Blue Demon and Santo - it doesn't matter if they are in the ring, in the office or out driving their cars, they go about everywhere wearing their wrestler masks (well, of course they do). Anyway, Blue Demon is captured by the mad scientist and a replica of him is sent out to fight the hero, Santo along with the gaggle of monster villains. This one is chock full of ridiculousness from start to finish but it is top quality nonsense which never fails to entertain. There are lots of fights (it's a wrestler movie after all) and plenty of monster action. I seem to remember there was even a bossa nova song and dance routine thrown in as well. Great fun basically.

This blissfully bonkers, far from formulaic Santo Luchador adventure erupts luridly across the shock- scintillated screen like some phantasmagorical psychotronic fever dream brought to hyperbolic life! The creature feature to end ALL creature features has the indomitable silver masked champion of the underdog dangerously embroiled in one of his most monstrously bizarre mysteries!

After the dead professor, Halder (Carlos Ancira) returns to life via technologies Satanic, he proceeds to maniacally perpetrate a singularly strange reign of monster-infested terror that almost proves too much for, Santo and his loyal criminal crushing compatriot, Blue Demon to handle! Like a lurid horror comic brought to screaming life,'Santo el enmascarado de plata y Blue Demon contra los monstruos' boisterously delivers all the slam bang entertainment one expects, along with an electrifying surge of high-voltaged monster mashing mayhem! The garish sets, eye-boggling make-up, exquisite implausibility, and the dynamic drop-kicking do-gooders rowdy fighting prowess excitingly guarantees another cinematic squall of exemplary Blue Demon & Santo B-movie entertainment!

The following review is an extract from the book "Santo, the Wrestler with the Silver Mask: A guide to all his films", which is now available on Amazon.

"In this part of the Saint we have condensed in just over 80 minutes the classic monsters of the cinema, all in a single film. Here, these beings are automatons without their own will, which at all times follow the orders of the usual mad scientist - an archetypal character of science fiction B movies in general and of Santo´s films in particular. The vampire and the mummy correspond to the usual aesthetics, and so does the "Franquestain" (whose name is written like this during the presentation in the credits), with its markedly "Karloffian" aspect. The werewolf, on the other hand, looks more like a bearded vampire, while the "cyclops" is powerfully reminiscent of the "creature of the black lagoon"; it is a scaly, amphibious beast with a single phosphorescent eye. We also have zombies (if the professor's greenish lackeys can be considered as such). One of them is characterized by wrestler "Caveman" Galindo. Another monster also appears in the laboratory, which although it has a secondary role, is striking: It resembles the aliens in Tim Burton's "Mars Attacks", a film that would not be made until 26 years later.

(...) It is curious the confusion between day and night in certain sequences. For example, during the car chase, one moment you see the daylight and the next moment it is suddenly night (!). Or when the entourage of henchmen of the mad scientist arrives at the castle with his corpse to revive it, they go in a carriage carrying torches... when it is clearly visible that it is daytime...

If up to now Santo used to be enraptured by an aura of mystery, by a certain intangibility, now there are shown moments of his private life: Like his courtship with Gloria (whom he kisses with the mask on!)"

We saw this on a decent-sized screen at a showing presented by the Mexican Consulate (!). The "monsters" are so hilariously bizarre that your treasured memories of vampire women and Aztec mummies will be left in the dust.

But why go on? All you need to know is that Santo and Blue Demon vs the Monsters contains the following line from mad scientist Otto Halder, as he confronts the entire crew of good guys in his lab, all momentarily under his power: "You called me insane!" (Turns to evil invention, calmly.) "I will now disintegrate my niece."

What more could a True Believer ask from a movie than a line like that?